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Summary of water and the spirit: ritual magic and ination in the life of an african shaman by malidoma patrice some
european imperialism
european imperialism
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Recommended: Summary of water and the spirit: ritual magic and ination in the life of an african shaman by malidoma patrice some
The spoken word is a powerful tool. In contrast to written text, oration has an added emotional quality that is conveyed in the quivering of the vocal cords and the tambour of the voice. Words may tell the story, but the voice makes it come alive. Malidoma Patrice Some recounts his life story in the audio version Of Water and Spirit. Sadly, you know that as Malidoma narrates his life, he is simultaneously reliving it, making it more vivid for the listener. Malidoma’s story, however, is not the story of one man’s struggle in a world slowly being dominated by European society. It is the story of the African culture that is trying to maintain its identity during a time of colonization and change. Although an autobiography, Malidoma’s story highlights tenants of the African culture and philosophy that we have seen present in other texts and classroom discussions. Specifically, there is an ignorant Western attitude toward African culture, a sense of African communalism, and a strong belief in the supernatural.
The beginning of the troubles for Malidoma and thousands of African men and women began with the colonization of Africa by the Europeans. Their intense desire to drive out an indigenous culture and replace it with something familiar and safe, to Europeans only, resulted in the displacement of blacks, such as Malidoma, from their homes. More importantly, Malidoma’s story confirms that Europeans made no attempt to learn about the new culture they had settled on. As with Africans who were brought to the United States during the slave trade, Malidoma was not allowed to speak his native tongue, despite the fact that he was in his own land. The doctrines of respect and love for others that Christianity supposedly espo...
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... of the show. The knowing and understanding is not as important in the African culture as the emotion and feeling.
These three themes we have seen run throughout the texts we have been studying during the semester. Malidoma inherently wove them into his story because the culture’s beliefs and values cannot be separated from the discourse. I think it is important to close by noting that a culture’s philosophy can be present, as we have seen here, in oral tradition. Although Malidoma was reading from a book he wrote about his experiences, he could still relay the story without having written it down, and the story would not be any more void of African philosophy and culture. Therefore, as Malidoma spreads the word of the African culture (his mission set forth by the elders), he also proves the point that a culture’s philosophy is present in its oral tradition.
The formation of the Africana Studies Project includes Knowledge, Power, and Humanity. This insurrectionary intellectual formation examines the worlds of meaning, thought, and expression of Africans, reconstructing new meanings and possibilities for humanity. Development of African American Studies has increased awareness of the contribution of African Americans to the civilizations of the world, using its many themes and concepts, while also displaying many issues. One main issue of this, is the lack of Africana knowledge. For African American discipline to advance, its focal point must be the production and utilization of knowledge, to develop solutions to various issues in our society.
The structure of the memoir immerses the reader in African culture by incorporating anecdotes, poems, proverbs, and songs. These elements combine to emphasize the importance of oral institutions and to convey the significance of understanding them, "One must learn proverbs a proverb is regarded as the horse' that carries words to a different level, investing them with meanings, enrobing the user with the garment of wisdom" (Falola 53). "As in this case and others that I witnessed, the leader must be gifted with language, making extensive use of proverbs, idioms, and cross-references" (Falola 133). While the verses add depth to the story, they often become cumbersome and superfluous. For example, when discussing the need to keep quiet in order to conceal the location of their musical group, the addition of the proverb, "You cannot light a fire when in hiding," is unnecessary seeing as the reader already has a clear understanding of the meaning of the text (Falola 243).
Underneath the tale of Segu is the hushed and disloyal question few people tend to voice: how did they lose the rights to use the land and resources of an entire continent? This novel explains that it was not just Europe’s greed and Christianity pretense that led to the fall of Africa. It shows that Islam was a major force that endangered Segu as well. However, aside from the tragedy’s that were outlined, there lies a captivating story about culture, spirituality, and diversity.
In the novel Segu, Maryse Conde beautifully constructs personal and in depth images of African history through the use of four main characters that depict the struggles and importance of family in what is now present day Mali. These four characters and also brothers, by the names of Tiekoro, Siga, Naba, and Malobali are faced with a world changing around their beloved city of Bambara with new customs of the Islamic religion and the developing ideas of European commerce and slave trade. These new expansions in Africa become stepping stones for the Troare brothers to face head on and they have brought both victory and heartache for them and their family. These four characters are centralized throughout this novel because they provide the reader with an inside account of what life is like during a time where traditional Africa begins to change due to the forceful injection of conquering settlers and religions. This creates a split between family members, a mixing of cultures, and the loss of one’s traditions in the Bambara society which is a reflection of the (WHAT ARE SOME CHANGES) changes that occur in societies across the world.
Author of “The Negro Family”, E. Franklin Frazier believed that the centrality of the bible, structure of Black worship, and notion of God that evolved from the invisible institution to the Black Church was confirmation of the power of white influence . These tactics and different developments were merely adaptive methods used by slaves in order to worship freely in a confined space. Frazier’s beliefs were undermined by author Gayraud S. Wilmore’s description of Vodun in his book Black Religion and Black Radicalism. Frazier’s contention that black religion was evidence of white influence assumes a blank and passive slate. While Vodun in West Africa did have organization that was probably “infiltrated by Roman Catholicism” the goal of New World Africans was to adapt and understand their lives (Wilmore 43). Although white influence was forced upon New World Africans, slaves did not accept this influence but rather interpreted it to create a new, place-based Vodun religion. Vodun adapted to New World conditions, functioned as a coping mechanism, and possessed evolutionary qualities.
Afrocentricity, as defined by Asante, is a “consciousness, quality of thought, mode of analysis, and actionable perspective where Africans seek, from agency, to assert subject place within the context of African history” (Asante 16). In essence, all roads converge and diverge with the African continent, with its rich history of pioneering triumphs and profound tribulations; Africa and all of her descendants are the end all, be all of one’s focus. There are five criteria to Afrocentricity: “(1) An interest in psychological location; (2) a commitment to finding the African subject place; (3) the defense of African cultural elements; (4) a commitment to lexical refinement; (5) a commitment to correct the dislocations in the ...
History shows that both Africans and African Americans alike faced unique problems prior to and during the 1800's, particularly prior to 1865. One such problem is the issue of Diaspora and how culture and slavery has affected the choice of religion. It is the purpose of this paper to expose comparatively the extent to which individuals have been influenced by these issues. One such individual is Olaudah Equiano. By following and analyzing some of the key moments of faith in his life, this paper seeks to expose the extent to which the series of controversial dialectical incidents that happen throughout his early life, i.e., his cultural African religious traditions (thesis), and Christianity as taught by his slave masters (antithesis), had a direct influence in developing his own understanding of religion (synthesis). Furthermore, this paper will demonstrate Olaudah Equiano's decision was based on the impact of both the influences of culture and slavery, and a personal experience based on his perspective of divine intervention.
“Rituals and Traditions; It Takes a Tribe,” written by David Berreby and “Indians: Textualism, Morality, and the Problem of History” written by Jane Tompkins, both exemplify a typical controversial topic in the United States of America today. The US prides there self on the basis of freedom, and how Americans are made up of individuals with backgrounds from all around the world. Many consider the US to be a “melting pot”, a society where cultures are just blended together and not recognized fully on their own, where as others consider the US to be a “salad bowl”, where people of international cultures hold fast to their traditions and practices and coexist with the cultures around them. Both authors of the readings propose that generally speaking,
Monique and the Mango Rains is a book that details the experiences that Kris Holloway went through when she went to Mali and meat Monique. In this essay I will analyze some of the things that she went through while there from a cultural realistic perspective. Cultural Relativism is the comprehension and understanding of a particular group’s beliefs and practices from that particular culture’s perspective. Some of things that I will analyze are the economic factors that result in not having adequate resources, the social structure of families in Mali including the sizes of families, and the Healthcare that which plays a critical role in how people live.
Khapoya, Vincent B. The African Experience: An Introduction. 4th ed. Upper Saddle River, NJ: Prentice Hall, 1998. Print.
Chinua Achebe was an influential Nigerian author during the 1900’s who was credited with his three essays which have been fused together into the book “Home and Exile”. In his stories he discusses things such as his own Igbo people, the problems with colonialization, the strength that stories can have and many more topics. A big part of his essays are on his thoughts of colonialism, the impact it has had on his home of Nigeria, and how stories written by others either helped justify colonialism or rejected it. Chinua argues that stories have their own power to fight, and while stories themselves do not have the ability to directly fight colonialism; they do, however with their power of words, stories can motivate and encourage people to stand up against colonialism. In proving this thesis to be a true statement, I will be providing evidence of the how, why and the extent to which stories can fight colonialism.
History has been told through various forms for decades. In the past, history was more commonly expressed through word of mouth, but more recently in the past century, through written text. While textbooks and articles give formal information with little to no bias, novels give a completely new perspective from the people who experienced it themselves. The Novels, God’s Bits of Wood, written by Sembene Ousmane, and No Longer at Ease, by Chinua Achebe give a more personal account of the effects of colonization. These two novels tackle the British and French method of colonization. God’s Bits of Wood takes place in the late 1940s and sheds light on the story of the railroad strike in colonial Senegal. The book deals with different ways that the Senegalese and Malians respond to colonialism during that time. No Longer at Ease is set in the 1950s and tells the early story of British colonialism and how the Nigerians responded to colonization. Comparing the two novels, there are obvious similarities and differences in the British and French ways of rule. African authors are able to write these novels in a way that gives a voice to the people that are most commonly silenced during colonialism. This perspective allows readers to understand the negative ways that colonization affects the colonized. Historical fiction like God’s Bits of Wood and No Longer at Ease are good educational tools to shed light on the history and effects of colonization, but they do not provide a completely reliable source for completely factual information.
“When the missionaries came to Africa they had the Bible and we had the land. They said “let us pray.” We closed our eyes. When we opened them we had the Bible and they had the land.”- Bishop Desmond Tutu.
...’s depictions of both traditional and modern beliefs in varying degrees illustrate the importance of both in contemporary Nigerian culture, as well as the greater Africa as a whole, and how both are intertwined and cannot exist without the other. In effect, she skillfully subverts stereotypes or single perceptions of Africa as backward and traditional, proving instead, the multifaceted culture of Africa. She further illustrates that neither traditional African nor western culture is necessarily detrimental. It is the stark contrast of the fundamental cultures that inevitably leads to clashes and disagreements. In the end, what holds African countries such as Nigeria together is their shared pride. Modern, western influences can bring positive changes to society, but new cultures cannot completely eradicate the foundational cultures to which a society is founded on.
Kroeber, A. and C. Klockhohn, Culture: A Critical Review of Concept and Definition. New York: Vintage Books, 1989. Kunhiyop, Samuel. A.W. & Waje. African Christian Ethics.