Rembrandt van Rijn

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Rembrandt van Rijn was born on July 15, 1606 in Leiden, Netherlands. He came from a large family where he was the ninth child. His father was a miller and saw to it that Rembrandt had an excellent education. Rembrandt began attending the University of Leiden, but really wanted to study art. Eventually he left school to become an apprentice to the artist Jacob van Swanenburgh. He also was a student of the painter Pieter Lastman. Company Frans Banning Cocq and Willem van Ruytenburch , known as the Night Watch is a Rembrandt painting which dates from 1642. It is a company of the bourgeois militia Musketeers Amsterdam , Frans Banning Cocq controlled , leaving weapons of a building. This painting is in New Rijksmuseum in Amsterdam, which is exposed the most popular work . This painting was the year of the death of Saskia , Rembrandt 's first wife and darkens inexorably due to a primer bitumen of Judea poorly dried , hence the misnomer of the Night gave the nineteenth century as it is daytime collective portrait . This Painting creates an overwhelming sense of movement and emotion by using artistic tools and principles.
This painting was a command supported by eighteen members of the Company whose names appear on the hanging at the door as the characters cross shield. Rembrandt received 1,600 florins to make this painting ( the annual salary of a worker at the time being about 250 florins ) . The patch was added after the delivery of the canvas , upon request, presumably , sponsors, by Rembrandt or one of his students . The preparatory work of the work seem to date from the 1639 for work that lasted nearly four years . The canvas was destined to decorate the great hall of the first floor of the House of musketeers ( the headquarters of...

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..., paper ) on which tamp the powder charge and the ball complement loading;just behind the head of van Ruytenburch , a militiaman or perhaps a child wearing a helmet adorned with oak leaves , takes a shot we guess especially the gesture of the man in the background between the two officers ; right, finally , an old militiaman breath either on the cover pelvis to drop the excess of the priming powder , or to rekindle the fire of a glowing ends of the wick. By pulling down a lighted , well visible on this character , pelvis began to fine powder . The bottom of the pelvis , a small hole - said light - used to communicate the flame to the main load at the bottom of the barrel. I feel that this painting pulls the audience’s attention to two places. First, to the two gentlemen in the front as well as the young lady because she is the most different from these gentlemen.

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