Punishments in Dante´s Infero

1043 Words3 Pages
bulb-icon

Recommended: Dante's inferno analysis

The epic Inferno has been a classic throughout the course of time, and it’s story still has a relevance today. The gory details of the punishments, to the flowing language of the text, this story has an eternal song that constantly sings to its readers. Many people have their favorite parts of the text, but one of the most favorite are the punishments themselves. Dante thought through each and every punishment, and who he placed in each crime. It didn’t matter if the character was real in Dante’s time period, or if the person came from another tale. They each had their crime and, according to Dante, paid for each and every one of them . A few favorite punishments brought on by Dante were of the following: the lustful, trapped in their never-ending tempest, the flatterers, cursed to eating excrement for eternity, and the fortune-seers, forced forever to see behind them.
The Lustful, found in Circle Two of Inferno, were cursed to be drifting in a never-ending tempest, signifying that they could not control their desires. Virgil and Dante had just left Circle One, known as “Limbo”, and passed Minos, who, in his lifetime, was “The legendary king of Crete, son of Zeus and the Phoenician princess Europa” (Leadbetter). He “was made one of the three judges in the underworld after his death” (The Free Dictionary). When they enter Circle two, Dante (the pilgrim) is told by Virgil who many of the people are. He notes that “Semiramis is there, and Dido, Cleopatra, Helen, Achilles, Paris, and Tristan.” Dante also spots out Paolo and Francesca, two ill-fated lovers from Dante’s time period. They are all caught in a storm, and forever banned from seeing the Light and God, due to choosing to follow their undying desires instead of the True Way....

... middle of paper ...

...ith his Canterbury Tales. Your viewpoint on crimes may be different than mine, and that’s fine. I just hope I’m not in your Hell.

Works Cited

Atsma, Aaron J. "Theoi Project." AMPHIARAOS. Theoi Project, 2011. Web. 8 Dec.
2013. .

Flatterer. Merriam-Webster, 2013. Web. 8 Dec. 2013.
.

The Free Dictionary, ed. "The Free Dictionary." Minos. The Free Dictionary,
2009. Web. 8 Dec. 2013. .

Hunter, James. "Encyclopedia Mythica™." Tiresias. Encyclopedia Mythica™, 3 Mar.
1997. Web. 8 Dec. 2013. tiresias.html>. Leadbetter, Ron. "Encyclopedia Mythica™." Minos. Encyclopedia Mythica™, 4 June
1997. Web. 8 Dec. 2013.
minos.html>.

Show More
Related

  • Divine Justice In 'Sir Gawain And The Green Knight'

    837 Words  | 2 Pages

    In most ancient literature some sort of divine justice is used to punish people's acts in life. This is that case with Dante's Inferno, where the Author categorizes hell in 9 circles. Circle 9 being the lowest sins and punishments as the circles decrease. From the time this was written to now in days many things have changed, and things are not seen the same no more. Back then sins like greed and gluttony were ranked as high sins but now people would probably rank those very low with other things like murder way on top. Yet the basic structure set by Dante remains.

    Read More

  • Divine Grace and Justice in Dante's Inferno

    1539 Words  | 4 Pages

    Upon entering hell with Virgil, Dante becomes witness to the true perfection of the justice done to sinners after their earthly life is over. This divine justice inflicted by God chooses to punish the souls in hell in a way very similar or representative to how the souls sinned on Earth. For instance, those guilty of the sin of wrath "tear each other limb from limb" (133), a punishment which directly relates to the actions of the sinners. However, there are also punishments that are more symbolic of the actions of the sinners, such as th...

    Read More

  • Divine Comedy - Indignation and Sin in Dante’s Inferno

    1355 Words  | 3 Pages

    Dante's and Virgil's scorn seems at first glance to echo the sin of intemperate anger which infects the foul waters of the Stygian marsh. Filippo Argenti, the weeping sinner who emerges from the mire, is eternally punished for his anger. However, the pilgrim's denunciation of Filippo is not only permitted, but lauded by Virgil with the praise given Jesus: "Blessed is the womb that bore thee!" (VIII, 43-44) Even the pilgrim's further, seemingly sadistic request to see Filippo attacked by his brethren is granted and accepted as appropriate. This seeming discrepancy in behavior can be reconciled by understanding the underlying motivations of the speakers. The pilgrim and Virgil travel with Divine sanction through Hell. The pilgrim's entire being learns to become entirely subject to the will of God. Virgil's journey is in obedience to the three angelic women who are Dante's patronesses: Our Lady, St. Lucia and Beatrice. However, Filippo Argenti is described by Virgil as "full of arrogance" (VIII, 46) Filippo Argenti's primary concern is Filippo Argenti. The essential element that separates the pilgrim from the sinners in the marsh is his subservience to God. Due to their divergent natures, the treatment of Filippo Argenti by the pilgrim and Virgil reflects the supreme triumph of the righteous over evil and serves as a warning to the reader.

    Read More

  • Essay on Morality in Dante’s Inferno, Hamlet, The Trial, and Joyce’s The Dead

    2804 Words  | 6 Pages

    In analyzing this gradient of morality, it is useful first to examine a work from early literature whose strong purity of morality is unwavering; for the purposes of this discussion, Dante’s Inferno provides this model. It is fairly straightforward to discover Dante’s dualistic construction of morality in his winding caverns of Hell; each stern, finite circle of Hell is associated with a clear sin that is both definable and directly punishable. As Dante moves downwards in this moral machination, he notes that

    Read More

  • The Allegory of the Cave and Dante

    1237 Words  | 3 Pages

    ...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.

    Read More

  • Punishments In Dante's Punishment

    1555 Words  | 4 Pages

    Sinners in this section are punished for their lust. The punishment that they have to endure is to be ripped apart by vicious winds (Dante 41). This circle has people included in it that shared a mere kiss with a married person. One lady that is being punished in this section fell in love and kissed her husband’s brother while reading a steamy romantic book (Dante 43). The sinners in this circle are unjustly punished and there should be more fitting punishments. Along with more fitting punishments there should be different levels of punishments based on how severe of lechery was committed. Dante had a lot of different reasons for putting the lustful sin in this order. One reason that he had for doing this is because of self-pity for himself. His love for Beatrice would have placed him in this circle and he realized this. He placed this sin really low on the scale because he knew he was prone to committing this sin. Dante’s own personal experience influenced his decision to put the lustful as only the second circle in the organization of

    Read More

  • The Role and Function of the Major Monsters in Dante’s Inferno

    1944 Words  | 4 Pages

    Moreover, Dante, the narrator of the Inferno, has succeeded in not only telling the frightening story of the Inferno, but also pointing out the importance of the relationship between human’s sins and God’s retribution, using the monsters as the symbols for each kind of sin and its punishment throughout the progress of the story, which teaches his readers to be well aware of their sins through the literature – a part of humanities; the disciplines that teach a man to be a human.

    Read More

  • Dante's Divine Comedy - Close Reading of Canto V of the Inferno

    917 Words  | 2 Pages

    Dante Alighieri presents a vivid and awakening view of the depths of Hell in the first book of his Divine Comedy, the Inferno. The reader is allowed to contemplate the state of his own soul as Dante "visits" and views the state of the souls of those eternally assigned to Hell's hallows. While any one of the cantos written in Inferno will offer an excellent description of the suffering and justice of hell, Canto V offers a poignant view of the assignment of punishment based on the committed sin. Through this close reading, we will examine three distinct areas of Dante's hell: the geography and punishment the sinner is restricted to, the character of the sinner, and the "fairness" or justice of the punishment in relation to the sin. Dante's Inferno is an ordered and descriptive journey that allows the reader the chance to see his own shortcomings in the sinners presented in the text.

    Read More

  • God's Just Punishments and the Inferno of Dante

    439 Words  | 1 Pages

    This notion of the suitability of God’s punishments figures significantly in the structure of Dante’s Hell. To readers, as well as Dante himself (the character), the torments Dante and Virgil behold seem surprisingly harsh, possibly harsher than is fair, Dante exclaims this with surprise. He doesn’t actually wonder who decided on these tortures. He knows it was god. What he is questioning is how these punishments are just, since they don’t appear to be just from a human’s point of view which views each punishment together with its conjugate sin only superficially. For example, homosexuals must endure an eternity of walking on hot sand, and those who charge interest on loans sit beneath a rain of fire. At first glance, each one seems too terrible for any sin. However, when the poem is viewed as a whole, it becomes clear that the guiding principle of these punishments is one of balance. Sinners suffer punishment to the degree befitting the gravity of their sin, in a manner matching that sin’s nature. The structures of the poem and of hell serve to reinforce this correspondence.

    Read More

  • Analysis Of Dante's Inferno

    1248 Words  | 3 Pages

    Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradise. Dante presents these principles in Inferno, where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell, the degrees of sin get progressively worse, as do the severity of punishment.

    Read More

  • Analysis of Dante's Inferno

    758 Words  | 2 Pages

    Seeing as this work was written by Dante, and the journey is taken by Dante, he has a unique opportunity to judge his fellow man and decide how they will be punished. He also gets to place his enemies in hell, forever besmirching their names for generations to remember. Perhaps unknowing to Dante, that is worse than any of the punishments that he placed his enemies in. The reality of The Inferno is unlikely and therefore these punishments are nothing but a fictiona...

    Read More

  • Essay On Divine Punishment In Oedipus And Dante's Inferno

    1103 Words  | 3 Pages

    Divine punishment occurs in Oedipus and Dante’s Inferno. Divine Punishment is an endless punishment where your fate is determined and you cannot escape it. It is known as an irreversible occurrence that creates attitudes within characters that harms themselves and others. Oedipus faced a punishment that he had no choice over and couldn’t escape it. In Dante’s Inferno, people chose to sin and make their own decisions when sinning. The difference is that in Dante’s Inferno, some sins could’ve been escaped by man. People in Dante’s Inferno chose to sin while Oedipus had no choice and couldn’t escape it. Divine punishment can be escaped by man after a certain age of maturity, and control of their own actions. The question is, can divine punishment

    Read More

  • Divine Love In Dante's Inferno

    1273 Words  | 3 Pages

    Inferno begins with Dante lost in a dark wood. When he tries to exit, three impassible beasts blocked his path. Dante is rescued when Beatrice sends the spirit of Virgil to lead him to salvation. However, Dante must journey through hell first. Dante and Virgil then journey through the nine circles of hell, with the occasional help of a heavenly messenger sent to aid Dante in his journey. Dante meets many significant people and hears their stories in each circle. The First Circle of Hell or Limbo is resided by virtuous non-Christians and unbaptized pagans. In the Second Circle, Dante and Virgil find people who were overcome by lust. In the Third Circle, they find souls of gluttons that are seen as more than the usual excessive eating and drinking but also drug addiction. In the Fourth Circle, Dante and Virgil see the souls of people who are punished for greed.

    Read More

  • Literary Analysis: Dante's Inferno

    822 Words  | 2 Pages

    Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.

    Read More

  • Dante's Divine Comedy - Symbolism in the Punishment of Sin in The Inferno

    4191 Words  | 9 Pages

    Inferno, the first part of Divina Commedia, or the Divine Comedy, by Dante Alighieri, is the story of a man's journey through Hell and the observance of punishments incurred as a result of the committance of sin. In all cases the severity of the punishment, and the punishment itself, has a direct correlation to the sin committed. The punishments are fitting in that they are symbolic of the actual sin; in other words, "They got what they wanted." (Literature of the Western World, p.1409) According to Dante, Hell has two divisions: Upper Hell, devoted to those who perpetrated sins of incontinence, and Lower Hell, devoted to those who perpetrated sins of malice. The divisions of Hell are likewise split into levels corresponding to sin. Each of the levels and the divisions within levels 7,8, and 9 have an analogous historical or mythological figure used to illustrate and exemplify the sin.

    Read More

More about Punishments in Dante´s Infero

Open Document