Heroism, Magic and Retribution in Lord of the Rings and The Hobbit
A fantasy is an imaginary world where all things imaginable can be brought to life. J.R.R Tolkien portrayed fantasy through his use of skilled craftsmanship and a vivid imagination, which was presented in each piece of literature he wrote. In Tolkien's two stories The Hobbit and The Lord of the Rings we see the theme of fantasy brought to life through three essential elements, heroism, magic and retribution. Heroism is shown through the character's courage and bravery in situations where conflict arises and this enables them to be seen in a new light. Magic is a form of extraordinary power seemingly through a supernatural force; it is used in a combination of combat and mystical items to aid the companions on their journey. Retribution is paid to the evil forces for the wrongs society had to endure while they were allowed to dominate. This system allows opportunity for physical and mental development in the characters and the aspect of fantasy to come to life.
During the character's quest, weather they were headed to the Lonely Mountains or to the Cracks of Doom, they always experienced a form of heroism. In the story The Hobbit, we see heroic deeds being accomplished by the main character Bilbo. This occurs when the companions do battle with giant venomous spiders in Mirkwood forest. Bilbo finds depth and strength in his nature that he was surprised was there and smote these villainous creatures all on his own, saving his friends and adding to his stature among those in the group. "Somehow the killing of the giant spider, all alone by himself in the dark without the help of the wizard or the Dwarves or anyone else, made a great difference to Mr. Baggin...
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... fully understand the characters, as well as the major changes both physically and mentally which allow the characters to successfully complete their task to dominate over the forces of evil.
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It will be the contention of this paper that much of Tolkien's unique vision was directly shaped by recurring images in the Catholic culture which shaped JRRT, and which are not shared by non-Catholics generally. The expression of these images in Lord of the Rings will then concern us.
Learning Module Seven - “Human Action” Myth in The Lord of the Rings: The Fellowship of the Ring
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While reading any of J. R. R. Tolkien’s major works, be it The Hobbit, The Silmarillion, or The Lord of the Rings, one cannot help but notice the amount of attention that is given to nature. There are numerous details given to describe each location, each character, even each tree. Tolkien did not claim to be an environmentalist, but by spending so much time in his books explaining the importance of nature, it is hard to say that he did not care about it. About the fantasy world that Tolkien recreated, Sherry Turkle argues, “The question is whether that prepares us to live in a world that's complex, where we need to be able to work in a structure where there are no rules and where we have to be really attentive to other people's cultures and other people's ways of seeing things” (qtd. in Grossman 4). Lev Grossman counters this point when he says, “If The Lord of the Rings is a fantasy, it's ultimately a fantasy about growing up and putting childish things aside” (5). Grossman believes that LOTR is a fantasy, but unlike Turkle, he thinks that the reader benefits with a lesson about growing up and sacrifice.
In the novel, The Hobbit, we find many themes and underlying messages from which useful knowledge and principles can be acquired. As the modern canadian fantasy writer once said, “Fantasy has the capacity to be as important and as thought-provoking as any other form of literature we have.” Tolkien’s work provides readers with challenging and time honoured themes such as: use your unique positive traits for the greater good of the group, power should never be abused and it is important to find your true self in life.
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