Although the majority of Robert Hayden's writings address racial themes and depicts events in African-American history, he also wrote short poems that capture his own personal experiences. Hayden has an enormous amount of great poems and short stories, but as I read through many of them, I was touched by two specific poems that I felt I could personally relate to. I chose these poems because I am able to put myself into the story-line and understand what the writer is talking about. I believe that a good writer is able to reach any reader regardless of race, gender, or age. Hayden possessed an incredible skill with his language and the structures of his poems that could almost pull the reader right out of their chair and place them in the center of his writings.
Robert Hayden was born Asa Bundy Sheffey on August 4, 1913 in Detroit, Michigan. His mother left him in the care of his neighbors, William and Sue Ellen Hayden, when he was just eighteen months old while she left for New York. The Haydens never legally adopted Robert but they rechristened him as Robert Hayden and took care of him as if he had been their own child.
Hayden attended Detroit City College and Michigan University. During his time at Michigan, Hayden was able to continue his lifelong interest in writing and acting. The most important part of this time was that he had the opportunity to study with W.H.
Auden. Auden at the time was a visiting professor who spent time reading some of Hayden's works and giving him suggestions and valuable criticisms. Hayden credited Auden for helping him develop his own personal style in writing. After he graduated in 1944 he started his career as an instructor of literature, and Frisk University and then at t...
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...d the research on this paper it almost made me dislike poetry more than I already had. I think that poems mean something different to each person. No two people will ever feel the exact same way about a certain poem. When I read the criticisms I disagreed with practically every single one. I don't know why one persons' opinion of a poem is so important that it is published. It makes reading poetry seem more like a chore and makes it hard for me to enjoy. If I read poetry it's because it has touched me in one way or another. To have somebody break it down differently than I would have changes the meaning of it for me. Everybody is entitled to have their own opinion but unless it is the actually writer of the poem explaining how he felt as he wrote this, no else will ever know for sure what he was thinking. The enjoyment comes from opening your mind and losing yourself.
Paul Laurence Dunbar is one of the most influential African American poets to gain a nationwide reputation. Dunbar the son of two former slaves; was born in 1872 in Dayton, Ohio. His work is truly one of a kind, known for its rich, colorful language, encompassed by the use of dialect, a conversational tune, and a brilliant rhetorical structure. The style of Dunbar’s poetry includes two distinct voices; the standard English of the classical poet and the evocative dialect of the turn of the century black community in America. His works include a large body of dialect poems, standard English poems, essays, novels, and short stories. The hardships encountered by members of is race along with the efforts of African Americans to achieve equality in America were often the focus of his writings. http://www.dunbarsite.org/
Many writers begin writing and showing literary talent when they are young. Paul Laurence Dunbar, born and raised in Dayton, Ohio, was already editor of a newspaper and had had two of his poems published in the local newspaper before he’d graduated from high school. His classmate, Orville Wright, printed The Tattler which Dunbar edited and published for the local African American community. After graduating from high school, he was forced to get a job as an elevator operator which allowed him spare time for writing. He finally gained recognition outside of Dayton when, in 1892, he was invited to address the Western Association of Writers and met James Newton Matthews who praised his work in a letter to an Illinois newspaper. In 1892, he decided to publish his first book of poems entitled Oak and Ivy and four years later his second book of poems Majors and Minors was published. People began to see him as a symbol for his race, and he was thought of artistically as “a happy-go-lucky, singing, shuffling, banjo-picking being… in a log cabin amid fields of cotton” (Dunbar, AAW 2). Dunbar’s poems, written alternately in literary and dialect English, are about love, death, music, laughter, human frailty, and though Dunbar tried to mute themes of social protest, social commentary on racial themes is present in his poetry.
“I would hurl words into this darkness and wait for an echo, and if an echo sounded, no matter how faintly, I would send other words to tell, to march, to fight, to create a sense of the hunger for life that gnaws in us all, to keep alive in our hearts a sense of the inexpressibly human.” (Richard Wright) In 1945 an intelligent black boy named Richard Wright made the brave decision to write and publish an autobiography illustrating the struggles, trials, and tribulations of being a Negro in the Jim Crow South. Ever since Wright wrote about his life in Black Boy many African American writers have been influenced by Wright to do the same. Wright found the motivation and inspiration to write Black Boy through the relationships he had with his family and friends, the influence of folk art and famous authors of the early 1900s, and mistreatment of blacks in the South and uncomfortable racial barriers.
When he was fifteen years old, his mother died from appendicitis. From fifteen years of age to his college years, he lived in an all-white neighborhood. From 1914-1917, he shifted from many colleges and academic courses of study as well as he changed his cultural identity growing up. He studied physical education, agriculture, and literature at a total of six colleges and universities from Wisconsin to New York. Although he never completed a degree, his educational pursuits laid the foundation for his writing career.
Richard Wright Black Boy By Richard Wright Collected Poems by Richard Wright The World of Richard Wright by Michel Fabre
Because of that, his writing seems to manifest a greater meaning. He is part of the African-American race that is expressed in his writing. He writes about how he is currently oppressed, but this does not diminish his hope and will to become the equal man. Because he speaks from the point of view of an oppressed African-American, the poem’s struggles and future changes seem to be of greater importance than they ordinarily would. The point of view of being the oppressed African American is clearly evident in Langston Hughes’s writing.
The contradiction of being both black and American was a great one for Hughes. Although this disparity was troublesome, his situation as such granted him an almost begged status; due to his place as a “black American” poet, his work was all the more accessible. Hughes’ black experience was sensationalized. Using his “black experience” as a façade, however, Hughes was able to obscure his own torments and insecurities regarding his ambiguous sexuality, his parents and their relationship, and his status as a public figure.
The 59 year old John Glover Roberts Jr, was born on January 27, 1955 in Buffalo, New York. He was the only son of John G. “Jack” Glover Sr. and Rosemary Podrasky Roberts. His ancestry being Irish, Welsh, and Czech (O'Dowd).
Poems and other readings with strong racial undertones such as Strange Fruit allow me to reflect back on the role race plays in my life as a black young woman and analysis if much has changed in terms of racism in the American society today.
Both Zora Neale Hurston and Langston Hughes were great writers but their attitudes towards their personal experience as an African American differed in many ways. These differences can be attributed to various reasons that range from gender to life experience but even though they had different perceptions regarding the African American experience, they both shared one common goal, racial equality through art. To accurately delve into the minds of the writers’ one must first consider authors background such as their childhood experience, education, as well their early adulthood to truly understand how it affected their writing in terms the similarities and differences of the voice and themes used with the works “How it Feels to be Colored Me” by Hurston and Hughes’ “The Negro Mother”. The importance of these factors directly correlate to how each author came to find their literary inspiration and voice that attributed to their works.
During this era African Americans were facing the challenges of accepting their heritage or ignoring outright to claim a different lifestyle for their day to day lives. Hughes and Cullen wrote poems that seemed to describe themselves, or African Americans, who had accepted their African Heritage and who also wanted to be a part of American heritage as well. These are some of the things they have in common, as well as what is different about them based on appearance, now I shall focus on each author individually and talk about how they are different afterwards.
Over the course of the century chronicling the helm of slavery, the emancipation, and the push for civil, equal, and human rights, black literary scholars have pressed to have their voice heard in the midst a country that would dare classify a black as a second class citizen. Often, literary modes of communication were employed to accomplish just that. Black scholars used the often little education they received to produce a body of works that would seek to beckon the cause of freedom and help blacks tarry through the cruelties, inadequacies, and inconveniences of their oppressed condition. To capture the black experience in America was one of the sole aims of black literature. However, we as scholars of these bodies of works today are often unsure as to whether or not we can indeed coin the phrase “Black Literature” or, in this case, “Black poetry”. Is there such a thing? If so, how do we define the term, and what body of writing can we use to determine the validity of the definition. Such is the aim of this essay because we can indeed call a poem “Black”. We can define “Black poetry” as a body of writing written by an African-American in the United States that formulates a concentrated imaginative awareness of an experience or set of experiences inextricably linked to black people, characterizes a furious call or pursuit of freedom, and attempts to capture the black condition in a language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm. An examination of several works of poetry by various Black scholars should suffice to prove that the definition does hold and that “Black Poetry” is a term that we can use.
When reading or listening to poetry, the main objective for me is to feel moved. Happiness, longing, sadness are some of the feelings that can be achieved just by listening to others’ words. It is within these words that creates another world, or separates us from our own. Words all have a certain kind of attachment to them, so if used properly an author can stimulate a reader beyond belief.
needs. He chooses to add an extra two lines in the form of a rhyming
ten by Himself (1845) Sherman JR: The Black Bard of North Carolina: George Moses Horton and His Poetry Chapel Hill: University of North Carolina Press (1997) Rice, A: Radical Narratives of the Black Atlantic, Continuum: New York (2003) Sapphire: Black Wings and Blind Angels, Payback Press: Edinburgh (2001) McCarthy K: bittersweet, The Women's Press Ltd (1998) Secondary Sources: www.poets.org.uk (03/05/2004) http://docsouth.unc.edu/hortonlife/horton.htm (04/05/2004) http://www.christian-bookshop.co.uk/free/biogs/cwesley.htm (07/05/2004) http://www.bbc.co.uk/bbcfour/audiointerviews/profilepages/angeloum2.shtml (07/05/2004) --------------------------------------------------------------------- [1] Sherman JR The Black Bard of North Carolina: George Moses Horton and His Poetry Chapel Hill: University of North Carolina Press (1997)