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Effects of media on its audiences
Effects of media on its audiences
Effects of media on its audiences
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The artistry of graphic novels and of manuscripts is very similar, not only does the written script text tantalize the reader, but the illustrations act as significant appeals as well. The correspondence between the visual and the scripted within these text technologies greatly influences the reception thereof. Specific—and quite popular—examples of the two technologies that I will reference are Watchmen, and the Ellesmere Chaucer, respectively. In order to understand the reception of these texts completely though, it is necessary first to recognize some background information regarding their respective histories.
The popularity of comics in the United States began to rise in the late 19th century, most notably with Richard F. Outcault's "The Yellow Kid", which was a single-panel comic that gained incredible fame—and eventually likely lent its name to yellow journalism. Newspapers in the US at the time were just beginning colored printing, and Joseph Pulitzer's New York World was the US's most well known newspaper with colored printing, as well as being the most notable newspaper to contain comic strips, which would appear in the Sunday paper of each week. Not long after the initial popularity of "The Yellow Kid," William Randolph Hearst's newly acquired New York Journal "poached" Outcault from the World's staff (Quimby).
Within a few years, comics appeared in numerous newspapers as publishers recognized their ability to help increase sales and, by the 1930s, the first collections of comics in book form were published. The creation and publication of Superman lead to an increased popularity of the medium, though the mass opinion of comic books for decades was that they were intended for children and teenagers (Weiner). Thou...
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...s." Medieval Institute Publications, 1999. Web. 3 April 2012
Couch, Chris. "The Publication and Formats of Comics, Graphic Novels, and Tankobon." Online Image & Narrative. Image & Narrative., Dec. 2000. Web. 2 April 2012.
Dutschke, C. W. et al. "Guide To Medieval and Renaissance Manuscripts in the Huntington Library." UC Berkley. 2003. Web. 3 April 2012.
Grossman, Lev and Richard Lacayo. "All-TIME 100 Novels." Time Entertainment. Time., 16 Oct. 2005. Web. 3 April 2012.
Pearsall, Albert. The Canterbury Tales. George Allen & Unwin (Publishers) Ltd., 1985. Web.
"The Adorable Origins of Yellow Journalism." The Back Story. VFH. Web. 12 Jun. 2009. Radio.
Trigg, Stephanie. Congenial Souls: Reading Chaucer from Medieval to Postmodern. University of Minnesota Press, 2002. Web.
Weiner, Stephen. Faster Than a Speeding Bullet: The Rise of the Graphic Novel. NBM, 2003. Web.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” 1892. Ed. Dale M. Bauer. Boston: Bedford/St. Martin’s, 1998.
Milton, Joyce. The Yellow Kids: Foreign Correspondents in the Heyday of Yellow Journalism. Harper-Perrenial: New York, 1989.
To begin with, I will discuss the distinction between 'graphic narrative' and 'graphic novel', followed by a definition of the latter. As a next step, the relationship between words and images is elaborated on, attempting to investigate the differences and correlations between words and images in order to have a better understanding how graphic novels operate. Then, a definition of 'intermediality', 'adaptation' and 'noir fiction' will be
Chabon asserts that comic books used to be extremely popular among people of all ages, but children were the main audience. Through the years, authors aimed to get a larger adult audience interested in comics. They started changing
Gilman, Charlotte Perkins. "Why I Wrote 'The Yellow Wallpaper'" Ed. Catherine Lavender; The College of Staten Island of the City University of New York, Fall Semester, Oct. 1997. (25 Jan 1999) http://www.library.csi.cuny.edu/dept/history/lavender/whyyw.html
The question of whether or not an author can claim that his or her work is original has been in debate for many years now. This, compounded with the question of whether or not an author can adequately understand or express his or her own work or if the interpretation and understanding belongs in the hands of the readers or the critics, has placed the role of the author under serious scrutiny. This is especially noticeable in an age where so many works of literature are analyzed and critiqued by every reader and critique before turning the work into a movie or play, causing it to be further analyzed and discussed. Therefore, the purpose of this paper is to examine the various concepts of the author’s role, originality, and intent, using the graphic novel The Crow by James O’Barr as an example of a work of literature.
This shows how bold and captivating the unique appearance of the book was; it contained only an illustration and name, without the boasting of achievements. Imagery played a key role in
Spanish atrocities against Cuban rebels were widely reported to Americans in newspaper publications. Publishers Joseph Pulitzer and William Randolph Hearst used ‘yellow journalism’ to boost publications sales and...
The effects of Yellow Journalism on the country were phenomenal. Led by William Randolph Hearst and Joseph Pulitzer, their vivid pictures painted in black and white exaggerated the tales of foreign intervention. Stories of women being ...
Grimm, J. and Grimm, J. (2003). Little red cap. In Schilb, J. and Clifford, J. (Ed.) Making literature matter (pp. 670-672). NY: Bedford/St. Martin?s.
The public was further angered by something called “yellow journalism”. Yellow journalism refers to writers such as Joseph Pullitzer and William Hearst trying to outdo each other with screeching headlines and hair raising “scoops”. Where there were no headlines, the yellow press would exaggerate and fabricate stories to get readers interested in their newspaper. For example, Hearst once wrote about Spanish Customs Offic...
When you think of comic books, what do you think of? If you were to ask your parents they would probably tell you Superman or Spiderman, maybe even Batman or Wonder Woman. Some might mention something more, something that appears to be a comic book, but once opened is revealed to be a work of literary genius; a comic such as Watchmen, or perhaps even V for Vendetta. An author and artist of renowned recognition and admiration wrote both masterpieces.
Fredell, Joel. "Late Gothic Portraiture: The Prioress and Philippa." Chaucer Review, 23(May 10, 1989):181-191. Hussey, Maurice. An Introduction to Chaucer. New York: Cambridge University Press, 1972.
Chaucer, Geoffrey. The Canterbury Tales. Norton Anthology of World Masterpieces. Ed Mack, Maynard et al. W. W. Norton and Co. New York, NY. 1992.
“The Golden Age of Comics” PBS. PBS, 2011 Web. Retrieved on February 11 2014 from http://www.pbs.org/opb/historydetectives/feature/the-golden-age-of-comics/