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the storm- a piece of creative writing
essay on the literary elements of the storm
essay on the literary elements of the storm
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Recommended: the storm- a piece of creative writing
In this excerpt from The Sound of Waves, Yukio Mishima’s use of descriptive diction and imagery depicts the tumultuous island during the storm and helps the reader visualize the milieu and events of the passage. The reader feels an understated, ironic excitement and anticipation that is established in this passage because of the author’s diction. This simple but illustrative passage from The Sound of Waves altogether creates an enhanced experience and familiarity with the backdrop and atmosphere of the passage.
Explanatory diction in this passage helps describe the setting and situation of the passage, and transforms the dismal feeling of the excerpt into a sense of anticipation. Near the beginning of the passage, the author suggests that the state of the island was atypical the day prior, with an “unseasonably damp” wind and a “strange light” across the sky. The island had a “ground swell set in” and a “beach aroar with incoming waves”, the word “aroar” used with “incoming waves”, combined with the unusual wind and odd light present on the island, suggests that the island setting has changed from normal and calm conditions to stormy ones, and indicates that a storm is imminent. The reader may infer that the differences in the island settings imply an unusual day for Shinji, who normally works in the fair island weather as a fisherman. Because of this foreshadowing in the passage, one might predict that Shinji will not be working today because of the stormy weather that “w...
A common person’s knowledge about sea disasters comes from what they have read in books and articles, and what they see on TV and in movies. The average person does not get to experience the fury of a hurricane while on a boat. In order to capture the audience’s attention, consideration to details and vivid descriptions are needed to paint a realistic picture in their minds. For this reason, the stories have to provide all of the intricate details. In The Perfect Storm, the story starts out with a radio call, not a dramatic scene that immediately foreshadows the possibility of danger. Rather than describing the storm and its fury, the only mention of the setting is of the visibility and the height of waves. However, in “The Wreck of the Hesperus”, the poem begins by stating there is a hurricane possible right away. The current weather conditions are pointed out to the reader as shown in the following quote.
There are several symbols in the story that help to emphasize that point. One powerful one is the boat. It is small and alone on the ocean, with only the occasional patch of seaweed or a seagull or two to keep it company. The waves themselves are the ups and downs of life. At any moment, a ‘wave’ can come and swamp you, leaving you stranded without a clue what to do, and more just keep coming. Just as in life, “…after successfully surmounting one wave you discover that there is another behind it just as important and just as nervously anxious to do something effective in the way of swamping boats.” Line 9.
Scott-Stokes, Henry. The Life and Death of Yukio Mishima. First ed. Vol. 1. Toronto: Doubleday Canada Ltd, 1974. 1 vols. Print.
The author shows the reader the sea just as the sailor does as death, but more than death
In A Place Where the Sea Remembers, is filled with guilt and regret, the main factors in the characters lives, and forgiving one other is hard to come by. Some of the characters experience the pain of trying to live wi...
...He is still anchored to his past and transmits the message that one makes their own choices and should be satisfied with their lives. Moreover, the story shows that one should not be extremely rigid and refuse to change their beliefs and that people should be willing to adapt to new customs in order to prevent isolation. Lastly, reader is able to understand that sacrifice is an important part of life and that nothing can be achieved without it. Boats are often used as symbols to represent a journey through life, and like a captain of a boat which is setting sail, the narrator feels that his journey is only just beginning and realizes that everyone is in charge of their own life. Despite the wind that can sometimes blow feverishly and the waves that may slow the journey, the boat should not change its course and is ultimately responsible for completing its voyage.
Through metaphors, the speaker proclaims of her longing to be one with the sea. As she notices The mermaids in the basement,(3) and frigates- in the upper floor,(5) it seems as though she is associating these particular daydreams with her house. She becomes entranced with these spectacles and starts to contemplate suicide.
• Mishima, Yukio. The Sailor Who Fell from Grace with the Sea. Trans. John Nathan. New York: Alfred A. Knopf, Inc., 1965.
Customs and beliefs is what make up a tradition, and tradition is the way one lives their life. In the novel, The Sound of Waves, Yukio Mishima exposed his own view on Japanese traditionalism. Throughout this novel, it is shown that Yukio Mishima believed that Japanese tradition consists of an organized social class, the Bushido code, and going after what one truly believes should be theirs. Mishima illustrated these personal views of Japanese traditionalism through the actions of the Shinji.
The storm is the main metaphor in this story; it is seen as the lust that stomps through their lives like the storm rages through a single d...
Riders to the Sea is a short poetic play that depicts the perennial failure of those who work with and on the sea. The play is a mere moment in the lives of few characters, but it holds within it the meaning of what they and the millions like them have done and suffered. The play reflects reality in which people have to struggle for a living, but unlike most of his work this play is not concerned with social, political or nationalistic issues, it cuts behind the surface engaging its characters in the most elemental kind of struggle- that for existence. Thanks to the realistic, highly descriptive and plausible language Sing uses to tell his story, after the very first lines reader in his mind gets the picture of the cruel, wild and rough terrain. Syng uses that kind of language to describe the conflict between human beings and nat...
The Tempest places forward the rhythms of the dynamic Nature in the context of ever changing society and the inconsistent human mind, but also how they reflect both elevated and distorted symbolic association of humans and Nature: allusions to “pinch-spotted…. Than pard or cat o’ mountain”, “welkin’s cheek”, “rotten carcass of a butt”, “Jove’s lightnings”, “King’s son, Ferdinand/ With hair up-staring then like reeds, not hair, -”, “veins o’th’earth” and “bak’d with frost”. Caliban’s lethargy is associated with the movement of a tortoise. Charms and omens of Sycorax are associated with hateful creatures as “toads”, “beetles” and “bat”. In the lines “Temperance was a delicate wench”, weather and climatic condition of the island is compared to the temperament of a delicate female. Sebastian’s association of Gonzalo’s identity to that of an “old cock”, Gonzalo’s tears as “winter’s drops”. Its opening scene introduces us to the tempest tossing and playing like a toy with the ship, a human invention. The turbulent tumultuous interplay between the strong wind and the sea-waves prove the insignificance, and failure of a man-made commodity of pride and elegance in the hands of mighty nature. The royal and the noble personages, the intellectuals, the dynamic, bold warriors and the proficient crew manning the regal ship are helpless and paralyzed in front of the wild power of Nature. Their significance and might diminishes eventually. During crisis, the king, who is claimed as the messiah of a human society, despite his incredibly chivalric profile, becomes inefficient and entirely dependent upon the boatswain and his sailors (representing the commonplace and the proletarian) for saving his life. Wrath of Nature thus devastate the human ...
In every direction the sea rages and growls, tumbling its inhabitants in an ever-lasting rumble. Glory, honor, and duty are washed upon the glimmering golden shores of the Japanese empire. The sturdy land-bearers clasp hands with those thrown into the savage arms of the ocean. This junction of disparate milieus forms the basis of an interlocking relationship that ties conflicting elements and motifs to paint a coherent, lucid final picture. In The Sailor Who Fell From Grace with the Sea, Mishima incorporates the impact of contradictory settings of land and sea, combative ideologies of the Western and Eastern hemispheres, and inherent dissimilarities amongst the characters’ lifestyles in order to reinforce the discrepancy between his ideal Japan and the country he observed.
In The Tempest, Shakespeare adheres closely to the classical unities of time, place and action. The unity of place required that the scene should remain unchanged throughout the play. The entire action, with the exception of the first scene, is confined to the island. The storm of the first scene symbolizes a transition in the lives of the characters, and establishes their relationships with each other and with a world in a state of disorder. The initial reactions of the characters when arriving on the island are important metaphors for the ideologies they h...
Fear has taken a hold of every man aboard this ship, as it should; our luck is as far gone as the winds that led us off course. For nights and days gusts beyond measure have forced us south, yet our vessel beauty, Le Serpent, stays afloat. The souls aboard her, lay at the mercy of this ruthless sea. Chaotic weather has turned the crew from noble seamen searching for glory and riches, to whimpering children. To stay sane I keep the holy trinity close to my heart and the lady on my mind. Desperation comes and goes from the men’s eyes, while the black, blistering clouds fasten above us, as endless as the ocean itself. The sea rocks our wood hull back and forth but has yet to flip her. The rocking forces our bodies to cling to any sturdy or available hinge, nook or rope, anything a man can grasp with a sea soaked hand. The impacts make every step a danger. We all have taken on a ghoulish complexion; the absence of sunlight led the weak souls aboard to fight sleep until sick. Some of us pray for the sun to rise but thunder constantly deafens our cries as it crackles above the mast. We have been out to sea for fifty-five days and we have been in this forsaken storm for the last seventeen.