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sense and sensibility character development
short notes on victorian age
Introduction on sense & sensibility by jane Austen
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Set in the Victorian era, Sense and Sensibility and Oliver Twist, parallel but also contrast in many key elements. In both movies, mannerisms, class distinction, and the child's role in society were reflected by both writers. Through these analysis, I was able to achieve new insight into the conditions of the Victorian era.
In Oliver twist, mannerisms were greatly displayed in Oliver as a character. His mannerism best demonstrated how upper-class children were supposed to behave during this era. They were to be 'seen' and not 'heard'. Oliver when spoken to, was extremely polite and respectful (Very odd for how, and where he was raised). Even when living in the streets, after being kicked out of the orphanage, he still kept his high morale standards.
Much like children, women were also supposed to be 'seen' and not 'heard'. As well, it was not proper to show emotion, such exuberance or love in any way. Marianne, in Sense and Sensibility, goes against these "rules" of proper etiquette many times, such as when she shouts at John Willoughby at a ball; this drew much scandalous attention to herself. This was very humorous to me, because it was nothing i expected, or thought would happen.
The one very positive element I saw in this era, was how the men displayed chivalrous attitudes, such as how they courted women, as well as their words. Unfortunately this was a double standard, since it sometimes had unpleasant results, like being forced into marriage. However, thei...
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
As the social and economic conditions of eighteenth century Britain shifted from a family based system to one dependent on industry, women were no longer valuable as workers. This transition allowed for the developing reading habits of the middleclass woman as they were left with more free time. However, the cultural definition of females compromised the feminized genre. As women were defined as subordinate to men, their literature was reduced by critics to "bad-fiction." One critic wrote, "So long at the British ladies continue to encourage our hackney scribblers, by reading every romance that appears, we need not wonder that the press should swarm with such poor insignificant productions" (365). Despite the presumed inferiority of fiction, authors, ...
Jane Austen, the author of many novels in the 19th century including Sense and Sensibility, became a well known author in the 20th century after her death. She was considered one of the greatest writers of English Literature and had a very quiet background. Her books, which did not gain popularity until the 1860s, are said to depict eighteenth-century ladies' and draw parallels between romance and realism.
Sense and Sensibility by Jane Austin and adapted by Kate Hamill tells the story Elinor (Shanelle Leonard) and Marianne Dashwood (Emily Bosco) who represent sense and sensibility respectively. Both women have their respective love interests and express their feelings based on their personalities. Elinor is more restrained in displaying affection while Marianne openly expresses the fact that she in love. Societal rules of the time, such as marrying money, ruins the fantasy of love for both sisters. Elinor and Marianne both experience heartbreak and display their emotional distress. Elinor is reserved and bottles her emotions while Marianne allows her emotions to become physical ailments. Throughout the play various dramatic and production elements
Charles Dickens' literary works are comparable to one another in many ways; plot, setting, and even experiences. His novels remain captivating to his audiences and he draws them in to teach the readers lessons of life. Although each work exists separate from all of the rest, many similarities remain. Throughout the novels, Oliver Twist and Great Expectations, the process of growing up, described by the author, includes the themes of the character's ability to alienate themselves, charity given to the characters and what the money does to their lives, and the differences of good and evil individuals and the effects of their influences.
Oliver Twist mainly revolves around the mistreatment of orphans and how they were ranked low in society. The story teaches us a lot about how growing up in poverty and being ranked lowly in society makes people do things to harm others when they grow up by becoming thieves, pick-pocketers, or murderers. Oliver Twist takes us to England and while telling us the story of the fictional character Oliver Twist, who was an orphan, Charles Dickens also shows us the hard life for the people who faced poverty in old England. England,...
In the article “Courtly Love: Who Needs It?” by E. Jane Burns, the author establishes what would be considered the quintessential female persona as it appears in medieval literature, particularly in the romance genre. She begins by calling attention to the similarities between the expected mannerisms of women in the structure of courtly love and the modern book The Rules. The text is a self-help guide for women who are looking to attract a husband by employing medieval methods of attraction (Burns 23). It employs outdated strategies to encourage women to become unemotional and disinterested, but also subservient, with anticipation of attaining the unwavering affection of a potential suitor. Thereby perpetuating the well-established “ideology
Austen was a recondite writer with a new inside perspective with an outside view on life in the early 19th century. Born on December 16, 1775, Austen was a curious child given the unseal luxury of an education. Her father was a part of the gentry class and raised a family of ten, but was not well off by any means (Grochowski). Sense and Sensibility, written by Jane Austen, tells a dramatic story of three sisters and their emotional journey where they encounter love and betrayal. Because Jane Austen was raised in a liberal family and received a comprehensive education, her dramatic analysis of societal behavior in Sense and Sensibility was comparable to the hidden truths of social and class distinctions in 18th and 19th century Europe.
How should we try to live? This question has baffled mankind for millennia. Jane Austen, one of the world’s most beloved authors, wrote extensively on this question, not only portraying characters struggling with it but also answering it through examples. Furthermore, she strove to act in a manner consistent with her principles. Jane Austen used her characters’ interactions in Sense and Sensibility, as well as her own temperament, to promote sense moderated by sensibility.
Oliver Twist is a parody to the Victorian lifestyle. The upper classes do not care about the lower classes because their main concern is money. At this time in British history, laissez-faire capitalist beliefs dominate people’s political views. According to George Orwell, Thomas Babington Macaulay, “…refused to re...
Throughout Jane Austen’s lifetime her most treasured relationship was with her older sister, Cassandra. Neither sister was married, though both were engaged, and their correspondences provide Austenian scholars with many insights. Austen began working on her manuscript for Sense and Sensibility the same year that Cassandra’s fiancé, Tom Fowle, passed away. Although there is no evidence to prove that Jane wrote Sense and Sensibility with her sister in mind, it is evident that she writes of a familial bond that she certainly felt with Cassandra. Many readers think of Jane Austen as a writer with a penchant for constructing sparkling, but Sense and Sensibility goes against that framework, providing us with underwhelming romances, overshadowed by the sisters’ relationship. Claudia Johnson argues that the reason Sense and Sensibility was not a huge critical success was because, “Pride and Prejudice was the model for what a novel by Jane Austen ought to be, and, set against that model, Sense and Sensibility came short,’ (Johnson, Sense and Sensibility, ix). As its title suggests, Sense and Sensibility is a novel about the intertwining of sense and sensibility in life, love and family. According to Cassandra, the roots of Sense and Sensibility can be found in an epistolary novel called Elinor and Marianne, which, most likely written in 1795, documented the correspondences between two sisters separated by marriage (Pride and Prejudice 407). In the late 1790s Austen rewrote this novel into the third person. Sense and Sensibility was met with positive criticism, specifically in the “British Critic” and the “Critical Review,” and was praised primarily for the characters and the morality which governed the story. Widely regarded as the most d...
Jane Austen is a well known author that has created quite a name for herself. She has written many books, Sense and Sensibility and Pride and Prejudice being a couple. She wrote with a wit about her that is not very hard to see. She wrote with such precision that the paragraphs flow and coincide together. She devices great character development that they seem to fit so well inside their world. She is known as a classic writing because of these things: the precision writing, the character development, and her wit that peaks through.
In Austen’s “Pride and Prejudice,” through strong characters she demonstrates how prejudice between social classes blinds the heart from falling in love. Austen’s flawless utilization of characterization and her ideas of society and class develop a timeless love story that invites the heart to become consumed with love. Each device that Austen uses paints a vivid picture in the readers mind and helps the plot of the story unfold. The characters that Austen uses each play a huge role in how the story will end and add suspense and interest while reading the entire novel.
“No woman later has captured the complete common sense of Jane Austen. She could keep her head, while all the other women went looking for their brains,” said G.K. Chesterton. Jane Austen, one of the world’s most beloved authors, wrote extensively on etiquette. She certainly didn’t write about it without acting on her principles, which her personality clearly reflects. Jane Austen used her characters’ interactions in Sense and Sensibility, as well as her own temperament, to promote sense moderated by sensibility.
Charles Dickens is well known for his distinctive writing style. Few authors before or since are as adept at bringing a character to life for the reader as he was. His novels are populated with characters who seem real to his readers, perhaps even reminding them of someone they know. What readers may not know, however, is that Dickens often based some of his most famous characters, those both beloved or reviled, on people in his own life. It is possible to see the important people, places, and events of Dickens' life thinly disguised in his fiction. Stylistically, evidence of this can be seen in Great Expectations. For instance, semblances of his mother, father, past loves, and even Dickens himself are visible in the novel. However, Dickens' past influenced not only character and plot devices in Great Expectations, but also the very syntax he used to create his fiction. Parallels can be seen between his musings on his personal life and his portrayal of people and places in Great Expectations.