Cathedral: A Lesson for the Ages
Raymond Carver’s short story, “Cathedral,” portrays a story in which many in today’s society can relate. We are introduced from the first sentence of the story to a man that seems to be perturbed and agitated. As readers, we are initially unsure to the reasoning’s behind the man’s discomfort. The man, who seems to be a direct portrayal of Raymond Carver himself, shows his ignorance by stereotyping a blind man by the name of Robert, who has come to stay with he and his wife. From the very beginning, Carver shows his detest for Robert but over the course of the story eases into comfort with him and in the end is taught a lesson from the very one he despised.
The story begins with a description of the relation’s between he, his wife and Robert. It is unveiled that Robert employed Raymond Carver’s wife, whose name is never stated, ten years previous by having her read reports and case studies to him since his blindness would not permit him to do it himself. She hadn’t seen him since those days but “she and the blind man kept in touch. They mailed tapes and sent them back and forth.” (506) The story also is set up by briefly describing Carver’s wife’s past relations with her first husband. Their past marital troubles seem to be a main basis for the wife’s and Robert’s extended contact. After this background history, the story then jumps into the present with the Blind man on his way to stay for a night.
The blind man is invited to stay with the Carver’s by Raymond’s wife for he has just been through the death of his own wife and is now alone. Even this being the case, Raymond Carver’s distaste for the blind man is evident from the first paragraph on. “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me.” (506) Carver’s distaste for Robert is blatantly apparent even subsequent to his arrival at their home. It also becomes quite clear that his wife disapproves of his attitude toward Robert and fails to see how he could be so self-centered. “My wife finally took her eyes off the blind man and looked at me. I had the feeling she didn’t like what she saw. I shrugged” (509)
The other emotion highly present from the beginning is that of the attitude of Robert. We are introduced to what appears to be a quick witted and pleasant man, especially considering the recent death of his wi...
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... point the strong change in interaction between the two characters. The blind man diligently places his hand on that of Carver and they draw, together. The two are intently drawing the cathedral when Robert asks Carver to keep drawing but with his eyes closed too. He obeys and continues this is the climax of the story for Carver now briefly gets a glimpse of what it is like to live with the ailment of blindness. He is temporarily awed at the feeling for it is one he has obviously never experienced. “It’ really something”, he says (515)
Although it took this lesson, Carver now seems to understand, even if only for a fleeting moment, his own prejudice and feels compassionate with Robert. He begins the story with a quick judgment but ends with a lesson that we can all learn from. The two gentlemen appear seemingly different and in the beginning but learn form one another and in the end grow to indeed appreciate one another. It seems ironic though that although Robert rendered the physical ailment, we see Carver too was blind to many things.
Works Cited
Carver, Raymond. "Cathedral." The Harper Anthology of Fiction Ed. Sylvan Barnet. New York: Harper Collins Publishers, 1991.
Raymond Carver’s short story “Cathedral” opens with a narrator whose wife has invited a blind friend to spend the night. The narrator depersonalizes the man right off the bat and repeatedly throughout the story by referring to him, not by name, but as “the blind man” (Carver 513). He admits that hi...
Carver provides an easy, visual outlook of the protagonist throughout the short story, which helps keep a better understanding during the simple yet intense experience. As the story continues, the protagonist enhances his mood as he aids Robert to visualizing a cathedral. This experience creates an impact on others because it is a great reason to why one should never judge someone of something beyond their controls. Also, helping someone, as Robert does for Bub can be a life changing experience. Despite the blind man being physically blind, the husband is the one with the disability to see from someone else’s perspective. This is proven through his epiphany during his portrayal of being blind. Although Bub is not physically blind, he interprets a shortage of observations. This shows that in many ways he is blinder than Robert. Robert is more open minded and willing to experience things, in contrast to Bub, who is narrow minded and has problems opening up his mind throughout the short story. Because the protagonist does not fully try to understand his wife, it makes him look like the blind person ironically though he can visually recognize her, proving that he does not truly know her inside and out. Knowing her personally is more of reality and the husband is blind to reality. Carver definitely analyzes the protagonist’s emotions through diction and visual aid throughout the story, providing great understanding of the meaning as a
Carver writes about three different characters with a focus on the development of the narrator himself. Although the reader never know her name, the narrator’s wife plays a small role in the story. She introduces the reader to the blind man. When the wife is in the room with both of the men, things seem to go wrong between the two men. The narrator seems to be almost nervous and upset with the wife for paying so much attention to the blind
In the story "Cathedral" by Raymond Carver, the main character, goes through a major personal transformation. At the beginning of the story, his opinions of others are filled with stereotypes, discrimination and prejudice. Through interaction with his wife's blind friend Robert, his attitude and outlook on life changes. Although at first he seemed afraid to associate with a blind man, Robert's outgoing personality left him with virtually no choice. During Robert's visit, he proved to be a normal man, and showed the speaker that by closing his eyes, he could open his mind.
The narrator’s prejudice makes him emotionally blind. His inability to see past Robert’s disability stops him from seeing the reality of any relationship or person in the story. And while he admits some things are simply beyond his understanding, he is unaware he is so completely blind to the reality of the world.
...d the blind experience and it was like Robert was no longer the blind person in the house (Caldwell 3). As a result, this shows him the way to gaining a better understanding of his own self worth and heal from pass hurts by experiencing the transcendent of nature of life.
The usage of first person point of view traps the reader within the mind of a character who is closed off and narrow-minded for the duration of the story in such a way that it “tell 's nothing, but shows everything (Messer)” at the same time. In this way, the reader goes through the series of realizations with the narrator which convey the message of blindness in correlation with true sight and a spiritual awakening. For instance, the narrator can only feel pity for Robert’s wife, Beulah, because he was never able to see her. He imagined that Robert 's wife “could, if she wanted, wear green eye-shadow around one eye, a straight pin in her nostril, yellow slacks, and purple shoes” (Mays). However, none of this really matted to Robert, and the narrator finds it utterly pathetic. Yet, the narrator never really understands the fact that he does not really know his own wife, regardless of the fact that he can physically see her. Additionally, within the first paragraph, Carver uses demonstratives and possessives to draw the reader close to the Narrator of the story while also constructing a psychological distance between the narrator and other characters in the story (Peterson). In this paragraph, Carver uses the demonstrative “this” as a word to indicate distance, metaphorically, between the narrator and Robert (Peterson). In particular the sentence, “This blind man, an old friend of my wife 's, he was on his way to spend the night (Mays 33)” demonstrates the use of this as a specific person while showing the distance and dislike the narrator has of Robert. As a result, the narrators prejudice is presented to the reader in a way that shows his blindness as
Carver, Raymond. Cathedral. “The Norton Introduction to Literature.” New York: W.W Norton &, 2014. Print.
Raymond Carver utilizes his character of the husband, who is also the narrator, in his short story "Cathedral." From the beginning of the story the narrator has a negative personality. He lacks compassion, has a narrow mind, is detached emotionally from others, and is jealous of his wife's friendship with a blind man named Robert. He never connects with anyone emotionally until the end of this story.
The husband in Raymond Carvers “Cathedral” wasn’t enthusiastic about his wife’s old friend, whom was a blind man coming over to spend the night with them. His wife had kept in touch with the blind man since she worked for him in Seattle years ago. He didn’t know the blind man; he only heard tapes and stories about him. The man being blind bothered him, “My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to. (Carver 137)” The husband doesn’t suspect his ideas of blind people to be anything else. The husband is already judging what the blind man will be like without even getting to actually know him. It seems he has judged too soon as his ideas of the blind man change and he gets a better understanding of not only the blind man, but his self as well.
Raymond Carver's "Cathedral" depicted the interaction between a narrow minded husband, with a limited understanding of the world around him, and a blind visitor, named Robert, that proved to be the catalyst that dramatically changed the husband's view on the world, while they went from being strangers to becoming friends. In the beginning of the story, the husband disliked the concept of his wife bringing her blind friend over to stay since he never had met a blind person before and did not understand it. However, as the story progresses, the husband, through interaction and observation, begins to dispel his fears and misconceptions of Robert and his blindness. With the help of Robert, the husband gains a revelation that changed his view and opened his eyes to the world.
The narrator's insensitivity reveals itself early in the story when his wife's blind friend, Robert, comes for a visit after the death of his wife. Almost immediately in the beginning of the story the narrator admits "A blind man in my house was not something I looked forward to." [Carver 2368] He even goes so far as to suggest to his wife that he take the man bowling. He hears the story of Robert's dead wife and can not even imagine " what a pitiful life this woman must have led." [Carver 2370] The narrator is superficial, only recognizing the external part of people and not recognizing the value of a person on the inside.
Constantly throughout the short story, Robert defies the narrator’s original portrayal of what he believes is a stereotypical blind man. “He also had a full beard. But he didn’t use a cane and he didn’t wear dark glasses. I’d always thought dark glasses were a must for the blind” (Carver 36). Robert also starts to change the narrator’s perception of blind people not only physically but emotionally. In an act of thoughtful accommodation, the narrator begins to describe to Robert the cathedrals on the television when the speaker of the program halts the commentary. Robert starts to slightly and gradually change the perspective that the narrator sees blind people from until the conclusion of the story when Robert shines a light on the
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.
In Raymond Carver’s story “Cathedral” the narrator learns what it means to “see” through someone who cannot. To see is to be able to view the things around us while putting aside preconceived notions or fear about these objects or people. In order for this to occur once must overcome what they feel is out of the ordinary and learn to accept things as they are. At first the narrator is doesn’t accept the man and uncomfortable around Robert. The narrator soon comes to understand this when he puts aside his fears, and judgments that he can see more than what meets the eye, and the freedom that comes along with this seeing.