The Red Badge of Courage

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War is a mandatory action crucial to obtain peace in dire circumstances. Civilizations falter and crumble due to disagreements inside the system. In order for peace to prevail, war becomes a necessity, to avoid the reversion and waning of improvements or else all struggles and achievements will amount to nothing. By giving reason and name to war, it is transformed into a fair, yet morally inaccurate solution to find peace. This indistinct finale to the fiasco reflects how in order to succeed in one situation; one must sacrifice and sin for the better and more desirable outcome. A person fights for reasons concealed to themselves, but are exposed in sacred revelations broadcasted publicly during the dissection of character. Reasons for enlisting and wanting to fight differ from man to man and conscious to conscious. In The Red Badge of Courage, Crane explains the realism of war and the literal (as well as implied) effects on men with impeccable accuracy. Crane emphasizes upon accusation, insanity and honor of war. He is fully able to expose the true nature of war, but above all, the changes in a man who has witnessed it. War has progressed to act as a shield for actions. It substitutes as a force field for any activity that a person is unable to explain. Under the circumstance that the shield should fail, a soldier becomes unstable. A soldier begins to crumble, and so the action they would turn to is blame. Even though they are still guilty by association, they do everything within their power to clear their name from the dark slate of fault. In The Red Badge of Courage, Crane shows Henry breaking in stages. By revealing Henry’s thoughts, Crane’s narration adopts an accusatory tone: And there were iron laws of tradition and ... ... middle of paper ... ... text assist in creating a hostile and unstable tone. The ‘strange plants’ and ‘peculiar blossoms’ create an unfamiliar scene of nature that does not seem natural. The steps taken away from those of his comrades are the direct results of his reclusive state. Crane states the ‘gloom’ of the night and how subconsciously he tried to keep his distance from others. The solitude that compels Henry’s open aversion flirts with the fine line of reality. The use of uncertain words like ‘weird’ and ‘satanic’ help develop the essence of a more dark and mentally disturbing descent into madness. Lingering effects of the faraway flames bore the pleasure of casting shadows over Henry’s dark thoughts. The burden of watching the distorted figures, evil and foreign to him, Crane uses the macabre imagery to illicitly manufacture the miniscule seeds of doubt and suspicion inside Henry.

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