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introduction for a beauty and the beast essay
essays about the beauty and the beast
essays about the beauty and the beast
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Love in The Beauty and the Beast and Shrek
Love is a common theme not only in the entertainment industry, but as well as in life. Love sells, and people in the movie industries understand this and gain from the profit. Movies often portray love between two people who are both beautiful, and not always the best person they can be on the inside. In Disney’s The Beauty and the Beast and Dreamworks’ Shrek not only do they have two people fall in love, but also they show how love is blind.
When Lord Farquaad condemned all of the fairy tale creatures to Shrek’s (an ogre) swamp, he makes his way to the castle, with his trusty side-kick Donkey, to demand their removal. While there, he won a fight against the best knights of the land, and won the chance to go on a quest for Lord Farquaad. The quest was to go save Princess Fiona from the highest tower, where a dragon was guarding her. After successfully rescuing the princess, it was time for Shrek to deliver her to Lord Farquaad. During the journey back, both Princess Fiona and Shrek fall for each other. After over hearing a conversation between the princess and Donkey, Shrek felt betrayed and unloved. During the wedding, Shrek found out that she too is an ogre, though only at night, and that she loved him for who he is. Shrek interrupts the wedding to give Princess Fiona, true loves first kiss, which turns her into an ogre forever. The two fall in love and get married. Not only did they fall in love, but Donkey and the Dragon fell in love as well.
Love was the major theme for Beauty and the Beast. The love for a father, a beast/ man, and for one’s self. Papa, an inventor that does not yet have a following, took a wrong turn and came upon a ca...
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...he could not. As well Lord Farquaad did not ever love Fiona but just wanted to marry her in order to become a king and not just a lord, and when Shrek expressed his love for Fiona and their wedding, Lord Farquaad could not understand how a Princess could fall in love with an ogre.
Love conquered all things in both movies. Nothing could stand in the way of love, no one no matter what the circumstance could come between Bell and the Beast, and Shrek and Princess Fiona. Though when their love was revealed both the Beast and Princess Fiona changed to take true love’s form, they loved and were loved for whom they were. The movies show a good example in life, how we should not date someone just because of what they look like, looks fade, but personalities are forever.
Typical of Shakespeare’s works, the play Macbeth has a protagonist who ultimately experiences a downfall that lead to his demise. The protagonist or tragic hero of this play is Macbeth, once brave and honorable, who eventually becomes tyrannical and feared by many due to what Abrams describes as his “hamartia” or “error of judgment or, as it is often…translated, his tragic flaw.” In this case, Macbeth’s tragic flaw proves to be ambition; however, he cannot be held solely responsible for his downfall. As a result of many outside influential factors, including the witches’ prophecies and a rather coaxing and persuasive wife, one should not hold Macbeth entirely culpable for his actions and tragic end.
He is willing to sacrifice himself so his daughters can live in peace. Beauty offers herself up to the Beast. Poor, kind-hearted Beauty could not bear for her father to be at the Beast’s mercy, so she goes in his place. Beauty is a strong, compassionate girl who will risk her life for the ones she loves. When Beauty is with the Beast she is content with her life. She thinks the Beast is ugly and not that smart, and is still fearful of him, but she grows comfortable in his presence. As she spends more time with the Beast she also becomes more comfortable with herself and what she wants. Beauty isn’t afraid to ask Beast for something she wants, like seeing her father. While Beauty has been with the Beast her father has been dying of grief, with no one to take care of him. Beauty makes a promise to return to the Beast after a week, but her jealous sisters manipulate her into staying, and, of course, gentle Beauty just can’t leave her family behind. When Beauty finally returns to Beast she confesses to loving him, flaws and all, and Beast turns into a handsome, smart, man for Beauty to live with and
... as they present pure fantasy, and the lovers have one foot in each world; they experience desperation in the face of harsh realities, but meanwhile they learn and change as a result of their fantastical dreams. The allusions used in each world illustrate the differences between them and bring them together simultaneously. All of the myths and legends referenced have similar themes and origins, but each is interpreted differently by the speaker; the lovers speak of mythological figures much like themselves, the mechanicals attempt to do the same with little success, and the fairies reference gods and goddess who toy with the fates of mortal lovers. Such striking similarities echo the ever-present theme that in love, we are all the same. Whether we fancy a donkey, a meddling fairy, or a friendly Athenian, in love there is beauty, hilarity, and irrationality in excess.
Although the issues between two genders become serious and difficult to solve with, there still exists love between the two genders. Love is a constant topic among the people. Besides, Love is fantastic, unpredictable, and a main emotional connection in two human beings. There are several couple relationships in two movies. Some of them is searching for freedom of life. Some of them need to concern the ethics of society. No matter how the love has being created, the love is natural moments for human being to express their desires and thoughts.
In fact, Belle is not actively seeking love, but rather stumbles onto it, as a consequence of her own bravery and sacrifice. The relationship that grows between the beauty and the Beast is often the target of criticism as it can be perceived as Stockholm’s syndrome on Belle’s part and is seen to advocate that women should remain with their loved ones even if they are abusive. This is aspect of the film is condemned as it suggest that, somehow and through love, the abusive husband or lover can better himself. And although one can read the film as such, another could see that Beauty and the Beast is the tale of a woman who enters a man’s life and initiates and reciprocally healing and growing bond: Belle learns to see beyond someone’s appearance, and the Beast learns to let other people in. This is literally reflected by his complete forbiddance to have any visitors in his castle as the castle symbolizes his soul. This relationship of equals demonstrates that, contrarily to Disney films such as Cinderella or even The Little Mermaid where all a man or a woman need to fall in love is to set eyes on one another, without having to know anything about each other, or even share a discussion. The Disney princess here is not a princess but a villager, and Prince Charming is not charming but rather temperamental. The unusual end of the animated feature also mirrors this unusual
Villeneuve uses love when she writes about the time when Beauty first notices that she does love the Beast and she does want to marry him. For the most part of the fairy tale, the Beast makes sure to ask Beauty if she would marry him in a daily basis, right after they had dinner. The sudden change from always saying no to finally agreeing happens after she spent some type apart from the Beast when she goes to visit her father. During this time apart, Beauty finally takes note of everything the Beast would do for her, from always asking how she is doing, to always making sure she has everything she needs (Villeneuve 100). Beauty then notices how much she loves him, she realizes how scared she really was to lose the Beast, then when realizing this, she vows to the Beast to marry him. Beauty’s own decision to marry the Beast is shown that Villeneuve wanted to show that Beauty did not marry him because she felt she had to for the sake of her life, but instead because she knew that she had feelings for the Beast. If Beauty had accepted the proposal because of fear, she would have accepted it the first night she had arrived there in the castle and the Beast had asked. Instead, just like Claire Fallon, a write for Huffington Post, said, Beauty practically begged the Beast to take her as his bride (Fallon). If Beauty did not love the Beast she would have not tried so hard to stay with him after he was virtually dead and had just about given up on her ever loving him back. The Beast obviously still wanting to marry her, accepted Beauty’s cries and agreed to still marry her. Love was always the factor in why the Beast and Beauty end up together in the end of this fairy tale, it was never because she thought if she did not accept his proposal then she would
Perhaps the most fundamental theme of Shakespeare’s Macbeth is the inherent corruptibility of even a seemingly good man when ambition turns to greed, and Macbeth himself, as one would expect, exemplifies this concept throughout the play. While at the outset he is seen to be loyal to his king, generally considered trustworthy, and displaying numerous other laudable qualities, Macbeth ultimately succumbs to the influence of those around him and becomes unequivocally evil, setting aside all his previously held morals and coming to be driven only by his lust for power. This transition is brought about by a wide variety of factors and plays an integral role in the development of the plot. In his tragedy Macbeth, William Shakespeare employs multiple methods of characterization in order to highlight the protagonist’s transformation from hero to villain as a result of the influences of the people surrounding him, namely the Weïrd sisters, Lady Macbeth, and Macduff, including extensive foreshadowing, a general shift in tone corresponding with turning points in the plot, and the inclusion of long-winded soliloquies to mark a critical change in Macbeth’s character.
From Cupid & Psyche to Cocteau’s film and finally to Disney’s portrayal of this classic theme, not much has changed in the idea of Beauty and the Beast. All versions of this story have stressed the importance of being good and have even dwelled on the importance of looking behind appearance to see a person’s true nature. In order to convey his ideas and themes, Cocteau uses the beast as a lurking figure whose lack of appearance on the screen ultimately has a great effect on the viewer. The Beast that Cocteau portrays is a model for modern storytellers and has been vital in stressing the theme of genuine nature versus appearance throughout society.
Every day millions of people put their trust in those around them. When the passengers boarded the flights on September 11th, 2001, they put their trust in the planes, the pilots, and the other passengers. On this devastating day about 3,000 people lost their lives. One of America’s only terrorist attacks on US soil, the attacks on 9/11 affected the United States by killing many people in Manhattan and Washington D.C., sending its economy into deficit, and sparking a war in Afghanistan.
Beauty and the Beast centers on Belle who is desired by handsome but egocentric Gaston. Belle’s father, disappears on a journey to a local fair and becomes captive of the Beast. Belle bravely offers herself as an alternative hostage and Beast accepts. As his prisoner, Belle befriends Beast’s household of Enchanted Objects, all talking, walking furniture and kitchen utensils. Belle learns about how the Beast and his staff are all the victims of a witch’s curse that has transformed them. They fall in love during her hostage. In the end, Bella’s love reverses the spell on the Beast.
Macbeth’s heroic deeds at the beginning of the play soon seem insignificant next to the primary event in the Act: the revelation of the witches’ prophecy. Their insightful proclamation that he will be king someday is both shocking and pleasing to Macbeth. Without this occurrence, this play might not have traveled a road of ambition and death, but instead one of calm acceptance and enjoyment of an already-elegant lifestyle. The seeds of desire were here planted, however, eliciting what became a bloody ordeal. The spark ignited, and a plan began to take shape.
A tragic hero is a nobleman who comes to a tragic end as a result of a deliberate choice – not as a result of fate or coincidence (Mrs. Horne). Macbeth is introduced in the play as a brilliant general. Wayne Booth comments that in order for the audience to recognize Macbeth’s fall, he had to be ‘a man worthy of our admiration’ (25). Thus, Macbeth’s loyalty and bravery is emphasized to magnify his tragic end. Lady Macbeth remarks that her husband is “too full o’ the milk of human kindness” (1.5.16) while Duncan is eternally grateful to the “noble Macbeth” (1.2.77). Macbeth is bestowed the Thaneship of Cawdor for his valour in battle. This stirs his dormant ambition or fatal flaw into question. The use of the ‘aside’ in Shakespearean plays ‘indicate a state of intense mental preoccupation’ (Mehl 111) in the character, as well as providing the genuine truth to the audience. In Macbeth’s aside in Act 1, scene 3, this technique is used to induce sympathy in the reader or spectators. We realize that Macbeth is tempted to kill Duncan, but is also horrified at the idea, “why do I yield to that suggesti...
The character of Macbeth is the battlefield on which we witness one of the most intense struggles in the whole play, forming our tragic hero. In the beginning of the play, Macbeth is called honorable and brave because his fearless fighting in the opening battle. Indeed, Macbeth seems to be a worthy man. Yet, when faced with the opportunity to seize more power for himself through the use of wicked tactics, a war is kindled within him. Although he is pulled strongly towards the evil inside by his personal ambition and by the influence of his wife, Lady Macbeth, Macbeth's conscience and human kindness does not let him give in easily. In the heat of the battle, Macbeth's ambition is victorious when he chooses to commit the murder of Duncan. Though the first murder leads to others, Macbeth does not tur...
A.C. Bradley’s interpretation of Macbeth finds him human, conflicted, and comparable to his wife, Lady Macbeth, in many respects. They share a common ambition and a common conscience sensitive enough to feel the effects of their ambition. But the story, Bradley contends, is built upon the traits that set them apart. He focuses mainly on Macbeth. Macbeth is a character of two battling halves: his reason, or ambition, and his “imagination.” Bradley attributes the hysterical nature of Macbeth’s visions, the dagger, the specter of Banquo, and other ghosts, to his wild imagination. He “acts badly” (Bradley, 136) and loses his composure whenever his imagination triumphs over his practical side; however, Bradley also asserts that Macbeth’s imagination is “the best of him, something usually deeper and higher than his conscious thoughts” (133). Macbeth is therefore unable to make use of the “better” imagination with which he was endowed and instead only appears “firm, self-controlled and practical” when he is “hateful” (136). A product of these clashing sides, Macbeth’s murder of Duncan is borne of his inability to properly acknowledge the conclusions drawn by his imagination. In his soliloquies and in...
The affects of fairly tales on our lives are very underestimated and maybe even unconsciously acted out in our everyday challenges and experiences. In pretty much every single fairy tale ever told the main event in the story is falling in love. While Prince Charming may not have ever actually existed he surely did in every little girls heart who heard her parents tell of his heroic deeds and the dragons he slayed and most im...