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The influence of Tolstoy
20th century english literature essay
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Recommended: The influence of Tolstoy
The twentieth century introduced a new group of writers and artists who brought something new to the ever evolving style of realism. They took inspiration from other authors and painters, and this is evident in their works, but they still managed to put their own unique spin on it. William Dean Howells, George Bellows, Robert Henri, and Kurt Vonnegut are four notable realists whose works are still discussed today.
William Dean Howells was an American novelist whose writing changed course to realism in his fifties with Tolstoy as his inspiration. His general idea behind writing was that “everything real in human nature is valuable, and that nothing unreal is valuable except by way of sportive interlude” (“William Dean Howells”). He had a few romantic qualities that were shown in The Shadow of a Dream, but he also managed to write romance without leaving a mocking after-taste, as shown in April Hopes.
George Wesley Bellows was an American painter who drew everyday life and normal houses by choice. He often talked about how he found the expression of life more interesting than art, so many of his paintings showed things like children in the streets or crowds of people. One of his greatest works was Edith Cavell, which depicted the terrors of war. Even though this is considered by many to be his best painting, Joseph Pennell criticized it rather harshly. Regardless of this, though, he was quoted saying, “I am sick of American buildings like Greek temples and of rich men building Italian homes” (“George Wesley Bellows”). Robert Henri was also an American painter of the twentieth century. When he began teaching at the Women’s School of Design he joined a group of realists, and after this began teaching. He became known for putting “em...
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...g Out in Verse." New York Times. 03 Apr. 2014: C.1+. SIRS Renaissance. Web. 05 May. 2014.
Speace, Geri. "Kurt Vonnegut." Newsmakers. Detroit: Gale, 1998. Biography in Context. Web. 7 May 2014.
Steiner, Evgeny. "Pursuing Independence: Kramskoi And The Peredvizhniki Vs. The Academy Of Arts." Russian Review 70.2 (2011): 252-271. Academic Search Premier. Web. 2 May 2014.
Stenton, Alison. "Daniel Defoe." Europe, 1450 to 1789: Encyclopedia of the Early Modern World. Ed. Jonathan Dewald. New York: Charles Scribner's Sons, 2004. Biography in Context. Web. 26 Apr. 2014.
Wells, David N. "Russia: 18th Century." Encyclopedia of Life Writing: Autobiographical and Biographical Forms. London: Routledge, 2001. Credo Reference. Web. 22 April 2014.
"William Dean Howells." Dictionary of American Biography. New York: Charles Scribner's Sons, 1936. Biography in Context. Web. 7 May 2014.
Festa, Conrad. “Vonnegut’s Satire.” Vonnegut in America: An Introduction to the Life and Work of Kurt Vonnegut. Vol. 5. 1977. 133-50. The GaleGroup. Web. 10 March. 2014.
Vonnegut, Kurt. Harrison Bergeron. New York: The Magazine of Fantasy & Science Fiction, 1961. Print
Reed, Peter J. Kurt Vonnegut Jr. (Writers for the 70's). New York: Warner Books, Inc., 1972
Walcutt, Charles Child. "Sherwood Anderson: Impressionism and the Buried Life." The Achievement of Sherwood Anderson. Chapel Hill: University of North Carolina Press, 1966. 158-170.
During Russia’s transition to communism in the early 20th century, conflict and unease permeated every part of life. Nothing was stable and very little of what the Bolsheviks had fought for had come to fruition by the time the USSR disbanded in 1991. The “classless society”, which was to work together for the prosperity of everyone, never became a reality. In the end, the majority of Russia’s 20th century was an utter failure on a grand scale. However, there were many amazing products of the system do to the great importance of education in Russian culture. Priceless novels were written, timeless movies were made, and great scientific endeavors were realized despite the rigid control placed upon Russian persons by the government. In fact, some of the most memorable written works of the time were written protests to the creativity-stifling situation many writers found themselves in. Because of the danger to their lives should the wrong people be upset by their writings, Yevgeny Zamyatin and Mikhail Bulgakov wrote their most popular, Soviet-life condemning novels under the guise of satire. Even though they’re satirizing the same subject, in both We and The Master and Margarita respectively, they take very different paths to do so.
...eved this state of mind through the geography, history and traditions of the nation. Russia, although having geography, history and traditional values standing against it, has made a significant effort to preserve strong features of democracy through recent decades. Bibliography Grudzinska-Gross, Irena. The Scar of Revolution: Custine, Tocqueville, and the Romantic Imagination. Berkeley: University of California Press, 1991. Gustafson, Thane, and Daniel Yergin. Russia 2010. New York: Random, 1993. Heywood, Andrew. Political Ideas and Concepts. New York: St. Martin's Press, 1994. McDaniel, Tim. The Agony of the Russian Idea. Princeton: Princeton University Press, 1996. Melvin, Neil. Russians Beyond Russians. London: Royal Institute of International Affairs, 1995. Rzhevsky, Nicholas. Cambridge Companion to Modern Russian Culture. Cambridge: Cambridge University Press
Goldwater, Robert and Marco Treves (eds.). Artists on Art: from the XIV to the XX Century. New York: Pantheon Books, 1945.
Wood, A. (1986). The Russian Revolution. Seminar Studies in History. (2) Longman, p 1-98. ISBSN 0582355591, 9780582355590
"Morton, Thomas - Introduction." Literary Criticism (1400-1800). Ed. Thomas J. Schoenberg. Vol. 72. Gale Cengage, 2002. eNotes.com. 2006. 21 Feb, 2011
Ultimately, by the time of Peter Romanov in the late seventeenth century, Russia had done little to keep up with the modernizing European continent. Technologically and culturally, it fell centuries behind. It had no Renaissance, no Reformation, no Scientific Revolution. It’s as if Russia was stuck in the European Middle Ages. Its army and navy lagged miserably behind, its Orthodox clergy govern education, there was no quality literature or art of which to tell, and even no emphasis on maths or science. In Western Europe, the seventeenth century was the time of Galileo and Newton, Descartes and Locke. It was a century of a growing merchant division. Rural peasants moved to growing cities for new work. As serfhood faded off in the West, it was growing in the Russia inherited by Peter Romanov. And while Western Europe, with its numerous warm-water passageways, sailed the seas and brought in unprecedented profits from subjugated colonies, Russia pushed eastward, finding nothing but frigid shore, cold taiga, and the remnants of a deformed Mongolian Empire that had depended more on plunder than infrastructure.
"Shakespeare, William 1564–1616 English Writer." Renaissance: An Encyclopedia for Students. Ed. Paul F. Grendler. Vol. 4. New York: Charles Scribner's Sons, 2004. 83-89. Gale Virtual Reference Library. Web. 26 Mar. 2014.
Vitale, Tom. “Kurt Vonnegut: Still Speaking To The War Weary.” www.npr.org. May 31, 2011. Web. 14 Nov. 2013.
Realism started in France in the 1830s. It was very popular there for a long time. A man named Friedrich Schiller came up with the word “realism.” Realism is based on contemporary life. There is a very accurate and honest representation of characters in this style of art. Realism tries to combine romanticism and the enlightenment. Life isn’t just about mind and not just about feelings either, it’s about both feelings and reason together. As said in the na...
Riasanovsky, Nicholas V., and Mark D. Steinberg. A History of Russia. 7th ed. Oxford: Oxford, 2005. Print.
Daniel Defoe has frequently been considered the father of realism in regards to his novel, Robinson Crusoe. In the preface of the novel, the events are described as being “just history of fact” (Defoe and Richetti ). This sets the tone for the story to be presented as factual, while it is in of itself truly fiction. This is the first time that a narrative fictional novel has been written in a way that the story is represented as the truth. Realistic elements and precise details are presented unprecedented; the events that unfold in the novel resonate with readers of the middle-class in such a way that it seems as if the stories could be written about themselves. Defoe did not write his novel for the learned, he wrote it for the large public of tradesmen, apprentices and shopkeepers (Häusermann 439-456).