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the problem of moral choices in othello
theme of jealousy in othello
theme of jealousy in othello
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The Impact of the Relationship between Othello, Iago and Cassio Upon the Themes of Othello The major themes present in Othello are Jealously, Betrayal and Appearance vs. Reality. Each one of these themes are reinforced throughout the play in Iago's evil plot. They are represented or seen by Othello, Iago and Cassio and the relationship between them; dictating the motion of the play. Othello is the main character of the play. He is a moorish general and head of the army of venice. He is a warrior, honest, and loves his new wife Desdemona very much. His only mistake is trusting his ensign, Iago too much and allowing Iago to come between his marriage. Iago makes Othello believe that his wife, Desdemona, is cheating on him. Iago is Othello's ensign, and the main villain of the play. He hoped to be promoted to the position of lieutament, but Othello chose Cassio over him. To get revenge, he brings forth a plot to convince Othello that Cassio and Desdemona, are having an affair. Iago is truly evil, and cares only about himself. Cassio is Othello's lieutanent who was chosen over the veteran soldier, Iago, for the position. Cassio is a young and handsome Florentine and is very polite with the ladies. By getting drunk and hurting Montano, Governor of Cyprus, he gets discharged from being Othello's lieutanent. The relationship between Othello and Iago is not sincere as Iago makes Othello and everyone else believe. Iago fools everyone into believing that he is an honorable man and loyal friend so that he can get punish Othello for not promoting him to lieutenant. No one ever suspects him of wrongdoing until the end of the play. By the first scene ... ... middle of paper ... ...ssio is like a triangle where even though they are three different characters, they are connected in a way. Othello who has so much power as the general and head of the army, has a weakness in trusting people by their appearance. One of these persons is his ensign Iago, whose reputation is that of an "honest man", but inside he is an evil person. His envy towards Othello drives him on deceiving him and Cassio into believing his supposed loyalty. Iago betrays him by plotting against him using Cassio who is manipulated and innocent of his evilness. Cassio's only interest is getting the position as Othello's lieutanent and by this he gets used by Iago, who disliked him from the beginning because that was the position he wanted to receive. By bringing Cassio in, we close the triangle understanding how the relationship between them dictate the motion of the play.
It is seen early in the poem, that Faust has very strong beliefs and a tight moral code that is deeply rooted in his quest for knowledge. Sitting in his den, Faust describes his areas of instruction, "I have, alas, studied philosophy, jurisprudence and medicine, too, and, worst of all, theology with keen endeavor, through and through..." It is obvious that through his studies he has valued deep and critical thinking, however with the help of Mephisto, he would disregard his values and pursue the pleasures of the flesh. Faust's impending downward spiral reveals the greed that both Mephisto and Faust share. Mephisto's greed is evident in the hope that he will overcome Faust's morality and thus be victorious in his wager with God; also because he is the devil and that is what he does. For Faust, greed emerges because of his desire to attain physical pleasures and therefore become whole in mind, body and spirit.
What is perhaps the leading cause for the downfall of the characters in the play is Iago’s hypocritical nature that comes with an undeniable desire for fame, and receiving attention from others. To begin with, the audience can develop the idea that Iago greatly appreciates all the compliments that others give to him. Noteworthy evidence includes when Cassio “humbly [thanks Iago] for’t, [never knowing] a Florentine more kind and honest (3.1.27-28), as well as when Othello states that he knows [Iago is] full of love and honesty (3.3.118). The significance behind Othello, Iago, and what others thought about Iago’s qualities that he possesses all share one thing in common – the characters share their feelings for Iago whenever he ensures that he would help find solutions to their problems, such as Roderigo’s fondness for Desdemona, bringing back Cassio’s position as lieutenant, and helping out Othello by ending the alleged relationship between Desdemona and Cassio; this evidence demonstrates how Iago would do whatsoever only for people to praise him and to create a positive reputation of himself so it would be easier for him to hide his felonious schemes from others. Similarly, in order
Othello is noble, tender, and confiding; but he has blood of the most inflammable kind. Unfortunately, Othello was naïve enough to be swayed by Iagos misplaced trustworthiness and the accusations cause the entire play to unfold. Once someone brings up a sense of all his wrong doings, he cannot be stopped by considerations of remorse of pity until Othello has extinguished all that fuels his rage and despair. Othello is described as a “Moor” by his critics (Brabantio, Iago). A “Moor” is a slang word used for the dark skinned appearance of the Muslim people from the northwest part of Africa.
Faust has a overall negative character, evident in his speech. Even from his very first appearance in the play, Faust shows a very negative perspective within the first part of his monologue. This monologue consists of Faust's many achievements in life and how he is still yearning for more. The contents of this monologue seem to show ambitious goals and a positive attitude to continually improve, but Faust's tone of voice indicates that he is dissatisfied and greedy for more knowledge. His godless nature is also hinted in this first monologue when he states that he studied, "...to [his] sorrow, theology" (Goethe, 365). He implies that theology is more of a waste of time than studying any other subject, rejecting God. In addition to disrespecting God, he implies that he is equal to God: "Am I a god? The light pervades me so!" (Goethe, 439). Faust's desire is to become more than human is in a way challenging God. Furthermore, Faust also shows signs of arrogance, as he...
Having attained all that he desires from the knowledge of man, Marlowe’s character Faustus turns to the only remaining school of thought that he feels he must master which is the art of necromancy. In his pursuits, he manages to summon the devil Mephistopheles, arch demon of hell, and strikes a deal to trade his immortal soul with Lucifer in exchange for being granted an infinite amount of power and knowledge that extends even beyond the limits of human understanding. However in the process of negotiating the terms of his pact, it becomes clear that Faust is in a constant state of uncertainty in terms of whether he should repent and forsake the arrangement or simply go through with it. This underlying theme of internal struggle is introduced very early and reappears in later acts with the appearance of established binaries that suggest a theme of division not only among the character of John Faustus, but within the written text as a whole. This suggests that Faustus is meant to serve as a symbol for the divided nature of man and the consequences of failing to negotiate the struggles that are a result of the divided self.
More than any other rapper, Dr. Dre was responsible for moving away from the avant-noise and political stance of Public Enemy and Boogie Down Productions, as well as the party vibes of old school rap. Instead, Dre pioneered gangsta rap and his own variation of the sound, G-Funk. BDP's early albums were hardcore but cautionary tales of the criminal mind, but Dre's records with N.W.A. celebrated the hedonistic, amoralistic side of gang life. Dre was never much of a rapper -- his rhymes were simple and his delivery was slow and clumsy -- but as a producer, he was extraordinary.
In Faust, the intelligent gentleman Faust, seeks spiritual wholeness in knowledge. Through years of hard study, Faust becomes knowledgeable in math, sciences and religion and yet he becomes inept and incapable of having any romantic or physical relationships with the outside world. As Faust strives to become the "over man" through knowledge, he realizes that books will not satisfy his curiosity and that maybe sensual pleasures will. Therefore, in the process of creating his new life, Faust, becomes distant and unconcerned with all reality and humanity around him.
III. Faustus is portrayed as a very individual character. He changes and is shaped by the events that happen all around him. Everything he does affects his future outcome. For example his decision to give up his studies of medicine were very un-stereotypical of a character that is studying to be a doctor to do. Even more so is his decision to take upon the necromantics of the devil. He says, “Then read no more; thou hast attain'd that end: A greater subject fitteth Faustus' wit.” (1.11) He believes that he has learned enough information about all the great things of the world and there is nothing left to study that will intrigue him as much as magic will. His curious personality affects the play because his decisions determine the plot. For example the Seven Deadly Sins entice him so he becomes convinced not to repent his sin. This characterizes him as gullible, curious and adventurous. He becomes obsessed with his magic and he absolutely loves having the powers to do anything he pleases. An example of this is when he conjures up Helen. He knows he can do whatever he wants without reservation so he chooses to conjure the woman who launched a thousand ships. This shows that not only is he gullible, curious and obsessed but also Faustus only wishes for the best in whatever he does; the best that will please him.
Although Christopher Marlowe's Doctor Faustus has outclassed every one at Wittenberg with his academic studies, he is "still but Faustus, a man." Proud of his accomplishments, he desires to become a superman. His judgment clouded by the sin of his pride, he misunderstands his knowledge and dismisses the disciplines of medicine, philosophy, law, and divinity. He lusts for God's capability to "make men live eternally or being dead raise them to life again," believing the devil's arts of magic and necromancy can provide the power, honour, omnipotence and, most importantly, the wealth he craves. His deluded pursuit of the immediate pleasures such wealth can yield brings upon himself the risk of eternal damnation. By conjuring the devil, Faustus removes himself from the influence of the Holy Ghost and God's love, instigating attacks of despair, and internal conflicts as personified by the Good and Bad Angels.
Faust is full of angst because he has mastered subjects like philosophy and medicine, but he thinks that he has not done anything for mankind. This leads him to learning magic so he can have the power of the universe, which leads him to a crossroads because this is going against God. He becomes hesitant at first when he begins wagering with Mephistopheles, but in time, we see that Faust has changed and keeps going to Mephistopheles before making decisions.
This excerpt reveals that Faustus, although he has had much success and is widely recognized for it, yearns for further discovery, a limitless experience, a power that physically is beyond him. Later in the same scene, he clearly states his solution to this quandary, “A Sound magician is a mighty god. Here Faustus, try thy brains to gain a deity” (63 – 64). In order to achieve this for even a limited time however, he must exceed natural human boundaries. In his search for a means to do so, he forms a new boundary, namely the loss of control over his soul, in scene 5 through a contract with Lucifer.
Faustus may be seen as blasphemous in the opening speech, implying that he would only be a doctor if he could be equal to God, (lines24-6)
The presence of certain literary elements creates a more dramatic and realistic image for the readers throughout the piece. William Shakespeare included literary elements in The Tragedy of Othello to bring the story line to life. Throughout the tragedy, Shakespeare used the elements of theme, dramatic irony, and symbolism along with many others. These three literary elements are significant because they help readers fully understand the complexity of the plot. The theme of jealousy, the dramatic irony, and the symbolism throughout the tragedy create the thrilling atmosphere readers experience.
“Successful people are always looking for opportunities to help others. Unsuccessful people are always asking, "What's in it for me?”- Brian Tracy. Faust is illustrated to be an exceedingly sophisticated scholar and alchemist; a man of discontent, and is compelled to obtain a vast amount of the world’s knowledge that surrounds him. In spite of all his triumphs, Faust becomes strangely unsatisfied at his life accomplishments’, “Oh God, how hard I’ve slaved away, With what results? Poor foolish old man, I’m no whit wiser than when I began!”(Goethe Lines 121-20).
Unaware that he is guilty of committing these sins, pride first leads Faustus into being extremely greedy, and this greediness acts in opposition to the will of God. While ambition is admirable, it appears to be a negative trait when it is not used for good. It appears that Faustus wanted to gain this knowledge for himself and not for the well-being of all people. Being so adamant about gaining this power