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Essay on The Fallen Angel: Analysis Of The Final Scenes Of Blade Runner

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Director Ridley Scott's Postmodern
reply to the modern consists of recognizing that the past, since it cannot
be destroyed, because it's destruction leads to silence, must be revisited.

So memories and emotions are meaningless without immortality. " Like tears
in the rain." Director Scott has a chilling story to tell, and there
is a complex web of allegory and meaning lurking in the background.

The final scene of Blade Runner reveal religious and philosophical parallels
and these are Milton's Paradise Lost and humanity itself. God is
questioned, mocked and finally destroyed. The use of tightly framed shots,
reaction shots, and mise en scene are used to highlite the allegoricall
relationship to Christianity.

Humanity itself is brought up for
definition in this film, as the Replicants are in many ways more human
than the " real humans" they are interacting with. The mise en scene
suggests a vision of the future that is not only a sprawling, technological
metropolis, but an empty soulless place. Through it's characters a sense
of quiet desperation. They are withdrawn almost, living in a mellow dream
which when disrupted, is painful and struggling. The characters seem random,
everyday people of the city, but united by the will to survive because
there is nothing else, nothing but fear. Death to the replicants is represented
by their own mortality and the outside embodiment of the Blade Runners;
stalkers. Roy and his followers: Pris, Zora and Leon are Milton's
fallen angels. Th...


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