Mother and Daughter Struggle in The Joy Luck Club
The Joy Luck Club, by Amy Tan, illustrates what life is like for many foreigners in America who are trying to give their child the opportunities they most likely did not have themselves as children. The story touches on a very common struggle in America, that between mother and daughter, in which the daughter never feels good enough for her mother. Also present is the struggle Jing-Mei has with herself.
Jing-Mei's mother has her mind set on making her daughter a prodigy of some kind. She constantly presses Jing-Mei to do better and be better at whatever activity she participates, but why is she doing this? There are a couple of reasons, one of which is because she wants Jing-Mei to have opportunities she herself did not have growing up in China. She came to America after losing nearly everything, in hope of having a better life for herself and her family. To many immigrants, America is the land of opportunity. You can do anything or be anything if you put your mind to it. Well, Jing-Mei certainly wasn't putting her mind to much of anything, so her mother took it upon herself to get her started on something.
First, there was Shirley Temple. Jing-Mei's mother thought she could be the next Shirley Temple. Together, they'd " . . . watch Shirley's old movies on TV as though they were training films."(Tan 491). Jing-Mei, with her mother's help, was really trying to emulate this child star, but it still was not good enough.
Jing-Mei needed to be more than a prodigy. She needed to be better than any other American child because her mother had given her all of these opportunities. She could have been a ...
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Jing-mei Woo has to become a member of the Joy Luck Club in place of her mother, Suyuan Woo, who passed away. Before Suyuan's passing Jing-mei does not know much about her mother, as the story continues to develop Jing-mei realizes how much she did not know about her mother and learns more and more new things about her on her journey of finding her sisters. “Your father is not my first husband. You are not those babies” (26), this quote is from Suyuan Woo and shows Jing- mei that her mother has a lot of secrets that she does not know about. “Over the years, she told me the same story, except for the ending, which grew darker, casting long shadows into her life, and eventually into mine” (21). This quote shows how Jing-mei did not know much
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The American Dream is not fruitful for immigrants of color because they are misnomered as model minorities, despite the fact they still suffer from racial prejudice. While there was still racial tension in China, Suyuan Woo remarks that, “If it hadn’t been for the Japanese, there would have been plenty of reason for fighting to break among the different people,” describing the state of limbo before the Japanese invade Kweilin (Tan 22). Some Chinese Americans find that racial discrimination prevails more in America than in their homeland. Meghan Lee, a teenage Korean American, laments on ignorance surrounding her race she encounters on an almost daily basis. Being asked “What kind of Asian are you?” or “Where are you really from?” when she states the state of her birth,Virginia, epitomizes the inconsideration of Americans for those of non-native American descent. In The Joy Luck Club Rose Hsu Jordan encounters a similar situation when her significant other’s mother assu...
Hamlet is depicted as insane in many scenes during the play. One instance in I, v Hamlet appears to act mad when he hears of his father’s murder. At that time he speaks "wild and whirling words." He also behaves very erratically throughout the play, especially when he is around his love, Ophelia. On one hand he professes to be the only one who truly loves her, during the fight. However when Ophelia returns his letters and gifts he tells her that he never loved her and that she should "get thy self to a nunnery." This is just one example of how his mood changes abruptly throughout the play. One shroud example of his insanity is when he is in his mothers bedroom only he can see the ghost of Old Hamlet. However in the beginning of the play everyone can see the ghost including Hortio, Barnardo, and Marcellus. He is also has many violent outbursts towards his mother. One dialogue where Hamlet admits that he is mad is when he talks to Laertes before the duel. He say!
The American daughters, on the other hand, the other half of the inseparable pair, tell stories of how their mothers tradition, culture, and beliefs, helped them come to many realizations about themselves. These realizations are both positive and negative. Jing-Mei Woo tells the story of how her mother wanted her to be the next Shirley Temple. "My mother believed you could be anything you wanted to be in America. You could open a restaurant...You could become instantly famous.
America was not everything the mothers had expected for their daughters. The mothers always wanted to give their daughters the feather to tell of their hardships, but they never could. They wanted to wait until the day that they could speak perfect American English. However, they never learned to speak their language, which prevented them from communicating with their daughters. All the mothers in The Joy Luck Club had so much hope for their daughters in America, but instead their lives ended up mirroring their mother’s life in China. All the relationships had many hardships because of miscommunication from their different cultures. As they grew older the children realized that their ...
Sandra Gilbert and Susan Gubar pursue a definition for what it means to be an authoress in a male dominated culture of writers. The central question for Feminists, according to Gilbert and Gubar, is: “Does the Queen try to sound like the King, imitating his tone, is inflections, his phrasing, his point of view? Or does she ‘talk back’ to him in her own vocabulary, her own timbre, insisting on her own viewpoint?” However, I cannot overlook the prospect of a man feeling just as mad and cooped up writing a text that others would view as out of his league. Chinua Achebe is the epitome of this Madman in the Attic. Born and raised in London, and brought up Christian he was as far away from being Okonkwo as I am as a white middle class American female. If Gilbert and Gubar are accusing women of feeling out of place writing in what then was a man’s field of expertise then Achebe masterfully channels the feminine madness into Things Fall Apart by writing a culture of strong independent women masked by silent passive girls.
Amy Tan’s ,“Mother Tongue” and Maxine Kingston’s essay, “No Name Woman” represent a balance in cultures when obtaining an identity in American culture. As first generation Chinese-Americans both Tan and Kingston faced many obstacles. Obstacles in language and appearance while balancing two cultures. Overcoming these obstacles that were faced and preserving heritage both women gained an identity as a successful American.
The theme that comes to mind for me when I read this story is conflicting values. While growing up it was an important value to Jing-mei to be accepted for the daughter that she was. Unlike the value of her mother which was to not only become the best you can be but a prodigy, someone famous. In the way that Jing-mei's mother pushes so hard for her to become something bigger than she was it seems that Jing-mei tried her hardest not to.
The second and third sections are about the daughters' lives, and the vignettes in each section trace their personality growth and development. Through the eyes of the daughters, we can also see the continuation of the mothers' stories, how they learned to cope in America. In these sections, Amy Tan explores the difficulties in growing up as a Chinese-American and the problems assimilating into modern society. The Chinese-American daughters try their best to become "Americanized," at the same time casting off their heritage while their mothers watch on, dismayed. Social pressures to become like everyone else, and not to be different are what motivate the daughters to resent their nationality. This was a greater problem for Chinese-American daughters that grew up in the 50's, when it was not well accepted to be of an "ethnic" background.
Each of the Chinese mothers attempted to guide her daughters, yet they were ill equipped to translate their life experiences in China to the alien environment they found in America. It was their lives, not their language, that they were unable to translate. Like her friend Lindo, An Mei Hsu was raised the Chinese way, as she describes: