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an essay on jealousy
an essay on jealousy
jealousy as an interpersonal process
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The play "Amadeus" is Mainly Concerned With the Destructive Nature of Jealousy
This passage is all too true, both in Peter Shaffer's ‘Amadeus' and in life in general. However the play is also concerned with the destructive nature of ignorance and naivety. Salieri is jealous not just of Mozart's talent, but of the fact that God gave the talent to “Mozart … spiteful, sniggering, conceited, infantine Mozart”. He is envious of the vessel of God's laughter at the ‘patron saint of mediocrity' as he had dubbed himself. Not only did God double-cross
Salieri, but he did it using this “obscene child”. It was this jealousy and the rage it inspired that caused Salieri to attempt to kill Mozart by starving him of work and students, and thus, money and food. If Salieri had not restricted the amount of work actually shown to the general public, then Mozart could have been wealthy, and quite possibly selected as the new Kapellmeister.
Mozart doesn't understand the importance of pleasing members of the Viennese court. He has no comprehension of the value of money, for when he successfully earns any, he spends it on lavish food and clothes immediately, instead of saving it. He spends all his time churning out music in final copy, which, although beautiful, doesn't earn money as would teaching music.
Mozart is really the one who should be jealous, as he has little in the way of money or assets, or even respect. All he has is his talent and his priceless music, but not the sense he...
Jealousy, whatever it may be driven by, can produce many different actions in a person depending on their desires. Othello craftly examines a few examples of these with highly contrasting characters driven by vastly different things. The different manifestations of jealousy in said characters can be analysed through the characters of Roderigo, Othello, and Iago, while also proving how jealousy can sometimes be a front for more cynister feelings.
“O, beware, my lord, of jealousy;It is the green-eyed monster which doth mock.The meat it feeds on; that cuckold lives in bliss. Who, certain of his fate, loves not his wronger; But, O, what damned minutes tells he o'er. Who dotes, yet doubts, suspects, yet strongly loves” (3.3.163-168). In Shakespeare’s Othello, jealousy is the common theme that becomes Othello’s undoing. Through text in the play, the audience can notice Othello slowly begin to become crazed through his speech.
Have you ever been jealous of someone due to some reason? One can understand how jealousy can affect him or her to do horrible things. Jealousy causes people to perform stupid actions that they would not have done if they were not jealous of something or someone. The protagonist and the antagonist are mostly driven by love and filled with the feeling of jealousy. Due to the feeling of jealousy felt by the antagonist, Iago about not getting the job he wanted, he makes a plan to somehow destroy Othello’s love for Desdemona. As the play progresses, the protagonist, Othello begins to appear more like Iago, as his jealousy destroys his wife and consumes his life. Therefore, jealousy is personified as a “green eyed monster” through the combination of Othello’s credulous nature and Iago’s malicious villainy. It is the reason for the change in Iago’s and Othello’s behavior, impacts the insecurity
Leonard Bernstein once said, “Mozart is all music; there is nothing you can ask from music that he cannot supply…bathed in a glitter that could have come only from the eighteenth century...It is a perfect product of the age of reason – witty, objective, graceful, delicious. And yet over it all hovers the greater spirit that is Mozart’s – the spirit of compassion, of universal love, even of suffering – a spirit that knows no age, that belongs to all ages” (Kenyon 19-20). Mozart’s effervescent spirit is apparent in letters that he wrote to his family and friends. These letters show that Mozart lived a life full of family feuds, heartbreaks, romance, triumphs, and failures in the short span of thirty-five years. Mozart’s letters prove that he took the music of the eighteenth century and reinvented it using perspective gained in the course of events in his lifetime.
Salieri found that young Mozart was in fact a prodigy at a concert thrown by Mozart?s patron, the Archbishop of Salzburg. To find that Mozart was in fact a prodigy disappointed Salieri quit obviously. It was in his mind that God had chosen Mozart to ...
Kashayla Snipes Dr. Nancy Blair English Composition 1102 February 25, 2014. Othello: A Tragedy of Jealosuy. “Jealousy is troublesome to others, but a torment to themselves.”
At the age of the Enlightenment, Antonio Salieri becomes the most triumphant musician in the city of Vienna, however, without any warning his harmonious universe comes to an utter halt. Salieri’s absolute faith in the world, in himself, and in God is all at once diminished by this spontaneous child composer. When the two opposite ends meet, there emerges a fury, a rage, and a passion in Salieri to sabotage the boy that has secured Salieri’s deserved God given talent; to destroy the one pubescent child that has made him so mute and naked now in a world of discordance. Salieri’s entire reputation and boyhood prayer to attain fame thus rests on his ability to annihilate that child prodigy, Wolfgang Amadeus Mozart.In analyzing the two composers, Salieri and Mozart, there is a distinct line that clearly divides them. Salieri’s operas receive astounding receptions, making them the “talk of the city,'; shaking the roofs, buzzing the cafes, and even the name Salieri “sounds throughout all of Europe'; (2,3). The reason for Salieri’s success, as well as many musicians of the eighteenth century, is because they have become enslaved by the well-to-do and hence are “no better than servants'; (1,3). This applies especially to the king. For example, in Amadeus, His Majesty forbid any ballet in his operas. Imperial commands such as this are not to be interpreted in any way, in other words, they are to be merely obeyed without any dispute. Since operas tend to the needs of the high society in order to obtain recognition, the operas must communicate through the language of the nobility, that is, Italian. In addition, since the majority of the audience is made up of the upper class, the subject matter of the operas must consist of elevated themes. Such as, mythological heroes, kings, and queens, and so forth. According to the eighteenth century view, operas are supposed to be a sublime and an aggrandizing art. The elevated subject matter is then chosen in order to venerate and honor the nobility. It’s purpose is to “celebrate the eternal in man'; says Van Swieten (2,4). Meaning that there is an element in a noble person that lasts without any end, like God who is immortal. God represents the everlasting and the eternality of existence, thus God gives inspiration to operas that...
In Romeo and Juliet, two families are in a quarrel. The Montagues and Capulets. These two families are not the only families in a feud, some more families that are in a feud are the Pazzi and Medici, the Hatfields and McCoys, the Campbells and MacDonalds, and the Taira and Minamoto. The type of people and situations that cause a family feud is jealousy, self-assurance, theft and higher power. To begin with, jealousy is one of the main reasons why family feuds initiate. For instance, the Pazzi and Medici. The Pazzi family was jealous of the amount of power the Medici clan had, so the Pazzi wanted to eliminate the Medici clan. The Pazzi eliminated them by assassination. In addition, self-assurance caused family feuds, such as the Hatfields and
Examine the role of jealousy, love, and/or betrayal in Othello. You may want to pick one character (Iago or Othello perhaps?) and focus on one issue.(O) 15
In Shakespeare’s, “A Midsummer Night’s Dream”, there is a constant conflict among the characters over jealousy and insecurity. There are four lovers: Hermia, Lysander, Helena, and Demetrius in the play who cannot be with their lovers. At the start of the play, Hermia’s father wants her to marry Demetrius who loves her, but Hermia loves Lysander. Demetrius used to love Helena but when he met her best friend Hermia, he fell in love with her. Helena still loves Demetrius and throughout the play she tries to win him back. Lysander and Hermia decide to run away together so that they can elope. Helena tells Demetrius of their plan, so he decides to go after them while Helena follows. While all the lovers are sleeping, a fairy puts love potion on
In the play Othello, there are many jealous and selfish characters. Each of the characters at one point or another let their jealousy take over. It seems like they all have these plots and plans on how to hurt another character in the play either physically or emotionally, as an act of selfishness, so that they can feel better about themselves. One main character who seems extremely jealous in this play is Iago. Infact, probably the most jealous. Many bad things happen because of Iago. The first bad thing that Iago did, was tell Barbantio (Desdamona's father) that Desdemona has married Othello, the Moore. Iago was mad at Othello, because Cassio had made Othello a higher position and not Iago. Iago thought that he was the one who qualified for the position as general, not Othello. Iago was jealous because of this, so he decided to tell Barbantio about Desdemona and Othello. This was bad, because Barbantio did not know yet, and something like that should have been said by his own daughter, not someone who was not part of the family. The way Iago went about telling him was also bad. He called to his house in the middle of the night. He yelled it to Barbantio from downstairs into his window in a rude manner. " quote from Othello here." He wanted Barbantio to be upset about what had happened, and most of all, he wanted Barbantio to be mad at Othello and do something bad to him.
In the following few paragraphs, I am going to prove to you how Salieri was a two faced person.
Jealousy can sometimes be an inevitable feeling to have towards other people in relationships or even in friendships, and that feeling can negatively affect the bonds with these certain people. One of the main themes in Shakespeare’s Othello, was how friendships and marriages can be ruined all because of one person’s jealousy, which can ring true in real life.
The critic Roland Barthes once said, “Literature is the question minus the answer.” William Shakespeare's tragedy, Othello, can be used to exemplify this quote. One of the themes that Shakespeare discusses in Othello is: the effect jealousy has on people. Several of the characters become jealous over the course of the tragedy. Brabantio became jealous because Desdemona fell in love and married Othello. Roderigo became jealous because Desdemona didn’t fall in love with him. Bianca became jealous because she thought that Cassio was cheating on her with another woman. Othello became jealous because he thought Desdemona was cheating on him with Cassio. Iago became jealous because Othello gave Cassio the position of lieutenant. These characters’
Salieri would eventually come to conclusion that God was laughing at him through Mozart. The film would go on to show how Mozart’s pride would eventually leave him in a poor financial situation because many people including those of the Emperor’s court brushing off his music. Once Mozart’s father passed away, Mozart turned to alcohol and became a heavy drinker and his wife would eventually take their son, Karl, and leave. While trying to compose several works, Mozart became very ill and exhausted, which would lead to him passing out during a performance of “The Magic Flute.” He and Salieri would work together on his Requiem, which would not be finished due to Mozart passing away, leaving Salieri to believe that God was against he and Mozart composing music together. With a plot like this, one of which where Mozart’s music was not good enough and despite the lessons he would give people, he still was struggling financially, I would have to say that, personally, this is not the life I would have thought Mozart lived, given how breathtaking his compositions are, how recognized his compositions are and the glory he receives for his work in today’s