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Positive and negative aspects of stereotypes
Positive and negative aspects of stereotypes
Positive and negative aspects of stereotypes
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The current stereotype for the Black American family has not changed much from the 1950s of the dominant female who is overbearing thus usurps her male partner in her home of his authority as head of the household. This stereotype is also known as the black matriarchal and is still unfortunately a reality in the black home. It’s stated in “The Moynihan Report” (1965) that the black matriarchal structure is the attributing factor that has caused the deterioration of the black men to serve as authority figures (www.blackpast.org). As a result thereof they have suffered failure of the family unit thus leading to divorcing or never wedding in the first place whether boring children or not. Thus, throughout time the black American family has always been plagued with the label of family failure. However, reflective in Rita Dove’s collection of poems entitled, Thomas and Beulah (1986), she defies the atypical black American family by writing about her grandparents’ riverboat life that broadly discusses their loyalty to nobility such as love, marriage, family, and perseverance through life’s imperfections. These aforementioned points were black stereotype allegations in the 1950 as they still are today. However, as time passed in the 1980s the blacks were typecast as less intelligent than whites, less moral due to vulgar profanity and violence, thus inferior to whites. Over time the black family stereotype remains with the old pigeonholes that blacks are impoverished, lazy, very religious, drunk, and the black male as being incapable of providing for his family, thus the failure of keeping a family unit. The stereotype of the black family is different, however, holding to those aforementioned aspects but presently adding more c... ... middle of paper ... ...f life thus in greater depth meaning that water flows down the river…the flow of one’s life. Therefore this is a metaphor that is reflective as to the lives of Thomas and Beulah. However, in the end Dove concludes her collection of poems with “The Oriental Ballerina” by stating about Beulah’s death that, “so rapidly she is standing still / The sun walks the bed to the pillow / and pauses for breath (in the Orient, / breath floats like mist / in the field)” (76). In the end the riverboat life ends with a cessation of the water that dissipates into air (i.e., breath that floats like mist), therefore, her soul’s ultimately liberty. Works Cited Dove, Rita. Thomas and Beulah (1986). Pages: 11, 14 and 76. United States Department of Labor. “The Moynihan Report” (1965). (http://www.blackpast.org/?q=primary/moynihan-report-1965#chapter1). July 30, 2011.
Did the five-generation family known as the Grayson’s chronicled in detail by Claudio Saunt in his non-fiction book, Black, White, and Indian: Race and the Unmaking of an American deny their common origins to conform to “America’s racial hierarchy?” Furthermore, use “America’s racial hierarchy as a survival strategy?” I do not agree with Saunt’s argument whole-heartedly. I refute that the Grayson family members used free will and made conscious choices regarding the direction of their family and personal lives. In my opinion, their cultural surroundings significantly shaped their survival strategy and not racial hierarchy. Thus, I will discuss the commonality of siblings Katy Grayson and William Grayson social norms growing up, the sibling’s first childbearing experiences, and the sibling’s political experience with issues such as chattel slavery versus kinship slavery.
Historically, the job of women in society is to care for the husband, the home, and the children. As a homemaker, it has been up to the woman to support the husband and care for the house; as a mother, the role was to care for the children and pass along cultural traditions and values to the children. These roles are no different in the African-American community, except for the fact that they are magnified to even larger proportions. The image of the mother in African-American culture is one of guidance, love, and wisdom; quite often the mother is the shaping and driving force of African-American children. This is reflected in the literature of the African-American as a special bond of love and loyalty to the mother figure. Just as the role of motherhood in African-American culture is magnified and elevated, so is the role of the wife. The literature reflects this by showing the African-American man struggling to make a living for himself and his family with his wife either being emotionally or physically submissive. Understanding the role of women in the African-American community starts by examining the roles of women in African-American literature. Because literature is a reflection of the community from which it comes, the portrayal of women in Zora Neale Hurston's Their Eyes Were Watching God (1937) and James Baldwin's Go Tell it on the Mountain (1952) is consistent with the roles mentioned above.
The Author of this book (On our own terms: race, class, and gender in the lives of African American Women) Leith Mullings seeks to explore the modern and historical lives of African American women on the issues of race, class and gender. Mullings does this in a very analytical way using a collection of essays written and collected over a twenty five year period. The author’s systematic format best explains her point of view. The book explores issues such as family, work and health comparing and contrasting between white and black women as well as between men and women of both races.
Warren, Nagucyalti. "Black Girls and Native Sons: Female Images in Selected Works by Richard Wright." Richard Wright - Myths and Realities. Ed. C. James Trotman. New York: Garland Publishing, Inc., 1988.
In chapter three of this report a section is established exclusively for matriarchy in the Negro American family. Based on the Moynihan Report, the role of the black woman in the family is to be aware her sense of self, financially, academically, and emotionally, while also uplifting and solidifying the status of the Negro man, as well as her children, both male and female. The genesis of matriarchal dominance amongst the Negro family is, according to Moynihan, education. Moynihan compares various educational rates of white males and females and nonwhite males and females. Statistically sh...
Lillian Smith provides a description of the typical black woman and the typical white woman "of the pre-1960's American South" (Gladney 1) in her autobiographical critique of southern culture, Killers of the Dream. The typical black woman in the South is a cook, housekeeper, nursemaid, or all three wrapped up in one for at least one white family. Therefore, she is the double matriarch of the South, raising her own family and the families of her white employers: "It was not a rare sight in my generation to see a black woman with a dark baby at one breast and a white one at the other, rocking them both in her wide lap" (Smith 130). The southern black woman's duties extend far beyond rearing children, as she also serves as a family counselor, confidant, and nurse for the entire white family (Smith 129) and her own if time permits. She can do all this and more because she is strong, wise, and insightful in all areas of life (Smith 119). In short, the southern black woman is the cornerstone of the southern, domestic life. The white woman in the South has an equally important role. The southern white woman is responsible for maintaining southern social order, better known as Southern Tradition.
In Charles Chesnutt’s story “The Wife of His Youth,” it illustrates the reality of what individuals of mixed races had to go through in order to fit in with society. From the beginning readers are presented with troubles African American’s had to face through racial division and inequality, along with a correlation between race and color. The main character in this story, Mr. Ryder, is a great representation of how a society can influence one’s beliefs and morals. In order to become apart of the Blue Vein society, Mr. Ryder had to leave his ethnic background behind him, so he could be accepted into a white community. The purpose of the Blue Vein Society, as Chesnutt described it, "was to establish and maintain correct social standards among
This novel also looks at social norms overseeing gender in the southern states around the 1960's. White women in the book are valued by the amount of children they can reproduce for the black women to raise. Even though getting a job is difficult for these black woman, the white women have a hard time seeking out a job as well. But these black women sacrifice their lives to be major workhorses surrendering their own families to work for white employers. Aibileen, Minny, and Skeeter confront the roles put upon them by society and receive fulfillmen...
Family is a basic unit in every society. However, the makeup of a family is more complex to define. There are so many types of families that it is impossible to have one distinct definition in trying to explain how a true family is defined. For example, there are married couples with or without children, single-parent families, and even families headed by gay men or lesbians. These may not have been considered families not too long ago, but now must be recognized because we live in such a diverse society. What I want to focus on is the African-American family, in terms of what they had to go through before, during, and after slavery. As well as, where they are now and where it’s going in the future.
In our society of today, there are many images that are portrayed through media and through personal experience that speak to the issues of black motherhood, marriage and the black family. Wherever one turns, there is the image of the black woman in the projects and very rarely the image of successful black women. Even when these positive images are portrayed, it is almost in a manner that speaks to the supposed inferiority of black women. Women, black women in particular, are placed into a society that marginalizes and controls many of the aspects of a black woman’s life. As a result, many black women do not see a source of opportunity, a way to escape the drudgery of their everyday existence. For example, if we were to ask black mother’s if they would change their situation if it became possible for them to do so, many would change, but others would say that it is not possible; This answer would be the result of living in a society that has conditioned black women to accept their lots in lives instead of fighting against the system of white and male dominated supremacy. In Ann Petry’s The Street, we are given a view of a black mother who is struggling to escape what the street symbolizes. In the end though, she becomes captive to the very thing she wishes to escape. Petry presents black motherhood, marriage and the black family as things that are marginalized according to the society in which they take place.
The black woman in the U.S. holds a precarious role: she is a woman, she is black and she is quickly becoming the dominant force of her people. The black woman is increasingly the sole bread winner in her household because she is forced into that position because of the...
Lareau’s main argument in the text is that when children grow up in certain environments, parents are more likely to use specific methods of child rearing that may be different from other families in different social classes. In the text, Lareau describes how she went into the home of the McAllisters and the Williams, two black families leading completely different lives. Ms. McAllister lives in a low income apartment complex where she takes care of her two children as well as other nieces and nephews. Ms. McAllister never married the father of her two children and she relies on public assistance for income. She considers herself to be a woman highly capable of caring for all the children yet she still struggles to deal with the stress of everyday financial issues. The Williams on the other hand live in a wealthier neighborhood and only have one child. Mr. W...
Wimberly, E.P. (1997). Counseling African American marriages and families [Electronic Version]. Louisville, KY: Westminster John Knox Press.
Over the course of the century chronicling the helm of slavery, the emancipation, and the push for civil, equal, and human rights, black literary scholars have pressed to have their voice heard in the midst a country that would dare classify a black as a second class citizen. Often, literary modes of communication were employed to accomplish just that. Black scholars used the often little education they received to produce a body of works that would seek to beckon the cause of freedom and help blacks tarry through the cruelties, inadequacies, and inconveniences of their oppressed condition. To capture the black experience in America was one of the sole aims of black literature. However, we as scholars of these bodies of works today are often unsure as to whether or not we can indeed coin the phrase “Black Literature” or, in this case, “Black poetry”. Is there such a thing? If so, how do we define the term, and what body of writing can we use to determine the validity of the definition. Such is the aim of this essay because we can indeed call a poem “Black”. We can define “Black poetry” as a body of writing written by an African-American in the United States that formulates a concentrated imaginative awareness of an experience or set of experiences inextricably linked to black people, characterizes a furious call or pursuit of freedom, and attempts to capture the black condition in a language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm. An examination of several works of poetry by various Black scholars should suffice to prove that the definition does hold and that “Black Poetry” is a term that we can use.
Prior to the period of slavery, the majority African family structure was in the realm of 2-parent households and was the main importance for everyone. However, during the period of slavery and beyond, the 2-parent household has been transformed and its looming effects are still in place today. The effects include the phenomenal increase in female-headed households and also the increase in households with individual living by himself or herself. African-American family structure has been inconsistent, and it has a tremendous impact on the children. Statistics have shown that African American males growing up without a father are more likely to end up in prison (Krampe & Newton, 2012). It is important, as the children are dependent on the family in terms of obtaining success in the future. In addition, the single-parent mother ends up taking new roles as mother and father for the child. This topic has many aspects, which showcase the prominent influence in