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impact of the vietnam war
vietnam war effect on us
impact of the vietnam war
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In the short story, “Sweetheart of the Song Tra Bong,” by Tim O’Brien, the author shows that no matter what the circumstances were, the people that were exposed to the Vietnam War were affected greatly. A very young girl named Mary Anne Bell was brought by a boyfriend to the war in Vietnam. When she arrived she was a bubbly young girl, and after a few weeks, she was transformed into a hard, mean killer. Mark Fossie decided he was going to sneak his girlfriend onto his base in Vietnam. When she arrived, Rat Kiley described her like this, “A tall big-boned blonde. At best, Rat said, she was seventeen years old, fresh out of Cleveland Heights Senior High. She had long white legs and blue eyes and a complexion like strawberry ice cream. Very Friendly, too.” The first couple of weeks, they were always together. They would hold hands and laugh. It was obvious they were in love. She started changing shortly after she began asking questions about everything. She wanted to go into town one day but it was very dangerous because the VC owned the placed. But she kept asking Mark and finally he agreed. She walked right through the whole town without one single hint of fear. As if she wasn’t aware that she was in great danger. Then she began helping with the wounded victims. She wasn’t afraid to get blood on her hands at all. Even the really gross wounds didn’t seem to bother her. Rat Kiley explains, “In times of action her face took on a sudden new compos...
Tim O’Brien begins his journey as a young “politically naive” man and has recently graduated out of Macalester College in the United States of America. O’Brien’s plan for the future is steady, but this quickly changes as a call to an adventure ruins his expected path in life. In June of 1968, he receives a draft notice, sharing details about his eventual service in the Vietnam War. He is not against war, but this certain war seemed immoral and insignificant to Tim O’Brien. The “very facts were shrouded in uncertainty”, which indicates that the basis of the war isn’t well known and perceived
Dien Cai Dau by Yusef Komunyakaa is a collection of poems based on Komunyakaa’s personal experiences of the Vietnam War. He describes his experiences and observations in a way that isn’t as gritty and raw as some veterans, but still shows the horrors of war and the struggle to survive. What makes Komunyakaa’s work different is the emotion he uses when talking about the war. He tells it like it is and puts the reader in the soldiers’ shoes, allowing them to camouflage themselves and skulk around the jungles of Vietnam from the very first lines of “Camouflaging the Chimera.” Komunyakaa’s title Dien Cai Dau means “crazy” in Vietnamese and is an appropriate title based on the mind set of this veteran soldier. Two common themes I have found in Komunyakaa’s
In the story, “Sweetheart of the song Tra Bong”, the reader acknowledges the similarities between average soldier and Mary Anne. In the beginning of the chapter, Rat Kiely decides to tell a story to the team about how a soldier decided to bring his girlfriend to vietnam. When Mary Anne first arrives, Rat Kiely describes her with a bubbly personality and very outgoing. But soon Mary Anne knew the truth about the war and that she had to fight in order to keep her life. Rat Kiely mentions, “ ‘...I mean, when we first got here- all of us- we were real young and innocent, full of romantic bullshit, but we learned pretty damn quick. And so did Mary Anne’” (page 93). This quote shows the atrocious reality of war. It can be assumed that Mary Anne symbolizes
Rat states "She'd hopped a C-130 up to Chu Lai and stayed overnight at the USO and the next morning hooked a ride west with the resupply chopper"(90). It is irrational for this to happen and in war, a high school girl cannot climb on to a plane without notice. Even though this event appears to be fake, Rat succeeds on what he is doing to readers--showing how desperate and lonely soldiers are in war. A Vietnam soldier will go to crazy lengths for a woman or something that allow them to get away from war and forget
The story of the "Sweetheart of the Song Tra Bong" is no typical Vietnam war story. It is a story that involves no bloods, guts or glory. This story isn't so much about the physical damage caused by war as much as this story is about the emotional changes that effect not only the males. This is a story that with it's elaboration and ornamentation shows the destruction of innocence. This story is about an impossible that came true.
Mark Fossie arranges a way to get his girlfriend down to Nam and a big change happens. Fossies girlfriend, Mary Anne Bell, was straight out of high school only seventeen years old. Once she gets there Fossie is the happiest man on earth. Just watching her dance and goof around making him get a grin on her face. She starts to hang around all the men and having a good time. Mary Anne begins to act a little more like the troops by not being afraid to get dirty and become a stronger fearless woman. She goes out with them into the woods, learns how to disassemble and shoot an M16, and to feed/hunt on her own. Then she starts acting less and less like the girl Fossie met on the first day Mary Anne came to visit. In the novel O’Brien says “her body seemed foreign somehow- too stiff in places, too firm where the softness used to be. The bubbliness was gone. The nervous giggling, too. When she laughed now, which was rare, it was only when something struck her as truly funny.” (O’Brien 94-95) which is showing how much the atmosphere there has changed her. War has changed her. The hot days, dirty jobs, and around all the dangerous forest area that could hold the enemies. She is becoming distant of Fossie and a whole new different person. O’Brien also says “In the evenings, while the men played cards, she would sometimes fall into long elastic silence, her eyes fixed on the dark, her arms folded, her foot tapping out a code message against the floor.” Which also shows she had changed. More distant and almost gives off a lost feeling in her eyes. She begins to come back really late at night and sometimes not coming back at all. In the end Mark Fossie approaches her after listening to her beautiful singing and tries to figure out why she has change or why she almost seems to have no interest in him anymore. She
The narrative structure of the "Sweetheart of the Song Tra Bong" and "How to Tell a True War Story" contains two levels, the first on being a discourse about the characters of Vietnam stories. The "I", the narrator, introduces 'Rat' Kiley as his source for the narrative that follows. He characterizes stories about war as "strange", "swirling back and forth across the border between trivia and bedlam, the mad and mundane". The stories have a life of their own, reality is not absolute, not final. With this image he describes the ambiguity of war itself, the normality that turns into insanity, he summarizes the narrative about Mary Ann Bell and her experiences with the war. The narrator clearly states the purposes of these stories, he is not interested in factual truths about the war, he openly questions the reliability of his source: "Rat had a reputation for exaggeration and overstatement". He wants the audience to "feel exactly what he felt", an emotional experience, a subjective approach.
“And then one morning, all alone, Mary Anne walked off into the mountains and did not come back” (110). Tim O’Brien’s short story “The Sweetheart of the Song Tra Bong” presents an all-American girl who has been held back by social and behavioral norms – grasping for an identity she has been deprived the ability to develop. The water of the Song Tra Bong removes Mary Anne’s former notion of being as she, “stopped for a swim” (92). With her roles being erased Mary Anne becomes obsessed with the land and mystery of Vietnam and is allowed to discover herself. Through the lenses of Mark Fossie and the men in the Alpha Company, Mary Anne becomes an animal and is completely unrecognizable by the end of the story. Mary Anne, however, states she is happy and self-aware. The men of the Alpha Company argue for virtue in that Mary Anne was “gone” (107) and that what she was becoming “was dangerous… ready for the kill” (112). They did not want to accept a woman becoming something different from what women always were. In “How Tell to a True War Story” we are told that a true war story “does not instruct, nor encourage virtue, nor suggest models of proper human behavior” (65). Mary Anne did not truly become ‘dark’, because to her this is not a story about war; this is a story about a woman attempting to overcome gender roles and the inability of men to accept it.
The Vietnam War was not a “pretty” war. Soldiers were forced to fight guerilla troops, were in combat during horrible weather, had to live in dangerous jungles, and, worst of all, lost sight of who they were. Many soldiers may have entered with a sense of pride, but returned home desensitized. The protagonist in Louise Erdrich’s “The Red Convertible,” is testament to this. In the story, the protagonist is a young man full of life prior to the war, and is a mere shell of his former self after the war. The protagonists in Tim O’Brien’s “If I Die in a Combat Zone,” and Irene Zabytko’s “Home Soil,” are also gravely affected by war. The three characters must undergo traumatic experiences. Only those who fought in the Vietnam War understand what these men, both fictional and in real life, were subjected to. After the war, the protagonists of these stories must learn to deal with a war that was not fought with to win, rather to ensure the United States remained politically correct in handling the conflict. This in turn caused much more anguish and turmoil for the soldiers. While these three stories may have fictionalized events, they connect with factual events, even more so with the ramifications of war, whether psychological, morally emotional, or cultural. “The Red Convertible,” and “Home Soil,” give readers a glimpse into the life of soldiers once home after the war, and how they never fully return, while “If I Die in a Combat Zone,” is a protest letter before joining the war. All three protagonists must live with the aftermath of the Vietnam War: the loss of their identity.
The war story named "Sweetheart of the Song Tra Bong" relates to the third part of the quote, which says "where nice boys (girls) were attracted to them". The story was about a girl that was changed dramatically by the Vietnam War.
The impact of the Vietnam War upon the soldiers who fought there was huge. The experience forever changed how they would think and act for the rest of their lives. One of the main reasons for this was there was little to no understanding by the soldiers as to why they were fighting this war. They felt they were killing innocent people, farmers, poor hard working people, women, and children were among their victims. Many of the returning soldiers could not fall back in to their old life styles. First they felt guilt for surviving many of their brothers in arms. Second they were haunted by the atrocities of war. Some soldiers could not go back to the mental state of peacetime. Then there were soldiers Tim O’Brien meant while in the war that he wrote the book “The Things They Carried,” that showed how important the role of story telling was to soldiers. The role of stories was important because it gave them an outlet and that outlet was needed both inside and outside the war in order to keep their metal state in check.
In the book The Things They Carried, by Tim O'Brien gender stereotypes of women who fought in the Vietnam War are represented through some of the short stories. One short story in particular is "Sweetheart of the Song Tra Bong" which describes a woman who participated in the Vietnam War and went beyond some of her gender roles that were placed on her. In this war women had certain roles they had to fulfill with many of them being non-traditional ones. This paper will discuss the concept of Cultural Studies in literature about the Vietnam War.
Mary Anne is initially introduced to the audience, narrated by Rat Kiley, as an innocent and naïve young woman present in Vietnam solely to visit her boyfriend, Mark Fossie. She arrives in “white culottes” and a “sexy pink sweater” (86), and is deemed by the other soldiers as no more than a happy distraction for her man. As Mary Anne settles in though, her abundant curiosity of Vietnam and the war heighten, and she soon enough possesses as much interest in the war as many of the men. Forward, Mary Anne’s transformation into a soldier begins as she leaves her sweet femininity behind. No longer caring for her vanity, she falls “into the habits of the bush. No cosmetics, no fingernail filing. She stopped wearing jewelry, [and] cut her hair short” (94). Mary Anne’s lost femininity is also evident when she handles powerful rifles like the M-16. Not only does the weapon literally scream out masculi...
Tim O’Brien served in the Vietnam War, and his short story “The Things They Carried” presents the effects of the war on its young soldiers. The treatment of veterans after their return also affects them. The Vietnam War was different from other wars, because too many in the U.S. the soldiers did not return as heroes but as cruel, wicked, and drug addicted men. The public directs its distaste towards the war at the soldiers, as if they are to blame. The also Veterans had little support from the government who pulled them away from their families to fight through the draft. Some men were not able to receive the help they needed because the symptoms of Post-traumatic Stress Disorder (PTSD) did not show until a year
As we got further and further into the Vietnam War, few lives were untouched by grief, anger and fear. The Vietnamese suffered the worst hardship; children lay dead in the street, villages remained nothing but charred ashes, and bombs destroyed thousands of innocent civilians. Soldiers were scarred emotionally as well as physically, as