For a time, the main characters in a story, poem, or narrative were easily classified as either being a hero or a villain. A hero would be easy to identify by the traits he'd possess, such as bravery, honesty, selflessness, trustworthiness, courage, leadership, and more. The villain would be easy to identify as well, possessing traits such as maliciousness, deceitfulness, immorality, dark, wishing harm upon others, and more. But what if the character lacked the natural heroic qualities but wasn't a villain either? What if the person displayed personality flaws that would traditionally be associated with a villain, but has heroic intentions? These questions were finally answered with the emergence of the anti-hero in literature.
The anti-hero is useless at being a hero when they should be one or have the opportunity to be one. Typically an ordinary, timid, selfish, anti-social, inept, cautious, passive, pessimistic person, they still manage to gain the sympathy of the reader. Usually unglamorous, many wallow in self-pity which only worsens their state of mind. Anti-heros rarely succeed at any goal set before them. Summed up in two words - failed heros. T. S. Elliot's “The Love Song of J. Alfred Prufrock” is a fantastic example of the modern anti-hero. A glimpse into the stream of consciousness of Prufrock reveals his secret struggles to handle a world he has no control over. Prufrock displays numerous characteristics of an anti-hero but three stand out the most: cowardice, passiveness, and pessimism.
Prufrock, the narrator of the poem, is a middle-aged man who is living a life void of meaning and purpose. His thoughts are depressing as he mulls over his dull, uneventful life. One of his most crippling traits is cowardice. He's v...
... middle of paper ...
...der sees a more sorrowful attitude.
---------------------------
In this passage, it's clear that Prufrock desires a woman's attention but doesn't think he will ever have it. This pessimistic outlook gives no hope at all and is just depressing.
When reading “The Love Song of J. Alfred Prufrock”, there is no doubt at all that Elliot has indeed, created the most distinguishable anti-hero. Prufrock is shy, timid, haunted by thoughts degraded by failure, indecisive, pessimistic, self-conscious, and overall pathetic. He has a horrible, distorted view on society and feeling sympathy for the man is almost inescapable. Prufrock will never be the hero. His self-doubting and cynical nature, bundled with suppression and a melancholy attitude towards life is leading only to a future full of isolation and loneliness. This is the summarization of the life of the anti-hero.
A hero can be anyone. The modern day hero does not need physical strength or have super human powers, nor do they need to be of royal decent or obtain a high-flying place in the government. Bernard Malamud explains, “Without heroes, we are all plain people, and don't know how far we can go,” suggesting that heroes are simply role-models we use to learn from. The first introduction to the concept of the Heroes Journey was through Joseph Campbell. In his book ‘A Hero with a Thousand Faces,’ he brings to light the idea of studying the human impulse to create stories that draw on universal themes which is highlighted in his theory of the Heroes Journey. He explains, “A hero is someone who has given his or her life to something bigger than oneself,” which demonstrates the idea of portraying a hero as someone who gives without the need for repayment. Similarly the founder of analytical psychology, Carl Jung, talks about heroes in his essay ‘A Study in the Process of Individuation,’ through his concept of introversion and extraversion. According to him, archetypes are distinctive universal psychic temperaments, which form the substrate from which the basic themes of human life a...
An anti-hero has the role of a hero thrust upon them. They do not particularly want to be brave or noble but their actions lead them to be a hero. Facing difficult decisions and doubt are also classic traits of an anti-hero. They often lack confidence in themselves, refuse to accept their fate as a hero or don't even realise their status or ability. At a certain point, anti-heroes usually transcend into either a tragic or romantic hero. Anti-heroes can be identified in many different texts, however, all of them consist of those traits.
"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.
Before we are introduced to Prufrock himself, we notice that the initial scenes of this poem paint a landscape of apathy. The narrator mentions little about himself initially and beckons that we follow him down into a world without consequence “of restless nights in one-night cheap hotels” (Eliot 6). The later “streets that follow like a tedious argument of insidious intent” set the stage for Prufrock’s dilemma (ibid 9-10). Audrey Cahill says this scene foreshadows “Prufrock’s dialogue with himself, a dialogue which leads nowhere” and that thrusts the reader into meaningless chaos (6). Thus, even if these streets lead to an overwhelming question, the journey down them is rather mind-numbing and unnecessary if the answer gets us nowhere or, worse, merely emphasizes our own desolation. This is compounded by the appearance of a mysterious yellow catlike fog that “curled once about the house and fell asleep” (Eliot 22). Cahill also affirms that becaus...
"(10) which is never identified, asked, or answered in the poem. This "question" is somehow associated with his social status, but both its ambiguity and Prufrock's denial to even ask "What is it? " (11) gives some insight into his state of internal turmoil. Prufrock's dissatisfaction with his personal appearance is evidence of an underlying lack of self-confidence. Not only is he unhappy with the way he looks, having "to prepare a face to meet the faces that you meet," but he is constantly afraid of what others will have to say about him.
Alfred Prufrock always had a low self-esteem, and no confidence to take a chance with these girls. The reason why Prufrock was intimidated to go talk with these women is that he was scared to be turned down. He did not want to ask her on a date, and then the women reject him. “And should I then presume?/And how should I begin?” (Eliot 68-69). This quote is demonstrating how Prufrock is debating on whether and how he should approach a girl. He does not know how to start a conversation with a girl. He goes through these questions every day, and the result is the same every day. He is nervous and self conscious that the women will notice the bald spot on the back of his head and his thin physique. He is trying to find love, but his lack of confidence is holding him back. “And I have known the eyes already, known them all” (Eliot 55). Eliot is explaining how Prufrock knows all of the women who go through the coffee shop each day. He recognizes their eyes because because he sees them so often. As bad as he wants to go and talk with these women, he still will not do it in fear of being rejected. His scarce of being turned down makes his life lonely in a coffee shop for the rest of his life. J. Alfred Prufrock wants to be a hero and tries to compare himself to John the Baptist, Lazarus, and Hamlet. But his low self-esteem and self-consciousness caused him to think low of himself “Prufrock realizes that the best he can do in Shakespeare’s play is to be Polonius, who talks too much, annoys everyone, and is finally killed by accident when he is eavesdropping on Hamlet and his mother.” (Frazer, Timothy
The Love song of J. Alfred Prufrock is a poem that was written by T. S Eliot. The poem introduces the character, Prufrock, as a man who is very pessimistic about everything and is incapable of change. Prufrock sees the society he lives in as a place that is full of people who think alike, and he thinks he is different from them. Though Prufrock, realizes that the society he is associated with needs a change and have more people who think differently, but the fact that he is very concerned about what people would think of him if he tries to speak up to make a change or that he would be ignored or be misunderstood for whatever he says hindered him from expressing himself the way he would like to. Prufrock then decides not to express himself in order to avoid any type of rejection. In the poem, Prufrock made use of several imagery and metaphor to illustrate how he feels about himself and the society he is involved in. Prufrock use of imageries and
T.S. Eliot’s breakthrough poem “The Love Song of J. Alfred Prufrock” is expertly crafted to have a complex structure with various hidden themes. The poem acts as an inner monologue for the titular character, appearing as lyric-narrative poetry. However, it does appear to lean towards a lyric poem, with the hazy plot consisting of Prufrock describing what his life has been like, in retrospect to speculating on what is to come next. The monologue throughout is melancholy in nature, with Prufrock dwelling on issues such as unrequited love, his frail body, his looming demise, and a dissatisfaction with the modernist world. Eliot uses a variety of metaphor within the poem to showcase Prufrock’s indecision, between being unable to fully live, while
Prufrocks next thoughts tell of his old age and his lack of will to say what is on his mind. He mentions his bald spot in his hair and his thin arms and legs. This suggests that he knows he is growing old, and therefore contradicts what he had mentioned earlier in the poem about having plenty of time. Throughout the poem he is indecisive and somewhat aloof from the self-involved group of women. One part of him would like to startle them out of their frustratingly polite conversations and express his love for her, but to accomplish this he would have to risk disturbing their ?universe? and being rejected. He also mentions ?sprawling on a pin?, as though he pictures himself being pinned in place and viciously analyzed like that of an insect being literally pinned in place. The latter part of the poem captures his sense of overwhelming lack of willpower for failing to act daringly, not only at that tea party, but throughout his life.
For example in the poem he says, “…Time to turn back and descend the stair, With a bald spot in the middle of my hair- [They will say: “How his hair is growing so thin!] My morning coat, my collar mounting firmly to the chin, My necklace rich and modest, but asserted by a simple pin- [They will say:” But how his arms and legs are so thin!”]…” This quotation is an example of Prufrock overthinks situations. He wants to go to the party and ask a question but cannot stop thinking about if he will be judged by the people at the party because of his hair balding and thin body. But a typical person today would acknowledge the fact that the people who will attend the party will be concerned with the party they are attending rather than minor details on him. This is another instance where Prufrock is not typical of people today. People today do tend to over think things but Prufrock takes it to another level with overthinking about things normal people wouldn’t and allows it to affect each choice he makes even the simplest ones in his
“The Love Song of J. Alfred Prufrock” is hardly a love song at all. That irony is clear in that the narrator’s voice is anxious, self-conscious, and depressed. It seems he has wasted his life or that life was wasted on him, and he regrets not being born as a creature that lives on the bottom of the sea. The very last lines of the poem,
Those sides of Prufrock's character are shown only to the reader. The ladies have to judge him on his appearance and his behavior during the evening out. He is an older man, his hair is growing thin, and he is skinny. Eve...
In T.S. Eliot’s “The Love Song of J. Alfred Prufrock,” the author is establishing the trouble the main character, Prufrock, is having coming to terms with middle age. He is deeply distressed over the fact that he is growing old, and feels that the prime of his life has passed him by. His preoccupation with time throughout the poem characterizes his fear of aging. He is a man experiencing a mid-life crisis, brought about by his perception of aging and his own feelings of inadequacy.
...ing line the eloquently depicts the act of daydreaming and having a quiet fantasy abruptly disturbed by reality (131-133). It is only in his ruminations that Prufrock can escape the demands of society and the expectation of rejection.
In conclusion,the cycle of this poem is wonderfully expressed in line 51, “I have measured out my life with coffee spoons." This signifies that he has broken down his entire life into small episodes. Prufrock's failure to act leaves him in fantasy world dominated by insecurity. Prufrock is afraid of himself and others; therefore, he is unsure of what to do and afraid to commit to any particular choice of action (Hart, pp. 174-80). He reveals his innermost thoughts to the reader, but ultimately accepts his own indecision and cowardice. McNamara's article articulates that the world of the poem is limited to a single consciousness.