Dialectal Awareness in the Reeve's Tale
Throughout any given period of human history, language has been the
highest expression of observable and transmissible culture. Individuals generally
affiliate themselves with those of like culture and characteristics and tend
to shun those who express qualities and beliefs that are different
from what is commonly accepted or familiar. Wedges are often driven in the midst
of identical groups of people with common beliefs, simply because one particular
dialect of their language is strange to the ear of another group, or is difficult for
that other group to understand . The differences between the Northern and
Southern Middle English dialects of the late 1300's were, for many valid reasons, so
distinct that over time lines of demarcation were conceived, as were stereotypical
views of the people who spoke the language of the North. But fourteenth century
poet Geoffrey Chaucer saw beyond the divisions to the heart of the matter; he
recognized the efficacy and validity of the Northern dialects, considering them as
no less proper forms of English than his own native "Londonese"-- a mixture of
Southern and East Midlands dialects. It is by capitalizing upon these well-known
stereotypical views through his distinct dialectal differences that Chaucer helps
Oswald the Reeve get "one up" on the impertinent Miller through his own savvy,
satirical Canterbury tale.
In order to understand the implications that dialectal differences would have
had upon the Southern view of a Northern speaker of Middle English, one must
first investigate the individual differences that clearly existed between the two
forms of the language. As there was no standardization of the ...
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The Epic of Gilgamesh is an epic poem dating from the Third Dynasty of Ur. From the ancient Mesopotamia, the poem is set where modern day Iraq is today. Composed of five Sumerian poems about Bilgamesh, which is Sumerian for Gilgamesh, Gilgamesh is two parts God and one part Man who is a hero. Gilgamesh encounters many challenges and situations during The Epic of Gilgamesh that cause him to evolve into a better king. Consequential, Gilgamesh recommences his position in Urk and evolves as an improved king.
Marcus Garvey had a huge influence on the African Diaspora and where it connected with the black men and women. Ethiopia in Garvey’s perspective was seen as the home of all African’s in exile in the African Diaspora.(McMurray 48) See now what Garvey was influencing, yet not the initiator of, was on how the African Diaspora connected with the idea or dream of returning home to Africa. With that movement already going on and established, he was able to feed off
Marcus Garvey was the founder of the U.N.I.A (Universal Negro Improvement Association) which was to raise the banner of black race purity and exhorting the negro masses to return to their ancestral African homeland.
Marcus Garvey, born in Jamaica, came to the United States on March 23, 1916 to spread "his program of race improvement" (Cronon, 20). Originally, this was just to gain support for his educational program in Jamaica, but would soon become much more. Because of conditions at the time, the American Negro World took a great liking to him and his ideas of race redemption. Garvey’s organization, the Universal Negro Improvement Association, which was already established, was now the focal point for blacks in America to gather around.
He is often recognized as the leader of the movement in the early 20th century. His establishment of the UNIA was fundamental in the ever increasing Black Nationalist movement. Garveyism was the name applied to his ideology. Garvey claimed that the whites should be essentially removed from America to Africa and it should be a place where only blacks could rule. Garvey had many other ideas concerning how the African American population should respond to white supremacy. The ideals of the UNIA and Garvey spread like wildfire throughout the urban centers of the north and with high populations of African Americans. Also rural areas of the south that were densely populated with African Americans adopted Garveyism as well (Rollinson,
The Temple of Dendur is one of the main parts to the exhibit. The temple is filled with a variety of religious and mythological designs important to the natural world that Egyptians believed as a part of their culture. There are several reliefs that tell the story of the praise to the gods of nature. This temple gives a larger than life feeling, and is one of the main attractions in the museum. The Met also houses the most extensive collection of American art; and has its own wing filled with paintings, sculptures, and decorative arts from early American
Gilgamesh is an example of someone who had many flaws and faced many struggles but, in the end, changed his attitude and became a better person. In the beginning of Gilgamesh, he is described as doing whatever he wants and being juvenile in a way. For example, in the text it says, “he was their shepherd, yet powerful, superb, knowledgeable and expert, Gilgamesh would not leave young girls alone, the daughters of warriors, the brides of young men.” With his second half, Enkidu, they entered into the first step in becoming a hero according to Campbell, the separation, by going on an adventure. At this point in the story, Gilgamesh is very arrogant. While traveling to Cedar Forest, Gilgamesh tells Enkidu, “let me go in front of you, and your voice call out: ‘Go close, don’t be afraid!’ If I should fall, I should have won fame. People will say, Gilgamesh grappled in combat with ferocious Humbaba… ensure fame that will last forever.” Next is stage two, the initiation, of the Campbell’s hero journey. Gilgamesh undergoes a trail to begin his transformation, he must fight the Bull of Heaven. Gilgamesh’s supportive side is starting to show when he tells Enkidu that they will win if they fight together. After killing the Bull of Heaven, Gilgamesh’s confident attitude is shown once again. The next trial he faces is the death of Enkidu. He starts to show emotion when he says, “for you Enkidu, I, like your mother, your father, will weep on your plains… I will lay you to rest on a bed of loving care… and I myself will neglect my appearance after your death.” At this point his character has been greedy and then he showed his fear and supportive side. The last stage in the hero’s journey is the return. Enkidu’s death sent Gilgamesh on an adventure to fight death. From this adventure he learned his biggest lesson from Utnapishtim. He learns to appreciate life, and
In the epic of Gilgamesh, there are many complex characters. Every character involved in the story has their own personality and traits.
The main character in the book The Epic of Gilgamesh, is Gilgamesh himself. In the beginning of the book one realizes that Gilgamesh is an arrogant person. Gilgamesh is full of himself and abuses his rights as king. He has sexual intercourse with the virgins of his town and acts as though he is a god. Throughout the story, many things cause Gilgamesh to change. He gains a friend, he makes a name for himself by killing Humbaba, and he tries to become immortal because of the death of Enkidu. Through these main actions his personality changes and he becomes a better person.
Marcus Garvey was born and raised in St. Ann’s Bay, Jamaica. Garvey wasn’t aware of any racial segregation during his young life. Garvey was raised in segregation of whites and blacks, but he had a few white childhood friends. However, at age 14, Garvey was called "nigger" by one of his white friends and was told that his white friends were not allowed to see him anymore (Sewell 18). This was his first taste of racism; Garvey’s eyes were opened to all of the racism surrounding him. After that, he was no longer close to any white people, and racism and inequality became prevalent forces in Garvey’s life. St. Ann’s Bay was an impoverished town made up of peasants (Stein 24). Garvey’s parents were intellectuals, but there was no work for them ...
The Epic of Gilgamesh, one of the earliest known stories, recounts the tale of the reckless King Gilgamesh and his adventures with his friend Enkidu, a natural man created by the gods from clay to humble and teach Gilgamesh to become a better ruler. Through Enkidu’s death, the once fearless Gilgamesh becomes fearful of his own inevitable demise and journeys to find immortality. However, by finding compassion for his humanity, he is able to come to terms with his mortality and continue living wholeheartedly as the ruler of Uruk. In the Epic of Gilgamesh, Gilgamesh learns to accept his mortality by gaining compassion for himself.
Ever since the beginning of time, man has learned to mature by trials and tribulations. In the beginning of The Epic of Gilgamesh, the protagonist Gilgamesh appears to be an arrogant person who only cares about himself. He abuses all his powers and takes advantage of people with his physical abilities. Basically in the beginning he thinks that no one on earth is better than him. However, just like all epic poems, the protagonist encounters many challenges that make him a better person. So as the story progresses Gilgamesh slowly starts to change his personality. Various events help transform this tyrant to a humble person.
Marcus Mosiah Garvey was born into a poor family on August 17, 1887 at St. Ann’s Bay, Jamaica. Marcus was born the youngest of 11 children. His father was a stonemason who supposedly descended from the maroons. Maroons are African American slaves who defended their freedom from British and Spanish invaders. Garvey had to itemize his pride in the unmixed African heritage of his parents. Marcus grew up and received little education in Jamaica, so he was largely self-taught. At age 14 Marcus had to find work in a print shop to help out his family. Marcus began to doubt the value of trade union after he was involved the first printers strike of 1907. Marcus Garvey began to complain about the mistreatment of African workers to British authorities and was appalled by the little response and that left him very skeptical about any hope for justice from the white people (Rogoff 72). In 1912 Marcus Garvey studies abroad in London. He began writing African publications and became an avid supporter of African independence. I believe the turning point in Marcus Garvey’s fight for African freedom and equality came after he read Booker T. Washington’s book, Up From Slavery. Garvey “responded warmly to it’s thesis of black self help� (Kranz, Koslow 86). With that notion in mind Marcus Garvey returned to Jamaica in 1914 ready to make a difference.
In many literary works we see significant transitions in the hero's character as the story is developed. This is also true in the Epic of Gilgamesh with its hero, Gilgamesh. In this narrative poem, we get glimpses of who Gilgamesh is and what his purposes and goals are. We see Gilgamesh act in many different ways -- as an overbearing ruler resented by his people, a courageous and strong fighter, a deflated, depressed man, and finally as a man who seems content with what he's accomplished. Through all of these transitions, we see Gilgamesh's attitude toward life change. The goals he has for his own life alter dramatically, and it is in these goals that we see Gilgamesh's transition from being a shallow, ruthless ruler to being an introspective, content man.
According to the Silver Anvil case summary, Caribou has three main target audiences. The quality conscious audience are women age 25-44 who are married and may have children at home. The quality conscious audience spend more than $58 each month at coffee shops. The morning commuter audience are women and men ages 23-34 and 45-54 who spend more than $45 each month at coffee shops. The treat seeker audience are primarily women ages 25-44 and spend at least $40 per month on coffee. This audience is extremely social both on and offline and already spends a lot of quality time with the brand, whether in retail locations or at home.