The 20th century's 3 greatest composers

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The 20th century's 3 Greatest Composers

The 20th century has watched many musicians break through their generation's bounds of normalcy to creat a completely new music. Musicians who initiated revolutions so grandiose that the impact—like an earthquake’s aftershocks—would reverberate for decades and influence scores of musicians to come. Such influences can be traced back to three specific composers. Igor Stravinsky, Aaron Copland, and Nadia Boulanger: the triumvirate of 20th century music.

Igor Stravinsky, remains the century’s most shocking and versatile composer. Born in Russia in 1882, Stravinsky enjoyed a musically wealthy childhood. He was the son of a famous opera singer and well-educated in piano performance and harmony/counterpoint. His parents sent him to St. Petersburg University to obtain a Criminal Law/Legal Philosophy degree. While attending school, Stravinsky befriended a young man whose father, Rimsky-Korsokav, later developed a special affinity for Stravinksy’s music (Nousiainen). Because Stravinsky was not schooled in traditional techniques, Rimsky-Korsakov advised him to continue private harmony and counterpoint lessons, rather than attend a formal conservatory. Rimsky-Korsakov, professor at such an institution, thought the rigorous atmosphere might overwhelm and discourage the young composer (Walsh). Despite this lack of formal training, Stravinsky created some of the 20th century's most profound pieces.

The Rite of Spring, Stravinsky’s most notable music contribution, was commissioned by Sergei Diaghilev for the Ballets Russes. For readers unfamiliar with the ballet, Rite choreographs the story of an ancient tribe’s sacrifice of an adolescent virgin whom, in order to save the Earth,...

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... of you. What an impression you have left with the music-lovers around the world!” (“Letter”). This impact is Nadia Boulanger remains the most significant figure of 20th century music.

FOOTNOTES

[1]<![endif]> This abstract sketch was Stravinsky’s response when author, Robert Craft, asked him to draw his music.The drawing is comparable to the abstract nature of Stravinsky’s compositions (Craft).

[2]<![endif]>The phrase “Appalachian Spring” was first coined by poet Hart Crane.Martha Graham copied his words for her ballet’s already-finished score, which, until then, Copland had modestly titled “Ballet for Martha”

[3]<![endif]> Tanglewood is a premier music academy founded by Boston Symphony director, Serge Koussevitsky, in 1940.His goal was to provide a place for budding musicians to study with orchestra musicians and other world class artists

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