In Ken Kesey’s novel One Flew Over the Cuckoo’s Nest and the film Girl, Interrupted directed by James Mangold authors both look at American psychiatric institutions of the 1960s and explore the idea that the hospitals act as microcosms for society. A microcosm is a small universe representative of a larger one thus suffers the same problems of conformity and rebellion, prejudice against minorities and authority figures ruling absolutely. Both authors use stylistic techniques to position the audience to respond to ideas common in both texts.
Within a society there are those who promote non-conformity in a positive light, this idea is explored through the institutions of both texts by Ken Kesey and James Mangold. In Kesey’s novel, characters often shown as controlled by the system but there are also those who do not confront to such order and disrupt the enforced demand, by the system which is seen as the government. The character Randle McMurphy is one who is seen as conductor of rebellion, he introduces laughter to the ward which is an element of revolution within characters. McMurphy knows that one has to laugh “to keep the world from running [one] plumb crazy” (p.214). The use of sound throughout the novel displays that the power of this laughter represents McMurphy promoting non-conformity. Dictatorship rules the system and enforces conformity, Kesey’s use of imagery portrays that the fog machine is a pigment of Chief Bromden’s imagination but represents a way in which the characters are controlled. Chief figures that the “fog machine had broken down in the walls” (p.140), this symbolises his own building of rebellion and a defence against conformity. Similarly, Mangold’s Girl, Interrupted also shows the positive effect of rebe...
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...nds of suspenseful music is heard and camera is used to film the reactions of other patients as she enters the ward, which appears as frightened. Negative and positive authority can be seen through both texts which produce the idea of Kesey and Mangold, who have used these texts as a microcosm for society.
Ken Kesey’s novel One Flew Over the Cuckoo’s Nest and film Girl, Interrupted directed by James Mangold display the hospitals act as a microcosms for society. This idea is shown through characters that promote non-conformity, the showing of prejudice against minorities and when authority figures rule absolutely. The audience respond to this idea which is common to both, this idea is mainly presented through the stylistic techniques dialogue, camera angles, sound, and literary techniques, as each reflect the idea of the hospitals acting as microcosms for society.
Ken Kesey’s, One Flew Over The Cuckoo's Nest, is a novel containing the theme of emotions being played with in order to confine and change people. One Flew Over The Cuckoo's Nest is about a mental institution where a Nurse named Miss Ratched has total control over its patients. She uses her knowledge of the patients to strike fear in their minds. Chief Bromden a chronic who suffers from schizophrenia and pretends to be deaf and mute narrates the novel. From his perspective we see the rise and fall of a newly admitted patient, RP McMurphy. McMurphy used his knowledge and courage to bring changes in the ward. During his time period in the ward he sought to end the reign of the dictatorship of Nurse Ratched, also to bring the patients back on their feet. McMurphy issue with the ward and the patients on the ward can be better understood when you look at this novel through a psychoanalytic lens. By applying Daniel Goleman’s theory of emotional intelligence to McMurphy’s views, it is can be seen that his ideas can bring change in the patients and they can use their
Ken Kesey’s One Flew Over the Cuckoo’s Nest explores the dysfunctions and struggles of life for the patients in a matriarch ruled mental hospital. As told by a schizophrenic Native American named Chief Bromden, the novel focuses primarily on Randle McMurphy, a boisterous new patient introduced into the ward, and his constant war with the Big Nurse Ratched, the emasculating authoritarian ruler of the ward. Constricted by the austere ward policy and the callous Big Nurse, the patients are intimidated into passivity. Feeling less like patients and more like inmates of a prison, the men surrender themselves to a life of submissiveness-- until McMurphy arrives. With his defiant, fearless and humorous presence, he instills a certain sense of rebellion within all of the other patients. Before long, McMurphy has the majority of the Acutes on the ward following him and looking to him as though he is a hero. His reputation quickly escalates into something Christ-like as he challenges the nurse repeatedly, showing the other men through his battle and his humor that one must never be afraid to go against an authority that favors conformity and efficiency over individual people and their needs. McMurphy’s ruthless behavior and seemingly unwavering will to protest ward policy and exhaust Nurse Ratched’s placidity not only serves to inspire other characters in the novel, but also brings the Kesey’s central theme into focus: the struggle of the individual against the manipulation of authoritarian conformists. The asylum itself is but a microcosm of society in 1950’s America, therefore the patients represent the individuals within a conformist nation and the Big Nurse is a symbol of the authority and the force of the Combine she represents--all...
Kesey also uses characterisation to show power. The ‘Big’ Nurse Ratched runs the ward in which the central characters reside in a manner that induces fear in both patients and staff. The Nurse controls almost everything in the men’s lives; their routines, food, entertainment, and for those who are committed, how long they stay in the hospital. Nurse Ratched is the main example of power and control in the novel. The Big Nurse has great self-control; she is not easily flustered and never lets others see what she is feeling. Rather than accusing the men of anything, she ‘insinuates’. Although she isn’t physically larger than the ‘small’ nurses, The Chief describes Nurse Ratched as ‘Big’ because of the power she holds – this presentation of size is used for many characters.
Ken Kesey incorporates figurative language into his novel, One Flew Over The Cuckoo’s Nest, to illustrate the struggle to overcome the comfort of inaction, that ultimately results in the great benefit of standing up for one’s self. When McMurphy decides to stand up to Nurse Ratched, there is “no fog” (130). Kesey’s metaphor of the fog represents the haze of inaction that hovers over the patients of the ward. With the oppressive Nurse Ratched in charge, the patients are not able to stand up for themselves and are forced to be “sly” to avoid her vicious punishments (166). When the patients avoid confrontation with the Nurse, they are guaranteed safety by hiding in the fog, complaisant with their standing. The fog obscures the patient’s view of the ward and the farther they slip into it, the farther away they drift from reality.
The counterweight to the attempt is fear, it dives some to their death and needs to be overcome in order to be free. The author portrays this in society's need to overcome the fear of women in authority despite being against it. The use of failed examples who could not overcome the circumstances and committed suicide . The opposing example is of the character chief who succeeds in his attempt. The Author places importance on this idea through his use of the mental hospital and the fine line the characters walk. The novel sets a tone for the world of mental hospitals that leaves a lasting image and affect the way mentally ill people are perceived. So he success of the novel is driven home in its lasting
Ken Kesey presents his masterpiece, One Flew Over The Cuckoo's Nest, with popular culture symbolism of the 1960s. This strategy helps paint a vivid picture in the reader's mind. Music and cartoons of the times are often referred to in the novel. These help to exaggerate the characters and the state of the mental institution.
One Flew Over the Cuckoo’s Nest by Ken Kesey presents a situation which is a small scale and exaggerated model of modern society and its suppressive qualities. The story deals with the inmates of a psychiatric ward who are all under the control of Nurse Ratched, ‘Big Nurse’, whose name itself signifies the oppressive nature of her authority. She rules with an iron fist so that the ward can function smoothly in order to achieve the rehabilitation of patients with a variety of mental illnesses. Big Nurse is presented to the reader through the eyes of the Chief, the story’s narrator, and much of her control is represented through the Chief’s hallucinations. One of these most recurring elements is the fog, a metaphorical haze keeping the patients befuddled and controlled “The fog: then time doesn’t mean anything. It’s lost in the fog, like everyone else” (Kesey 69). Another element of her control is the wires, though the Chief only brings this u...
When norms of society are unfair and seem set in stone, rebellion is bound to occur, ultimately bringing about change in the community. Ken Kesey's One Flew Over the Cuckoo's Nest demonstrates the conflict of individuals who have to survive in an environment where they are pressured to cooperate. The hospital's atmosphere suppresses the patients' individuality through authority figures that mold the patients into their visions of perfection. The ward staff's ability to overpower the patients' free will is not questioned until a man named Randal McMurphy is committed to the mental institute. He rebels against what he perceives as a rigid, dehumanizing, and uncompassionate environment. His exposure of the flaws in the hospital's perfunctory rituals permits the other patients to form opinions and consequently their personalities surface. The patient's new behavior clashes with the medical personnel's main goal-to turn them into 'perfect' robots, creating havoc on the ward.
The dominant discourse of conformity is characterised predominantly by influencing to obey rules described by Kesey’ novel ‘One Flew over the Cuckoo’s Nest’. At the start of the novel, all the acute and the silence chronic conform to Nurse Ratched’s rules before the arrival of McMurphy. Since, she was in complete control over the ward until McMurphy arrived. After he arrived, he begins to take control of the patients. He begins to take the role of leader, a leader that was unexpected. Kesey has foregrounded the character, McMurphy to be different thus creating a binary opposite that is represented in the novel. Kesey shows the binary opposites as being good versus evil. The former represents the con man McMurphy, and the latter represents the head nurse, Nurse Ratched. An example of this would be, “She’s carrying her wicker bag…a bag shape of a tool box with a hemp handle…” (pg.4), showing that Nurse Ratched is a mechanic. McMurphy is portrayed as being a good character by revitalising the hope of the patients by strangling Nurse Ratched. This revitalise the hope for the pa...
Insanity is a blurred line in the eyes of Ken Kesey. He reveals a hidden microcosm of mental illness, debauchery, and tyranny in his novel, One Flew Over the Cuckoo’s Nest. The remarkable account of a con man’s ill-fated journey inside a psychiatric hospital exposes the horrors of troubling malpractices and mistreatments. Through a sane man’s time within a crazy man’s definition of a madhouse, there is exploration and insight for the consequences of submission and aberration from societal norm. While some of the novel’s concerns are now anachronous, some are more vital today than before. One Flew Over the Cuckoo’s Nest is a compelling tale that brings a warning of the results of an overly conformist and repressive institution.
...rphy knows the other patients are not crazy but the big nurse convinces them that they are. One student says “the book gave her insight into the mental institutions and that she liked the characters’ care free quality, even though they were ill.”(LA times) Kesey expected the same response from all of his audience, although, he received a negative response from parents. As author Upton Sinclair said about his book The Jungle, ‘I aimed my book at America’s heart, but I hit it in the stomach.” (Books Reconsidered), so did Kesey.
The author of One Flew over the Cuckoo 's Nest, allows the reader to explore different psychoanalytic issues in literature. The ability to use works literature to learn about real world conflicts allows us to use prior knowledge to interact with these problems in reality. Ken Kesey, the author of the above novel and Carl Jung, author of “The Archetype and the Collective Unconscious” wrote how the mind can be easily overtaken by many outside factors from the past or present. The novel takes place in an asylum that is aimed to contain individuals that have a mental issue or problem. The doctors and care takers are seen as tyrants and barriers that inhibit the patients to improve their health, while the patients are limited by their initial conditions
In Ken Kesey's One Flew over the Cuckoo's Nest, the author refers to the many struggles people individually face in life. Through the conflict between Nurse Ratched and McMurphy, the novel explores the themes of individuality and rebellion against conformity. With these themes, Kesey makes various points which help us understand which situations of repression can lead an individual to insanity. These points include: the effects of sexual repression, woman as castrators, and the pressures we face from society to conform. Through these points, Kesey encourages the reader to consider that people react differently in the face of repression, and makes the reader realize the value of alternative states of perception, rather than simply writing them off as "crazy."
Ken Kesey in his novel One Flew Over the Cuckoo 's Nest question a lot of things that you think almost everyday. With this famous portrait of a mental institute its rebellious patients and domineering caretakers counter-culture icon Kesey is doing a whole lot more than just spinning a great yarn. He is asking us to stop and consider how what we call "normal" is forced upon each and every one of us. Stepping out of line, going against the grain, swimming upstream whatever your metaphor, there is a steep price to pay for that kind of behavior. The novel tells McMurphys tale, along with the tales of other inmates who suffer under the yoke of the authoritarian Nurse Ratched it is the story of any person who has felt suffocated and confined by our
Take for example, One Flew Over the Cuckoo’s Nest by Ken Kesey. There is no doubt in my mind that the mental institution that comprises the primary setting of the narrative is intended as a metaphor of societal oppression. This symbolic novel relays the story of an inmate standing up against the powerful forces that operate a psychiatric hospital, but it represents much more than just a classic case of “man versus the establishment”. The questions raised by Kesey are almost as chilling as his descriptive tales of inmate abuse. Kesey compelled me to ponder just how thin the line is that separates insanity from sanity, and treatment from control. Representing a heroic struggle of personality against an institution of mindless conformity, I found “One Flew Over the Cuckoo’s Nest” to be one powerful piece of literature.