Fortinbras: An Important Character in Hamlet
Oftentimes, the minor characters in a play can be vital and, among other things, function to further the action of the play or to reveal and illuminate the personalities of other characters. In Hamlet, Fortinbras, the Norwegian Prince, serves as the most important foil of Hamlet and provides us with the actions and emotions in which we can compare to those of Hamlet and better reveal Hamlet’s own character. Because Hamlet and Fortinbras both lost their fathers and have sworn to avenge their deaths, Fortinbras is a perfect parallel of Hamlet. He was also very crucial to the play’s ending and to bring a remedy to the corruption that has plagued Denmark.
Fortinbras' father, King of Norway, was killed during battle for control of “a little patch of ground”(4.4, 19). Fortinbras’ uncle claims the throne of Norway just as Hamlet’s uncle takes the throne at Denmark. The deaths of Hamlet Sr. and Fortinbras Sr. directly link the common destiny of Fortinbras to that of Hamlet, to avenge the death of his father. It is because of this that the two young soldiers can be compared to each other. Fortinbras’ taking action after his reasoning is contrasting to Hamlet’s continual lackadaisical steps towards revenge. Hamlet realizes this and comtrasts himself to Fortinbras in his “How stand I then”(4.4, 59) speech and labels Fortinbras as a man of action and labels himself as a procrastinator whose words lead to no action. Hamlet calls him “a ...
... loudly for him." (Act V Sc. II) In his closing statement, Fortinbras shows his grace and well-roundedness by honoring Hamlet, and understanding that he too went through what Fortinbras himself had to go through his entire adult life, living without his father. For those reasons, Fortinbras is a true leader, and the best representation in these two plays of a leader according to Hamlet's definition.
Hamlet, the major character in the Shakespeare play of the same name, was faced with a decision upon learning that Claudius murdered his father. Should he believe the ghost, and avenge his father's murder? Or is the ghost evil, trying to coerce him into killing Claudius? Throughout the play, we see Hamlet's struggle with this issue. Many opportunities arise for him to kill Claudius, but he is unable to act because he cannot convince himself to believe the Ghost. Shakespeare uses Laertes and Fortinbras as foils to Hamlet, in order to help us understand why Hamlet acts the way he does.
Question two, Dewey states that she “began her research with the central question of whether an industry so clearly characterized by exploitative labor practices and stigmatization could in face be empowering for women.” In what ways do strippers at Vixens find their work empowering? In what ways are they victims of structural forces like poverty and de-industrialization? What is your opinion –are they empowered agents or victims? Throughout the book Dewey describes Vixens strippers as empowering and victims of structural forces like poverty. She talks about how the women feel powerful using their body to seduce men to give them money, how the women at Vixens talks about respect and how they maintain this self-respect. Dewey also describes
Revenge has caused the downfall of many a person. Its consuming nature causes one to act recklessly through anger rather than reason. Revenge is an emotion easily rationalized; one turn deserves another. However, this is a very dangerous theory to live by. Throughout Hamlet, revenge is a dominant theme. Fortinbras, Laertes, and Hamlet all seek to avenge the deaths of their fathers. But in so doing, all three rely more on emotion than thought, and take a very big gamble, a gamble which eventually leads to the downfall and death of all but one of them. King Fortinbras was slain by King Hamlet in a sword battle. This entitled King Hamlet to the land that was possessed by Fortinbras because it was written in a seal'd compact. "…our valiant Hamlet-for so this side of our known world esteem'd him-did slay this Fortinbras." Young Fortinbras was enraged by his father’s murder and sought revenge against Denmark. He wanted to reclaim the land that had been lost to Denmark when his father was killed. "…Now sir, young Fortinbras…as it doth well appear unto our state-but to recover of us, by strong hand and terms compulsative, those foresaid lands so by his father lost…" Claudius becomes aware of Fortinbras’ plans, and in an evasive move, sends a message to the new King of Norway, Fortinbras’ uncle.
Hamlet sees that Fortinbras is willing to risk his own life just to avenge his father and his name. After becoming crowned prince after his father’s death, Fortinbras rallies his forces in Norway and marches off to war and rev...
In this paper, I will attempt to do an overview of the studies that have been conducted on strippers and stripping as an occupation. I will utilize studies and articles that focus primarily on women as strippers to consider specifically the questions addressed in the opening paragraph. Are women empowered in any way by this occupation? Or, as some feminist theorists have suggested , is it purely objectification, with no positive benefits to the women involved? This paper will evaluate the existing studies and literature in an attempt to locate moments of empowerment, a sense of agency, and, to borrow Carol Rambo Ronai's term, "resistance strategies " present in the daily lives and experiences of strippers.
The theme of vengeance is apparent within the tragedy before the tragedy even begins. King Fortinbras is defeated by King Hamlet, leaving Prince Fortinbras orphaned. This naturally brings about bitterness between Prince Fortinbras and King Hamlet. Prince Fortinbras is angry, within reason. His father was just killed, his lands stolen, and now he is the person to whom all of the duty is left. These feelings lead Fortinbras to a state of angered reactions. He prepares an army to march into Poland and Denmark to recover the lands that his father had lost. He takes action, leaving the rest of his life behind, and marching over to get retaliation against the man who killed his father. He sets his mind on what he has to do, and sets off, away from his home, in a strong, purposeful manner. When Fortinbras prepares to march through Denmark, his address to King Claudius is direct, purposeful, and unemotional.
The sexualization of women in the 21st century has led many to wonder whether or not the feminist movement actually resulted in more harm than good. Although the progress and reform that came out of the feminist movement is indisputable, things such as equal rights under the law, equal status and equal pay, the reality is that the subjugation of female roles in society still exist, and the most surprising part about this is that now women are just as much as at fault for this as men are. Ariel Levy defines female chauvinist pigs as “women who make sex objects of other women and of ourselves” (Levy 11). This raunch culture is mistakenly assumed to be empowering and even liberating to women when it is in fact degrading and corrupting to the modern feminist movement and makes it more difficult for women to be taken seriously in society. The shift in the nature of the feminist movement is in Levy’s opinion attributed to by the massive industry now profiting off of the sexualization of women, the reverse mindset now adopted by post-feminists and women in power roles in our society, and ultimately the women who further their own objectification as sex objects and thus, so by association, deem themselves lesser than man.
In the play, Hamlet, by William Shakespeare, the character of Fortinbras, has been used as a foil for the main character, Hamlet. Hamlet and Fortinbras have lost their fathers to untimely deaths. Claudius killed Hamlet's father, King Hamlet, and King Hamlet killed Fortinbras' father. Both Hamlet and Fortinbras have vowed to seek revenge for the deaths of their fathers. Since the revenge tactics of Hamlet and Fortinbras are completely different, Hamlet perceives the actions of Fortinbras as better than his own and the actions of Fortinbras, then, encourage Hamlet to act without hesitating.
The relation between these two characters is a lot like the juxtaposition with Hamlet and Laertes. Just like Hamlet and Laertes, Fortinbras’ father, King Fortinbras, was also killed but the way he died was in a battle with King Hamlet. Hamlet and Fortinbras’ circumstances are almost identical. Their fathers were both murdered, both their uncles are on the throne and they are both princes of their countries. Revenge is the motive for both of these princes because of their dead fathers, but the way and the reason they seek it is extremely different. Hamlet wants revenge because the ghost of his father told him to and Fortinbras wants revenge to reclaim the land that his father lost when he died. Fortinbras is more focused on the honour of his country, Norway, but all Hamlet cares about is killing his fathers murderer. Hamlet’s morals slow down the process of his revenge whereas Fortinbras’ firm attitude makes him act faster. Hamlet later develops some jealously towards Fortinbras, he says, “Rightly to be great/Is not to stir without great argument/But greatly to find quarrel in a straw/When honor’s at the stake” (Shakespeare 4.4.53-56). Hamlet is saying that if Fortinbras is taking such quick action for a little bit of land that means nothing then what does that make Hamlet? He says in order for him to be great like Fortinbras he must take violent action. Hamlet and Fortinbras are both equally rebellious
In the play Hamlet by William Shakespeare, the theme of revenge is very palpable as the reader examines the characters of Hamlet himself, as well as Laertes, son of Polonius, and Fortinbras, prince of Norway and son of the late King Fortinbras. Each of these young characters felt the need to avenge the deaths of their fathers who they felt were untimely killed at the bloody hands of their murderers. However, the way each chose to go about this varies greatly and gives insight into their characters and how they progress throughout the play.
Although each character plots to avenge his father in the play, the motives of Laertes and Fortinbras differ greatly than that of Hamlet. Fortinbras, who schemes to rebuild his father's kingdom, leads thousands of men into battle, attempting to capture a small and worthless piece of Poland. After his uncle warned him against attacking Denmark. The added land will do little to benefit Norway's prosperity, but this campaign may cost "two thousand souls and twenty thousand ducats" (4.4.26) . This shows that pride is a driving factor behind Fortinbras' plan because he is willing to put the lives of his countrymen at risk for a minimal gain. Laertes, on the other hand, is compelled to seek revenge because he loses his father and eventually his sister. The root of Laertes' revenge appears to be the love for his family because he proclaims that he will "be revenged / most throughly for [his] father" (4.5...
The character of Hamlet is very prestigious, but he has many shortcomings. In many cases, he shows that he is all words and no action. He waits until the very last minute to take a course of action. Hamlet realizes this, and he wishes that he had the characteristics of Fortinbras, Laertes, and Horatio.
In Hamlet, Shakespeare introduces us to Fortinbras and Hamlet. Both characters are bent on avenging the death of their fathers who were murdered. In Act I, two different revenge plots by these two men are revealed, and while Fortinbras is very open and bold about killing Claudius, Hamlet is sly and quiet about his plan. Fortinbras is also dead set on attacking Denmark no matter what but Hamlet is indecisive about killing Claudius. Fortinbras plans to lead an army to attack Denmark while Hamlet’s plan of attack is to act crazy.
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.