Told by the blurb that we have here "one of the most unique and exciting books in the history of American letters," one bridles both at the grammar of the claim and at its routine excess. The grammar stays irreparable. But I have a hunch that the assertion itself is valid. Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values, by Robert M. Pirsig (Morrow), is as willfully awkward as its title. It is densely put together. It lurches, with a deliberate shift of its grave ballast, between fiction and philosophic discourse, between a private memoir and the formulaic impersonality of an engineering or trade journal. As it stands, it is a very long book, but report has it, and fault lines indicate, that a much longer text lies behind it. One hears of an eight- hundred-thousand-word draft and feels perversely deprived of it by the mere sanity and worldliness of the publisher. Zen and the Art is awkward both to live with and to write about. It lodges in the mind as few recent novels have, deepening its grip, compelling the landscape into unexpected planes of order and menace.
The narrative thread is deceptively trite. Father and son are on a motorcycle holiday, traveling from Minneapolis toward the Dakotas, then across the mountains, turning south to Santa Rosa and the Bay. Asphalt, motels, hairpins in the knife-cold of the Rockies, fog and desert, the waters dividing, then the vineyards and the tawny flanks of the sea. Mr. Pirsig is not the first ever to burst: Kerouac has been here before him, and Humbert Humbert, a clutch of novels, films, stories, television serials of loners on the move, lapping the silent miles, toasted or drenched under the big skies, motelling from one neon oasis to the next, and glidin...
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... exception. The cracker-barrel voice grinds on, sententious and flat. But the book is inspired, original enough to impel us across gray patches. And as the mountains gentle toward the sea with father and child locked in a ghostly grip-the narrative tact, the perfect economy of effect, defy criticism.
A detailed technical treatise on the tools, on the routines, on the metaphysics of a specialized skill; the legend of a great hunt after identity, after the salvation of mind and soul out of obsession, the hunter being hunted; a fiction repeatedly interrupted by, and meshed with, a lengthy meditation on the ironic and tragic singularities of American man- the analogies with Moby Dick are patent. Robert Pirsig invites the prodigious comparison. It is at many points, including, even, the almost complete absence of women, suitable.
What more can one say?
In the short story “The Hunter” the author Richard Stark introduces Parker, the main character of this book. The main character is a rough man, he’s a criminal, a murderer, and even an escaped convict. He’s described as crude and rugged and though women are frightened by him, they want him. Parker is not the classic criminal, but rather he’s intelligent, hard, and cunning. In this story the author carefully appeals to his audience by making a loathsome criminal into a hero, or rather, an anti-hero. The author, Richard Stark uses ethical appeal to make his audience like Parker through the use of phronesis, arête, altruism and lastly the ethos of his audience.
biggest tree in the forest, Billy didn’t walk away from the fact that it was very tall and
The novel is organized in an unusual manner that can make it seem unclear to the reader. Krakauer does not introduce the work as a whole, yet he pieces together the story through different chapters. McCandless’s journey is described out of chronological order, requiring the audience to pay careful attention in order to understand the events that unfold.
Zen in the Art of Archery, by Eugen Herrigel describes the ritualistic arts of discipline and focus that the Zen religion focuses around. In this book, Herrigel describes many aspects of how archery is, in fact, not a sport, but an art form, and is very spiritual to those in the east. The process he describes shows how he overcame his initial inhibitions and began to look toward new ways of seeing and understanding. In the beginning of the book Herrigel tells us that he is writing about a ritual and religious practice, “whose aim consists in hitting a spiritual goal, so that fundamentally the marksman aims at himself and may even succeed in hitting himself.” (Herrigel p. 4) Through his studies, the author discovers that within the Zen ritual actions, archery in this case, there lies a deeper meaning. Herrigel explains throughout this book that it is not through the actual physical aspect of shooting arrows at targets that archery is Zen, but through the art and spirituality through which it is performed. It is not merely shooting an arrow to hit a target, but becoming the target yourself and then, in turn, hitting yourself spiritually. By meeting this spiritual goal, you will then meet the physical goal. The struggle then is, therefore not with the arrow or the target but within oneself.
In three dynamic pieces of literature, the desperate yet hopeful characters gallantly endure the struggles of achieving their dreams as they experience the pain of desolation and the life-fulfilling happiness of a friendly companion. Through hostile resentment, the intense repulsion created by generations of territorial disputes tears apart two vengeful foes, Ulrich and Georg, in Saki’s captivating tale. Whereas in Remarque’s gory war novel, the pure terror of battle brutally slaughters the once innocent minds of soldiers as they undergo changes in their heart and soul within themselves. Although impervious to the influence of the reclusive residents tied to the ranch, as they quest for their shared aspirations, George and Lennie forge an invincible friendship in Steinbeck’s calamitous novelette.
Updike, John. “A&P.” Literature Craft and Voice. Ed. Nicholas Delbanco and Alan Cheuse. 2nd ed. New York: McGraw, 2013. 141-145. Print.
The next morning a man named Jack Dodd called and told the Hardy's to come quickly. The police were looking for someone who had stolen a car. The police thought they found their man. They found Jack Dodd's fishing rod in the trunk of one of the stolen cars. Jack told the police that he had not put it there and that he was being set up. The cops handcuffed Jack and his father and took them down to headquarters. Later on the police chief came to the Hardy's home telling them that the Dodd's had taken off in their station wagon. The Hardy's had known the Dodd's for a very long time and it just didn't seen like them to break the law.
Pike, Gerald. “Excerpts from Criticism of the Works of Short Fiction Writers.” Short Story Criticism. Ed. Thomas Votteler. Vol. 6. Detroit: Gale Research International Limited, 1990. 90. Print.
It’s fair to say that life on the road is something most people do not desire, as a way to live out their days; but a young man named Chris McCandless believed it was necessary to avoid the venomous grips of society. McCandless goes as far as to venture out to the rest of the United States and even crossing borders to achieve his true destination, Alaska. He shows us living such a life can hold many unique and wonderful experiences. Consequently, he also shows us the difficulties that most do not expect upon leaving for such a journey. Many speak about the advantages, like the freedom they enjoy, and the wondrous relationships formed along the way; but even so, some disadvantages outweigh the advantages, like the
Alger, Horatio. “From Ragged Dick.” Rereading America: Cultural Contexts for Critical Thinking and Writing. Colombo, Gary, Robert Cullen, and Bonnie Lisle. 9th ed. Boston: Bedford of St. Martin's, 2013. 252. Print.
Billy went on to explain that the man planned to work Brown really hard and so he took him and fed him first. Billy started talking to the guy and asking him all about the difference in real gold and fool's gold. Billy said that they went off and found real gold and showed him what it was and real gold is obvious what it is now. Billy Brown said the miner put thumb sized nuggets of gold in his hands until there were so many that they fell onto the
Billy is coming home from work one day when suddenly he hears some dogs up the street fighting. He goes to check it out and finds them picking on a redbone hound. He saves the dog and cares for it through the night. It reminds him of his childhood. When Billy was ten years old he lived on a farm in the Ozark Mountains of northeastern Oklahoma. He wanted two good coonhounds very badly, he called it “puppy love”, but his papa could not afford to buy him the dogs. For many months, Billy tries to content himself with some rodent traps his papa gives him, but he still wants a dog. Then one day he finds a sportsman’s catalog in an abandoned campsite. In it he sees an ad for good hounds, at $25 each. He decides he wants to save $50 and order himself two hounds. Billy works hard, selling fruit and bait to fishermen, and gathering fruit that he sells to his grandfather at his store. Finally, he saves enough money and gives it to his grandfather to order the dogs for him and asks him to keep it s secret. When a notice comes that they have arrived at the mail depot in the nearby town of Tahlequah, they decide to go into town the next week. That night Billy decides he can not wait any longer. He packs himself a little food, and heads of for town following the river through the woods. He walks all night, and finally reaches town in the morning. The people in town laugh and stare at the young hillbilly, but it does not bother Billy he is there on a mission to get his dogs. He finally collects his dogs and walks back out of town with their small heads sticking out of his bag. Some schoolchildren mob around him and knock him down, but the town sheriff rescues him. The sheriff is impressed with Billy’s determination, and says he has grit. That, night Billy camped in a cave with his two puppies. They wake up in the middle of the night to hear the call of a mountain lion. Billy builds a fire to keep them safe, while the bigger of the two dogs, the male, barks into the night air.
rule each was given a section of the island to rule. Atlantis had a huge
via, Prentice Hall Literature: The American Experience. Upper Saddle River, N. J.: Pearson, 2010. 1126-233. Print.
“A dream doesn't become reality through magic; it takes hard work, and determination.” Colin Powell In the story Where the Red Fern Grows by Wilson Rawls the theme of the novel is that hard work pays off.