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Film analysis citizen kane
Analysing citizen kane in 2 minutes paragraph
Film analysis citizen kane
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Symbolism, in the form of objects in film, have been a way directors have been capturing theme’s and presenting it to audiences for them to interpret. Certain visual elements allow viewers to see more closely the attitude and mood within a film, capturing a larger overall idea. One such symbol is the Snow Globe, which occurs within the first scenes of Orson Welles “Citizen Kane”, which captures within it the childhood memory of Charles Foster Kane, but in turn acts as a barrier as well.
The significance of the snow globe is that as an object, it act’s as a shield that keeps whatever’s within it isolated from the external world. Much like Kane, in later life, the snow globe is only a mere semblance of the child-like happiness that Kane grew up in. Kane’s snow globe once he amassed his fortune and enters a life of what he thought could be true happiness, through his control of the world around him, becomes Xanadu, mirroring exactly the isolated state of the snow globe scene. Within the Snow globe lays Kane’s home as a child, and as an adult Xanadu is the only real sense of a home he has. His lifestyle in Xanadu also compliments that of the life he began, once he separated from his mother. He looked to fill his life with frivolities, the newspaper, the women he involved in his life, and his final home, all of these representing the changed state that Kane has fallen into, feeling insecure with himself to the point where his final moments alive, he reminisced in the safety that he had as a child, recalling rosebud, and destroying the snow globe. These all happening before money and power changed his life forever.
The globe also encompasses an idea of dominating one’s domain. As a child, Kane had power over only the boarding school w...
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...future love, Susan. He wanted to turn her into an object of perfection that she was just not cut out for, and as a result he broke his and Susan’s spirits. Though Kane was persistent his tries were futile, and ultimately made him defeated once he realized that he could not use money to control an outcome in his life. He can control object’s and people around him, but when it came to Susan’s voice, he had no ability to make her Opera any better, other than put biased reviews in the paper’s to boost confidence which had no effect on a physical problem that Susan had. His ambition left him when he realized that he could achieve anything, and became so obsessed with Susan, and making her voice perfect, that as he saw no progress he slowly devolved, to the point when Susan leaves and he portrays the symptom’s of old age. Through obsession, he ultimately defeated himself.
Citizen Kane, Orson Welles’ cinematic classic, is a film that centers on a group of reporter’s investigation into the meaning of Charles Foster Kane’s last uttered word, “Rosebud.” Citizen Kane ' brings into light many social problems between countries, relationships, and also between competing newspaper companies. It brings into light how a newspaper should react and also brings the corruption of politics. War was breaking out in Europe and throughout the entire film Kane states there will be no war. He ignores the fact people are being killed, tortured, and rounded up like livestock.
Throughout the film ‘Snow Falling on Cedars’ the director Scott Hicks has used symbolism to convey a number of his ideas. He used the fog and snow to symbolise hidden secrets, the sea to represent life and death, and he used the Cedars to symbolise a place of secrecy and protection. By using these three symbols, Scott Hick’s ideas could be conveyed without anything being said at all.
Essay #2: Citizen Kane Review Orson Welles’ production of Citizen Kane revolutionized filmmaking by mastering the art of using cutting edge techniques to make it one of the most revolutionary and groundbreaking films in the history of movies. Citizen Kane, released in 1941, is thought to be the single most revolutionary and groundbreaking film in the history of movies (Rotten Tomatoes). Welles used many techniques in the production of the film that were never even thought of before that point. In this way, the film Citizen Kane is an extremely innovative film and definitely pushes the limits of its genre at the time. Welles completely changed the course of the production of film by introducing a completely new way of writing, directing, and through his use of techniques.
Symbols are found all within the film. The movie went through three different seasons. Summer is a symbol of life, and during this part of the movie the main characters didn’t have a care in the world and there were no consequences for any of their actions. For example, it’s the time that people are out having adventures that will lead to wonderful memories and at times trouble. The movie started out just like ...
One motif which reappears in the film is the power of nature, especially in relation to the individual. In fact, the film begins with a majestic shot of the Rocky Mountains showing its beauty and height. The beauty of nature and even friendliness of nature changes as the film develops. As the movie progresses the snow still seems white and pure, almost virgin like, but nature becomes an isolating force, not providing the family with a retreat from the pressures of modern life, but forcing the family to turn in on its dysfunctional and psychopathic self. Imprisoned by the snow and the tall mountains , the family seems weak and vulnerable.
Orson Welles ' introduced innovating editing and sound design in the 1940s with Citizen Kane (1941). Welles uses editing and sound to show the audience the passing of time, this is seen the breakfast montage. Welles uses sound bridges during the transitional wipes of fast moving images which fade into the next shot. The sound bridges act as links between the two scenes and make the time difference apparent to the audience. At the beginning of the montage Welles uses a slow zoom combined with romantic music to show the love between Kane and Emily. Both characters appear in the frame together with deep focus and slow paced editing which shows the closeness of the couple in the early years. This is juxtaposed by the end of the montage showing
Mise-en-scène is a vital function in film which allows us to glean a deeper significance than mere action and dialogue can convey. We react to the signs, symbols, and icons within a film because they are imbedded deeply into our collective subconscious. Our history of visual storytelling predates language and it is a tradition that is innately human and universally recognized, even if the viewer is unaware of the elements of mise-en-scène and the way in which they are constructing the emotional and psychological context of a film’s story.
Symbolism is commonly used by authors that make short stories. Guin is a prime example of how much symbolism is used in short stories such as “The Ones Who Walk Away from Omelas” and “Sur.” In both of these stories Guin uses symbolism to show hidden meanings and ideas. In “The Ones Who Walk Away from Omelas” there is a perfect Utopian city, yet in this perfect city there is a child locked in a broom closet and it is never let out. A few people leave the city when they find out about the child, but most people stay. Furthermore, in “Sur” there is a group of girls that travel to the South Pole and reach it before anyone else, yet they leave no sign or marker at the South Pole. Guin’s stories are very farfetched and use many symbols. Both “Sur” and “The Ones Who Walk Away from Omelas” have many symbols such as colors, characters, objects, and weather. The four types of symbols that Guin uses help the readers understand the themes in her short stories. Although her stories are farfetched, they need symbolism in them or the reader would not understand the theme; therefore the symbols make Guin’s stories much more enjoyable.
Genre in film theory is bespoken from literary genre scrutiny as well as founded on a film’s organization and its sequential events. Similarly, films are more often than not categorized according to its mood that is an emotional tone, setting which is its locale, and theme topic that is the issues in the film. Likewise, all these fundamentals come into consideration for the appointment of the film to be properly categorized in a genre. The moment we look narrowly at a film genre, we typically ascertain intricacies that give an awareness of subtle shades of meaning or feeling, especially in artistic expression or performance. However, all along not losing sight of the fact that a genre convention, that is to say some type of common identity that reappears in the film that eventually contributes essentially. Conjunctionally these elements are influential to classify a film in a genre, which includes essentials such as iconography, plot, and thematic elements. An epitome of a genre drama is exemplified by the film, The Ice Storm (1997) and accordingly, with an analysis of its genre it demonstrates David Bordwell’s reflectionist approach that expounds on its social function, relatibility, during the time of its production.
this one letter in a circle can now sum up his life, that people just
An undeniably common theme shared between There Will Be Blood and Citizen Kane is the pursuit of the American Dream. Both Daniel Plainview and Charles Kane share an immense strive for ambition, achieving their success, and failures, in much different ways, with ultimately the same outcome, isolation due to negligence. The drive both protagonists share leads to their wealth, as well as their many losses, personal, physical, emotional, and psychological. The American Dream consists of the achievement of wealth, status, success, and love, which both Plainview and Kane struggle to achieve throughout the two films. The films illustrate how pursing this American Dream eventually leads to downfall, corruption and complete isolation. Ironically, the
In the 21st century, the media still has power over the public, even more so than what is seen in Citizen Kane, as there are many more forms of media than just the newspaper. Citizen Kane is largely concerned with exposing the deceit and manipulation inherent in the media. Welles’ statement on ‘truth’ in the media is perhaps best summed up in Kane’s line: “Don’t believe everything you hear on the radio. Read The Inquirer.” Other than the obvious self-aware irony of this line, given by the founder of The Inquirer with a cheeky smile, the line is also a sly nod to Welles’ own history on radio, and particularly the War of the Worlds prank. The 1940s audience would have recognised this intertextuality and appreciated its comment on the untrustworthiness
Films are about some topics or themes and involve different types of characters. Many filmmakers use a variety of techniques to convey their messages. The choice on the type of the techniques depends on the theme of the film and how effective the filmmakers want to communicate their ideas. This essay aims at illuminating theme and technique in films basing its argument on Alfred Hitchcock’s movies; Notorious movie, Rope, and Strangers on the Train. Alfred Hitchcock was a director of movies and his place in the film studies is unrivalled. He is famously known due to his brilliant plots, witty dialogue, and his ability to tell stories visually. This unique ability brought a new revolution in the film industry that made him become a very influential person in this industry.
Analysis of an aspect of visual form in the film ‘Repulsion’ In the 1964/65 film ‘Repulsion’ by Roman Polanski, the story is about the conflict between reality and fantasy or sanity and insanity inside the main character’s mind – Carol played by Catherine Deneuve. Therefore the narrative technique of symbolism is used to display visually to the film’s audience what happens to Carol’s mind. In this particular instance, the degeneration of Carol’s state of mind is symbolised.
Every great author posses the ability to create a novel deeply woven in symbolism and subliminal messages. Underneath the literal journey encountered in Joseph Conrad’s Heart of Darkness lies a tale saturated with subtle, yet, significant imagery that brings forth the true meaning of the novella. Throughout Heart of Darkness Conrad uses a plethora of simple colors, objects, and places to convey multifaceted images and ideas. His fine execution of the tools of the English language allows him to quickly lure the reader aboard the Nellie and not release him until the horror is over. Although the interpretation of symbols in the Heart of Darkness is elaborate, due to their simplicity they are often overlooked.