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Relationship with society as theme in American literature
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American literature and society
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Ishmael Reed, in ‘Blues City’ gives an account of the realms of ethnic diversity, cultural rivalries, the capitalism philosophy, and the interrelationship between blues and the working class. Oakland, often viewed as a sister to San Francisco across the Bay, is one of the most unique cities in the America. It is the home to dozens of artists, blue-collar workers, the Black Panther community, and a vibrant rustic and yet industrial town. Due to Oakland's bad reputation, Reeds in 1979 expressed his reservations when his shallow pockets forced him and his wife to find a house in Oakland. The longer he stayed in Oakland however; he got to experience this world on a whole new level. In Blues City, he describes diversity that comprise Oakland, downtown Oakland. Reed shows that Oakland is Blues City by discussing how it is one of the most culturally diverse cities in America: “a callaloo of cultures.” (26). The author uses logos to support his claim and s to bolster his credibility by informing that he attended various festivals that further showed him the diversity that this town encased during the compilation of the book. He stresses his view on diversity by describing a Kwanzaa celebration, the mistress of ceremonies "is a white woman in Yoruba dress; where, perhaps less surprising, about a fifth of the audience at a Native American powwow is black. As if those events weren't enough to reflect the cultural stew, I attended a springtime carnival that celebrated Oshun, a Nigerian "saint." Oshun, daughter of the Yoruba god Olodumare,..." (Page 27). All these events were more than enough to “reflect the cultural strew” of the city (27). A combination of this scenic background and the peaceful coexistence of the different peop... ... middle of paper ... ...cording to the author, the trend was later terminated since someone in city hall realized that the park was still making profits, unlike some of the privately-run redevelopment projects in the city that have collapsed. There is also the mention of Brown’s “brutal capitalism philosophy” (33) as he converts the city into a vision of Manhattan or even Hong Kong. “Oakland is a city where identities blur “ (Page 26) and Reed has lived there long enough to experience the diversity and the political aspects intertwined with the people's welfare and beliefs. He has been referred to as America's greatest satirist since Mark Twain. Reed's work is praised for its collage and roots in multi-cultural, revolutionary and Reed's understanding of mythic archetypes. Works Cited Reed, Ishmael. Blues City: A Walk in Oakland. Crown; 1 edition (October 21, 2003). Print.
For centuries, music has been defined by history, time, and place. To address this statement, Tom Zè, an influential songwriter during the Tropicália Movement, produced the revolutionary “Fabrication Defect” to challenge oppression as a result from the poor political and social conditions. On the other hand, David Ramsey discusses, in mixtape vignettes, the role of music to survive in New Orleans’ violent setting. Furthermore, “The Land where the Blues Began”, by Alan Lomax, is a film and perfect example to understand under what musical conditions profound ways of communication are made to stand the hard work of cotton plantations. As a result, music plays a crucial role in the sources’ cultures and its creation relies on particular conditions such as the social
Hines’ article, though not possessing a clear purpose, provides a thorough history of the entire Elysian Park Heights project. He summarizes Chavez Ravine, the architects and their vision, and the downfall of the project due to fears of socialism and a desire for baseball. Hines’ writing effectively triggers a number of emotions, mainly anger and shock that the situation took place. While he provides no introduction to the reader, by the conclusion, Hines definitely provides reason for response.
Los Angeles is a place with a dynamic history. It has grown to be one of the most diverse cities in the world as a whole. Despite the diversity for which it is known for, the city has always had a striving conflict due to racial and class tension. The social stratification of its past continues to take its toll as dividing lines persist in contemporary Los Angeles. Furthermore, these dividing lines redefine place in Los Angeles, whether geographically or personally, to be subject to race and class. Fluidity has become evident recently however it is more common for the identity of people to be fixed in society. Through the novel Southland, by Nina Revoyr, and various means of academic sources, one is further able to explore the subject of race, place, and reinvention in Los Angeles.
While not true for everyone, people are a product of their environment. The surroundings that a person is exposed to, may have a direct influence on the decisions they make in life. Even if someone is smart and has great aspirations, the environment they are brought up in may be holding them back. People who make terrible choices and then are shocked by the consequences are simply coming from a context in which those weren't as bad a choices as they turned out to be. This is the case for Sonny of James Baldwin’s “Sonny’s Blues.” Although Sonny was an aspiring musician, the surroundings of Harlem would provide opportunities to make poor decisions that may not have been presented to him had he been in a different environment. For this reason,
Racism and the sense to fulfill a dream has been around throughout history. Langston Hughes’s poems “Harlem” and “I, Too” both depict the denial of ethnicity mix in society and its impact on an African American’s dream. James Baldwin’s “Sonny’s Blues” uses jazz music to tie the belief of one’s intention and attainment to the black race. The two main characters are different in a way of one fitting into the norm of the American Dream and the other straying away from such to fulfill his own dream. All three pieces of writing occur during the same time in history in which they connect the black race with the rejection of the American Dream and the opportunity to obtain an individual effort by a culture.
Roy, W. (2010). Reds, whites, and blues social movements, folk music, and race in the United States. Princeton: Princeton University Press.
This paper will discuss the many unique aspects of Oakland, California. Divided into five major parts, Oakland is a very diverse city. The five major parts include: Downtown Oakland which is located in the heart of the city, East Oakland which consists of the majority of the city, West Oakland, North Oakland, and the Oakland hills where the terrain is quite different from other parts of the city. While many may perceive the population to mainly consist of African Americans and Whites, there is a significant growing population of Latinos, and Asians. The topics covered in this paper will shed light on the city of Oakland itself, and discuss the unique city that it is. I will also give my personal experience and perception on the city, after living there for 16 years of my life.
In “Blame It On the Blues” the author Angela Davis, argues against critics, like Samuel Charters and Paul Oliver, who say that the Blues lacks social commentary or political protest, by saying that the Blues was a subtle protest against gender and racial inequality. Davis uses various songs from Ma Rainey and Bessie Smith to prove this.
Others do not explore the significance of how blues music relates to the commonly-agreed-upon basic themes of individualism and alienation. The chief value of living with music lies in its power to give us an orientation in time. In doing so, it gives connotation to all those indefinable aspects of experience, which nevertheless helps us make what we are. Works Cited • http://learning.hccs.edu/faculty/marie.dybala/engl-1302/research-paper-assignments-and-documents/baldwin-articles-on-sonnys-blues/Sherard%20Sonnys%20Bebop.pdfhttp://cai.ucdavis.edu/uccp/sblecture.html#bebop • http://wps.ablongman.com/wps/media/objects/1321/1353476/essays/jbgioia.htmlhttp://cai.ucdavis.edu/uccp/sonnylinks.html • http://introduction-to-literature.wikispaces.com/Baldwin+and+Sonny's+Blues http://davinci.choate.edu/dloeb/webpages/SummerSchool/sonny'sblues.htm http://www.marinaskendzic.com/essayscriticalpieces/baldwinssonnysblues.html • http://www.jstor.org/pss/2901246
Baldwin, James. "Sonny's Blues." The Norton introduction to Fiction. 6th ed. Ed. Jerome Beaty. New York: Norton, 1996. 47-70.
All three of these symbolical details are woven together in "Sonny's Blues" to create a non-literal meaning directly beneath the words. The end result is an enriched message about urban struggles for expression, happiness, and chemical independance. Ultimately, Sonny's revival concludes the readers' literary tour of world in which he lives. What is begun with a presentation of hardships is finally concluded with Sonny's triumph, a chance at a better future.
When first reading “Sonny’s Blues” by James Baldwin, it may initially seem that the relationship between musicians and drugs is synonymous. Public opinion suggests that musicians and drugs go hand and hand. The possibility lies that Sonny’s passion for jazz music is the underlying reason for his drug use, or even the world of jazz music itself brought drugs into Sonny’s life. The last statement is what the narrator believes to be true. However, by delving deeper and examining the theme of music in the story, it is nothing but beneficial for Sonny and the other figures involved. Sonny’s drug use and his music are completely free of one another. Sonny views his jazz playing as a ray of light to lead him away from the dim and dismal future that Harlem has to offer.
Baldwin, James. "Sonny's Blues." The Oxford Book of American Short Stories 1992: 409 - 439.
“Sonny’s Blues” revolves around the narrator as he learns who his drug-hooked, piano-playing baby brother, Sonny, really is. The author, James Baldwin, paints views on racism, misery and art and suffering in this story. His written canvas portrays a dark and continual scene pertaining to each topic. As the story unfolds, similarities in each generation can be observed. The two African American brothers share a life similar to that of their father and his brother. The father’s brother had a thirst for music, and they both travelled the treacherous road of night clubs, drinking and partying before his brother was hit and killed by a car full of white boys. Plagued, the father carried this pain of the loss of his brother and bitterness towards the whites to his grave. “Till the day he died he weren’t sure but that every white man he saw was the man that killed his brother.”(346) Watching the same problems transcend onto the narrator’s baby brother, Sonny, the reader feels his despair when he tries to relate the same scenarios his father had, to his brother. “All that hatred down there”, he said “all that hatred and misery and love. It’s a wonder it doesn’t blow the avenue apart.”(355) He’s trying to relate to his brother that even though some try to cover their misery with doing what others deem as “right,” others just cover it with a different mask. “But nobody just takes it.” Sonny cried, “That’s what I’m telling you! Everybody tries not to. You’re just hung up on the way some people try—it’s not your way!”(355) The narrator had dealt with his own miseries of knowing his father’s plight, his Brother Sonny’s imprisonment and the loss of his own child. Sonny tried to give an understanding of what music was for him throughout thei...
Hip-hop is one of the major music genres of today like the blues were in the 1950's. Stanley Crouch views hip-hop as being vulgar and obscene while he sees the blues as being one of the classic music genres. In actuality, these two genres are similar in many ways.