Arthurian Features in That Hideous Strength
Tales change with every teller. Features may be added or subtracted, stories may be broken apart or combined. Often the story-teller will adapt the tale for his own purposes to emphasize some theme of his own. C. S. Lewis uses and modifies older sources in many ways in his novel That Hideous Strength, incorporating themes and portions of Arthurian literature to add color and emphasize the subjects of his plot.
Lewis includes many direct references to older Arthurian literature in his novel. The leader of his group of heroes is the former philogist Ransom, at first known as "Mr. Fisher-King," who has a wounded foot. The name and the wound are obvious reminders of the Fisher-King myth which produces the quest for the Holy Grail in Malory, and the allusion is further supported when for his meal he is served only "a small flacon of red wine, and a roll of bread" (Lewis, p. 149) -- reminders of the Last Supper and the resulting relics that the Fisher-King is associated with. Lewis' tale differs in that the Fisher-King is the same person as the Pendragon. Yet his tale also combines a quest for holy things (eldilic help through Merlin) to heal the sickness of the land with a great, climactic battle against evil, thus merging the two characters' functions as well as their attributes. Also, as in earlier versions of the story, the Pendragon disappears after his final battle is completed, and the crowning conflict itself takes place in a dense fog which obscures everything.
When Merlin arrives, his full name is given as Merlinus Ambrosius, the name he is given in one of his earliest appearances in Arthurian literature, Geoffrey of Monmouth's Historia Reg...
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...e medieval world may have been closer, in a way, to the truths of the universe than most of us modern, advanced, proud, scientific, atheistic, ambitious people. Science can be a great blessing, but only if it is used correctly and for the good of all humanity and, more importantly, all creation. Though Lewis deals with small, unimportant people -- fellows of small colleges and maids from small towns -- he places them in a setting and situation of Arthurian scope, and thus brings out the great nobility of ordinary man.
Works Cited
Lewis, Clive Staples.
That Hideous Strength. Macmillan Publishing Co.: New York, NY (1946).
Malory, Sir Thomas.
Works. Eugene Vinaver, ed. Second edition. Oxford University Press: New York, NY (1971).
White, T. H.
The Once and Future King. The Berkley Publishing Group: New York, NY (1958).
Malory, Thomas. King Arthur and His Knights: Selected Tales by Sir Thomas Malory, ed. Eugene Vinaver (London: Oxford UP, 1975) 124-25.
In addition, Thomas uses images of " wise men" and " grave men [who] have not used their blinding sight" to tell his dying father that all men smart or ignorant, need to resistance towards death.
C.S. Lewis was a brilliant philosopher, theologian, and author. Many things influenced Lewis throughout his life, and inspired him to write over 30 books. Even 50 years after his death, he still continues to change people’s lives. He believed there were many dimensions to fantasy and imagination. He stated that, "Great stories take us outside the prison of our own selves and our presuppositions about reality. Insofar as stories reflect the divine maker in doing this, they help us face the ultimate Other--God himself, distinct as creator from all else, including ourselves." (Morrow). Lewis inspires people to believe in God, be creative, and never lose their imagination.
“Do Not Go Gentle into That Good Night” by Dylan Thomas is a magnificent poem that expresses great power, beauty, and gentleness, in which tone and emotion are exquisitely blended. His poem illustrates various ways to approach death. In expressing this, Thomas believes that one should not be so accepting and giving to death, but advocates living up until the last breathe. Thomas’s message is a plea to his ill, dying father, pleading him not to give in, but to fight death. Thomas further suggests that a great man must not die quietly, but to live fully and experience life to his utmost ability and capability. Not only is this poem about fighting death, but it also identifies how people may not live life to their fullest. This poem will be analyzed in three sections, the first of which acts as an introduction to Thomas’s message. Secondly,
Lewis’ writings and their relationship to Christianity are perhaps better understood after a basic knowledge of Lewis’ journey to, away from, and then back to his faith. He became a Christian in his early youth but as an adolescent he rejected it. In his autobiography, “Surprised by Joy” Lewis wrote that the strongest argument in support of atheism was this quote from a poem written by Lucretius: “Had God designed the world, it would not be / A world so frail and faulty as we see” (65). As an atheist and a Christian, Lewis always had an analytical way of thinking that contrasted with his imaginative side so well-known for works like “The Chronicles of Narnia.” It might be surprising for fans of Lewis’ fantasy works to learn that Lewis had a great interest in the sciences. He never went too far into the sciences because, as he explained, in all sciences “the lion Mathematics lies in wait for you”...
He puts together all men from the wise, the old and the wild by stating that they all will eventually face death, and when that time comes he urges them to fight “rage” for longer life, rather than just accepting death. His portrayal differs from Dickenson’s as he presents death by using metaphors and imagery. (Napierkowski p49-60) He describes death as being “that good night” and the use of that metaphor causes death to become something unknown. Thomas suggests that death is like night time, it’s dark and unfamiliar. Thomas is presenting death as something that should be feared and something that we should fight against. His message in the poem is about how precious the gift of life is and he uses imagery with the phrases “old age should burn and rave at close of day. “(752) and “wild men who caught and sang the sun in flight.” (752) Thomas uses those poetic devices to convey anger and how powerless someone feels when being confronted by death. When Thomas reveals his father’s curse at the end of the poem you get a sense of passion that he feels for life and how he desperately wanted to send this powerful emotion to his
When looking back at the medieval ages, one may realize that the knights had many extraordinary abilities- they were like superheroes. In different Arthurian Legends, like The Crowning of Arthur, Arthur Becomes King, and Sir Launcelot du Lake, many people admire the person who has these inhumane abilities. Arthur and Sir Launcelot are both characters that initially seem like ordinary people, but show their superior strength and power by the end of the story. Arthur releases a sword from a stone that not even the strongest man can pull out, while Sir Launcelot murders a knight who is known to be an undefeated fighter. Because of these actions, both characters grew to fame. Sir Thomas Malory and T. H. White use unique abilities to exhibit the theme that one should never underestimate who they are and their capabilities in doing something.
The villanelle begins with “Do not go gentle into that good night” which repeated throughout the poem to emphasize the theme and purpose of the poem, to inform the reader that one should not let life slip through one’s fingers (Thomas 1). After, the speaker says “Old age should burn and rave at close of day;” which means those who are nearing the end of life should not easily accept their demise and should oppose against nature for more time to live (Harrison) (Thomas 2). In this line, “close of day” is a metaphor for death and is telling the reader that the elders should go against death and be vigorous (Keeling). The stanza concludes with “Rage, rage, against the dying light” where rage is repeated to emphasize the theory of battling intensively to live and against the dying light is portraying light as a symbol of life and t...
Even though the Arthur legend is hundreds of years old, our culture today is still fascinated with the idea of the Round Table and the love triangle between Arthur, Lancelot, and Guinevere. There are movies and books galore to read about the different takes on the legend of Arthur. However, it makes one wonder if our culture really understands the Arthurian legend. Especially in the movies the central idea of a literary work can be lost. Compared to Malory’s Le Morte d’Arthur have movies lost sight of what the Arthurian legend tries to teach?
In The Lion, the Witch, and the Wardrobe, C.S. Lewis employs symbolism, development and morality. He uses symbolism as a driving force throughout the novel. Without the use of characters similar to Christian figures, Lewis’ series would lack a sense of meaning. His use of these figures evokes a sense of wonder in the reader and encourages them to continue reading. Lewis uses development throughout The Lion, the Witch, and the Wardrobe as a means to create vivid and more impressionable world. He uses morality as a means for rallying the reader behind a character, inspiring them to continue to support them though the story. These three elements work harmoniously to establish a novel that contains literary depth and meaning.
The Author presents the poem in a narrative argumentative point view from a son to his dying father upon his final moments. The imagery and symbolism of the Thomas’s reflections on his feelings of childhood and death become evident the approach the poem through psychological analysis. Thomas is addressing his father from the perspective of why he should fight death, giving valid reasons that the father cannot refuse. The imagery and symbolism show the connection between nature and the soul, whereas psychological aspects of Dylan Thomas’s life must be evaluated from his relationship with his father.
last, which is four lines. In the first three stanzas, the poem is told in
Although King Arthur is one of the most well-known figures in the world, his true identity remains a mystery. Attempts to identify the historical Arthur have been unsuccessful, since he is largely a product of fiction. Most historians, though, agree that the real Arthur was probably a battle leader of the Britons against the Anglo-Saxons in the sixthth century. In literature, King Arthur's character is unique and ever changing, taking on a different face in every work. There is never a clearly definitive picture that identifies Arthur's character. It is therefore necessary to look at a few different sources to get better insight into the character of Arthur, the once and future king.
...c child who is an innocent and has no place in the world of the wicked. His troubled self’s resolution comes at the end after Edmund has spoken to Aslan, the true ruler and god of Narnia. Both Edmunds own initiative and, less directly, religion lead Edmund back to before he was spoiled by the school he went to and the enchantment of the witch’s candy. Lewis therefore is following the Romantic tradition of innocence as a part of childhood since it was not Edmund’s fault he performed the incorrect behavior and was drawn to the side of evil.
Next, Thomas creates the picture using of scenarios using men of different characters to show his father he, too, can find a reason not to give up. Thomas’ two interchangeable rhyming sentences, necessary for this villanelle poem, ending with night and light show the reader “Wise men… know dark is right” (4). Yet, as death approaches “their words had forked no lightning” (5). Therefore, just as they know death is a part of life and they accept this, when it is their turn they choose to put up a fight.