Men's Assumptions in Trifles and A Doll House
There are many similarities in the relationships between men and women in Susan Glaspell's Trifles and Henrik Ibsen's A Doll House. The conflict in each play is the result of incorrect assumptions made by the males of a male-dominated society. The men believe that women focus on trivial matters and are incapable of intelligent thinking, while the women quietly prove the men's assumptions wrong.
In the plays Trifles and A Doll House men believe women only focus on trivial matters. While Mrs. Wright is being held in jail for the murder of her husband, she is concerned about the cold weather causing her jars of fruit to freeze and burst. Mrs. Peters and Mrs. Hale discuss Mrs. Wright's concern over her canned fruit after finding a broken jar. Mrs. Peters voices Mrs. Wright's concern, "She said the fir'd go out and her jars would break" (Glaspell 1.27). The Sheriff's response is, "Well can you beat the women! Held for murder and worryin' about her preserves" (Glaspell 1.28). The women realize the hard work involved in canning this fruit and understand Mrs. Wright's concern. The men see this as unimportant compared to the trouble Mrs. Wright is facing.
Likewise, in Isben's play A Doll House Helmer believes that his wife Nora only focuses on trivial matters. Three weeks prior to Christmas Nora spent every evening working alone. Helmer believes that Nora is making the family Christmas ornaments and other treats for the Christmas holidays. In reality, Nora is working for money to repay a loan that she illegally acquired when Helmer was ill. The house cat is blamed for destroying the nonexisting ornaments. Helmer reminds her of the long hours spent away from the family. Helmer sa...
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...n, John S. Ibsen: The Open Vision. 1982.
Durbach, Errol. A Doll's House: Ibsen's Myth of Transformation. Boston: Twayne, 1991.
Glaspell, Susan. "Trifles." Plays by Susan Glaspell. New York: Dodd, Mead and Company, Inc., 1920. Reprinted in Literature: An Introduction to Fiction, Poetry and Drama. X.J. Kennedy and Dana Gioia Eds. New York: Harper Collins Publisher, 1995.
Glaspell, Susan. Trifles. Making Literature Matter: An Anthology for Readers and Writers. Ed. John Schilb and John Clifford. Boston: Bedford / St. Martin's, 2000. 127-137.
Ibsen, Henrik. A Doll House (1879). Trans. Rolf Fjelde. Rpt. in Michael Meyer, ed. The Bedford Introduction to Literature. 5th edition. Boston & New York: Bedford/St. Martin's Press, 1999. 1564-1612.
Templeton, Joan. "The Doll House Backlash: Criticism, Feminism, and Ibsen." PMLA (January 1989): 28-40.
This essay will focus on how Robert Louis Stevenson presents the nature of evil through his novel ‘The Strange Case of Dr Jekyll and Mr Hyde’. Using ideas such as duality, the technique used to highlight the two different sides of a character or scene, allegories, an extended metaphor which has an underlying moral significance, and hypocrisy; in this book the Victorians being against all things evil but regularly taking part in frown able deeds that would not be approved of in a ‘respectable’ society. This links in with the idea of secrecy among people and also that evil is present in everyone. The novel also has strong ties and is heavily influenced by religion. Stevenson, being brought up following strong Calvinist beliefs, portrays his thoughts and opinion throughout the story in his characters; good and evil.
Throughout history, a woman's role is to be an obedient and respectful wife. Her main obligation is to support, serve, and live for her husband and children. In Henrik Ibsen's A Doll's House and Susan Glaspell's Trifles, two different women make a decision to take matters into their own hands by doing what they want to do, no matter what the outcome may be and in spite of what society thinks. These two women come from different homes and lead very different lives yet, these two women share similar situations--both are victims, both are seeking individuality, and initially, both women end up alone. There are many ways that Nora and Mrs. Wright differ. First of all, both come from completely different households. Nora's home is "tastefully [. . .] furnished" and always "pleasant"(917). She lives in a lavish home eating macaroons, drinking champagne, and hosting banquets. Nora often has guests at the house and there are even maids to watch her children. Her husband, Torvald, is often home and has guests over. On the other hand, Mrs. Wright's home is unpleasant, in an "abandoned farmhouse"(977) in a secluded area. Mrs. Wright seldom has company, nor does she have any children. She does not leave the house very often and her husband, Mr. Wright, wants no outside interference. Mr. Wright refuses to get a "party telephone"(978) because he enjoys his "peace and quiet"(978). It is obvious that these two women lead different lives with different types of people, yet they share similar situations that are not so obvious.
In “Trifles” by Susan Glaspell and “A Dollhouse” by Henrik Ibsen, the authors use symbolism to shed light on the way woman were once looked down upon by men. In both plays the woman face similar derisive attitudes from the men in their lives. Women are treated as property, looked down upon and only useful in matters pertaining to cooking, taking care of children, housework and sexual objects. The women’s marriages, socioeconomic and social status are completely different, but both women reach their emotional breaking point, and grow so discontent with their situations they are willing to take drastic actions.
The plays, Trifles and A Dollhouse use the literary tool of symbolism to portray the way women were treated throughout the nineteenth century. Susan Glaspell uses the bird cage and the dead bird to signify the role and life of women in marriage and society, whereas Henrik Ibsen uses the dollhouse. These symbols allow the reader to recognize the plays main similarities in the treatment of women, such as men dismissing women as trivial and treating them like property; however, the plays portray the women’s lifestyles as different which seal their fates.
The Left Behind books carry the bylines of two men, Tim LaHaye and Jerry B. Jenkins. The latter is a prolific freelance author and ghostwriter who has published several dozen books. He is the actual author of the Left Behind books, but his is the less important role, because he does not generate the ideas for them.
Glaspell, Susan. "Trifles." Plays by Susan Glaspell. New York: Dodd, Mead and Company, Inc., 1920. Reprinted in Literature: An Introduction to Fiction, Poetry and Drama. X.J. Kennedy and Dana Gioia Eds. New York: Harper Collins Publisher, 1995.
A Doll House, by Henrik Ibsen, and A Raisin in the Sun, by Lorraine Hansberry, both have central themes of search of self-identity within a social system. This is demonstrated by women characters from both plays breaking away from the social standards of their times and acting on their own terms. In most situations women are to be less dominant than men in society. These two plays are surprisingly different from the views of women in society and of the times and settings that they take place in.
Kate Chopin's work, The Awakening, and Henrik Ibsen's play, A Doll's House, were written at a time when men dominated women in every aspect of life. Edna Pontellier, the protagonist in The Awakening, and Nora, the protagonist in A Doll's House, are trapped in a world dominated by men. The assumed superiority of their husbands traps them in their households. Edna and Nora share many similarities, yet differ from each other in many ways.
...er research I have learned that great people from within my organization have attended the same program and speaks highly of the program. My supervisor graduated from the same program, and she credits the program for her style of her management and for the strength of her clinical skills. I have recently learned that good friend of mine is currently in the program and has told me that the content you receive from the program is very applicable to the work that we are doing now. Personally the time frame has also greatly influenced my decision as well.
Henrik Ibsen’s play A Doll House examines a woman’s struggle for independence in her marriage and social world. Through the use of character change, Ibsen conveys his theme that by breaking away from all social expectations, we can be true to ourselves. When Ibsen presents Nora Helmer, we see a “perfect” wife, who lives in a “perfect” house with a “perfect” husband and children. The Helmer children have a nanny that raises them. By having the nanny, Nora has the freedom to come and go as she pleases. Torvald Helmer, Nora’s husband, will begin a new job as bank manager, so they will be rich, which will make her “perfect” life even better. Torvald even calls Nora pet names like “my sweet little lark” (Ibsen 1567) and “my squirrel” (Ibsen 1565). These names may seem to be harmless and cute little nicknames, but the names actually show how little he thinks of her. “Torvald uses derogatory diminutives to address Nora” (Kashdan 52). Torvald talks down to her. Nora is “regarded as property rather than a partner” (Drama for Students 112). He isn’t treating her like a real person. In Torvald eyes, she isn’t an equal. “Nora is viewed as an object, a toy, a child, but never an equal” (Drama for Students 109).
Within the text of The Strange Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson portrays a complex power struggle between Dr. Jekyll, a respected individual within Victorian London society, and Mr. Hyde a villainous man tempted with criminal urges, fighting to take total control of their shared body. While Dr. Jekyll is shown to be well-liked by his colleagues, Mr. Hyde is openly disliked by the grand majority of those who encounter him, terrified of his frightful nature and cruel actions. Throughout Dr. Jekyll and Mr. Hyde, Stevenson portrays the wealthy side of London, including Mr. Utterson and Dr. Jekyll, as respected and well-liked, while showing the impoverish side as either non-existent or cruel.
A Doll’s House by Henrik Ibsen is a realistic drama that explores how the imbalanced treatment of women can dictate who they become. Nora Helmer embodies the need for evolution in regards to women and their roles within the family. The importance of this play, which was written in 1879, is still relevant in the modern world. This play helps to bring attention to the characters people play as a result of their circumstances.
Susan Glaspell's play, "Trifles", attempts to define one of the main behavioral differences between man and woman. For most of the story, the two genders are not only geographically separated, but also separated in thought processes and motive, so that the reader might readily make comparisons between the two genders. Glaspell not only verbally acknowledges this behavioral difference in the play, but also demonstrates it through the characters' actions and the turns of the plot. The timid and overlooked women who appear in the beginning of the play eventually become the delicate detectives who, discounted by the men, discover all of the clues that display a female to be the disillusioned murderer of her (not so dearly) departed husband. Meanwhile, the men in the play not only arrogantly overlook the "trifling" clues that the women find that point to the murderer, but also underestimate the murderer herself. "These were trifles to the men but in reality they told the story and only the women could see that (Erin Williams)". The women seem to be the insightful unsung heroes while the men remain outwardly in charge, but sadly ignorant.
Henrik Ibsen catches the world off guard with his play A Doll House. The world is in what is known as the Victorian era and women and men have specific roles. The way the story unravels takes the reader by surprise. Ibsen wanted to write a play that would challenge the social norms and that would show the world that no matter how hard they press, they would not always win. Ibsen uses society’s customs, deception, and symbolism to keep the reader on their feet and bring them a play that they would never forget.
Happiness can come in different forms for each person. Some people dream of achieving great wealth to buy everything they ever wanted. Others may find simple tasks such as, reading a book, to make them happy. There are people who find happiness by making others happy, whether it’d be, feeding the homeless, or giving random compliments to strangers. I think that most people would agree that the purpose of life is happiness. There are several things that bring happiness to my world, which include, family, health, and laughter, among other things. Accomplishments can also bring happiness to people, which is what many people strive for during their lives. It can be a promotion, diploma, house, etc. It is usually something that is challenging,