Charles Dickens' Hard Times and David Lodge's Nice Work Essay

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Charles Dickens' Hard Times and David Lodge's Nice Work

----“Fact, fact, fact, everywhere in the material aspect of the town;
fact, fact, fact everywhere in the immaterial.” – Charles Dickens

In the early 1851, London staged the Great Exhibition to show the
world, the achievements and inventions of the Industrial Revolution.
Many people believed that this showed how much better, safer and
healthier Britain was than its neighbours in Europe. People living in
mansions amid lawns and fountains, with horse drawn carriages
certainly felt that life couldn’t be better. However behind the
publicity and the royal occasions there was another England, not so
glorious. Benjamin Disraeli wrote that Britain was really “two
nations”, Dickens wanted to show his readers what was behind the
glittering façade of Victorian industry. He wanted to show his readers
the factual monotony behind the sulky blotch towns of industrial

As the essay title suggests, both Lodge and Dickens have portrayed
their format of an industrial landscape. Both authors’ coddle in a
crestfallen environment of the industrial world: one at the height of
a revolution, the other at the height of a decline. Dickens is keen to
depict his Victorian contemporary world of Coketown in an essentially
satirical context. It is emblemed with certain thematic issues
including religion, the nature of employment and education, which
follow course throughout the book. This surreal caricature of the
Victorian landscape contrasts with Lodge’s realistically styled piece.
Lodge’s passage, which holds a fictional veil over the names of
“Rummidge and the Dark Country”, is clearly intended to represent
Birmingham and the Black Country.

In Hard Times it ca...

... middle of paper ...

...o hold no target. In his account he mainly adopts
an educational style prose to mirror the thoughts of his subject Vic
Wilcox whilst also using a slightly more creative passage towards the
end of the description to reveal political opinion and sentiment.
Overall it is credible to say that the sources examined are quite
detached in similarity. This maybe due to the large disparity of time
between time periods. In view of success I think though Lodge’s modern
style of writing should be recognized as playing games with the
reader, I judge that the tone is overtly mundane and dreary. It is
impossible to give a comprehensive argument on Lodge’s point of view
due to his modern isolated style from the writing. Dickens is
appealingly aggressive, motivating and quite favourably figurative. He
leaves his readers without a shadow of a doubt of whom he is

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