The History of England’s Masquerade
The masquerade played a large part in the ideas and themes of England during the eighteenth century. Its popularity spanned most of the century, bringing together people of all classes, from the highest nobleman to the lowest commoner.
Masquerades were a firmly established part of city life in England by the 1720's. Most masquerades were held in buildings especially designed for them, such as the Haymarket, the Soho, or the Pantheon. During the early part of the century, masquerades held at the Haymarket, the most popular location for these events, drew in up to a thousand masqueraders weekly. Later in the century, public masquerades in celebration of special events drew in thousands of people. The popularity of the masquerade is clearly apparent from the appearance of newspaper columns devoted to describing particularly elegant masquerades. Other masquerade literature that circulated through the cities included pamphlets denouncing the masquerade as scenes of promiscuity and impropriety" (3). Such civil and religious censure caused the popularity of the masquerade to fluctuate during the century, but the phenomenon did not wane until the l 780's.
The origin of the masquerade in England is a subject that many scholars have speculated on. When masquerades first appeared, they were called signs of"diabolical foreign influence, imported corruption" (5) The idea for the masquerade may indeed have come from foreign parts. The eighteenth century was a time when many young people traveled abroad as part of their education. Undoubtedly, the excitement of masquerades held in Italy, Spain and France were something these traveling youths wanted to recreate once they came home. Foreign ambassado...
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...iction writers exploited the masquerade's association with sexual license. Examples of this can be found in Defoe's Roxana and Fielding's Tom Jones. The masquerade became a setting in literature where the most outrageous things could happen, as often was the case in real life.
Regardless of the origins, regardless of the propriety? the existence of the masquerade as a part of popular urban culture in the eighteenth century cannot be denied. The masquerade was a much needed outlet for the people of this time who constantly had to keep their behavior within the strict confines of what was socially acceptable. By putting one mask on, the masqueraders were able to take a more fundamental mask off.
Work Cited
Castle, Terry. Masquerade and Civilization:.The Carnivalesque in Eighteenth-Century English Culture and Fiction. Stanford University Press, Stanford, 1996.
Although this storyline is very entertaining it isn't very factual. There were emperor's named Marcus Aurelius and Commodus but as for the general Maximus, no such character exists. Aurelius, during his reign from 161-180 a.d., conquered many regions and countries. Under his vision, the Roman army defeated the Parthians and also defeated the Barbarians in the Marcomannic Wars. The Emperor Aurelius was not murdered by his son and serves as co-emperor for the last three years of his life with Commodus. Many scholars believe that Aurelius was one of the greatest emperor's of Roman history. He often showed compassion and other great traits of a leader. His son, however, did not share his leadership abilities. Commodus ruled from 180-192 a.d. Aurelius had many peace treaties in the latter part of his rule that his son violated and continued to increase Roman territory. Commodus has been rumored to have been insane and maybe that's why he loved the Gladiator games so much. The gladiator games were when men dressed in warrior outfits fought each other until one died. There were also games in which wild animals were placed with men.
Throughout the late 17th century and into the early 18th century witchcraft prosecutions had been declining. This trend was the result of a multitude of social developments which altered the mentality of society. One of the predominant factors in this decline was the Scientific Revolution, the most important effect of these advances was making society question concepts of witchcraft. Along with this new mental outlook, we see that the Reformation had a similar effect on social opinion concerning witchcraft and magic. These two developments changed societies view on the occult and this led to a wider scepticism concerning witchcraft, this favoured those who had been accused and therefore caused a decline in prosecutions. Beyond the two trends mentioned however, it is important to consider judicial reforms and an improved socio-economic situation which reduced tensions within society. These two changes were certainly not as influential as the Scientific Revolution and the Reformation but heavily altered the circumstances in which accusations were normally made. With the altered social attitudes and mental outlook these changes in living situations all contributed to bring about the decline in witchcraft prosecutions.
When the Romans went to the gladiator fights, they wanted to watch a very exciting and entertaining contest. So, the Romans purposefully set up the gladiator fights to be unfair by making the matchups unbalanced. The gladiator’s living conditions affected the fight. Yet, with all the morals and myths that the Roman government promoted as what was expected of the roman citizens, the brutal battles that were in the coliseum wouldn’t be tolerated, but they were. The unpredictable outcome of these matches were what made these so entertaining.
The notorious witch trials of Salem, Massachusetts occurred from June through September. It is a brief, but turbulent period in history and the causes of the trials have long been a source of discussion among historians. Many try to explain or rationalize the bizarre happenings of the witch hunts and the causes that contributed to them. To understand the trials and how they came to be, we must first examine the ideals and views of the people surrounding the events. Although religious beliefs were the most influential factor, socioeconomic tensions, and ergot poisoning are also strongly supported theories. A combination of motives seems the most rational explanation of the frenzy that followed the illness of the two girls. This paper looks closely at the some of the possible causes of one of the most notable occurrences in history.
Although witch trials were not uncommon in Puritanical New England, none had reached such epidemic proportions as Salem. In 1691 the mass hysteria began when several young girls dabbled in witchcraft and began acting strange. When villagers took notice the girls were seriously questioned and so they began naming people, mainly woman, who had supposedly bewitched them (Boyer, p66). Several other who had been accused were woman displayed ‘unfeminine’ behavior and those who
After its debut in America on May 5th of 2000, the movie Gladiator has been a nationwide symbol of heroism(Imdb). The film was directed by Ridley Scott and the lead roles of the film were carried out by Russell Crowe as Maximus and Joaquin Phoenix as Commodus(Imdb). The movie takes place during the reign of the Holy Roman Empire in the year 180 A.D. The Emperor, Marcus Aurelius, is dying and wishes to leave the Roman Empire under the control of Roman General Maximus Meridius. The Emperor’s son Commodus betrays Maximus, kills his father, and takes control of Rome. In betraying Maximus, Commodus has his family killed. Maximus knowing this returns to Rome as a gladiator under the alias “Spaniard” in search of revenge(Imdb). According to Aristotle, “Tragedy is an imitation of an action that is serious, complete, and of a certain magnitude”(Kwheeler). In order for someone to be considered a tragic hero, the person must meet the criteria of high social status, suffer from a hamartia, face a catastrophe, invoke catharsis, and experience anagnorisis and peripeteia(Kwheeler).
When attending a masquerade, a person is expected to wear a mask. In fact, it’s looked down upon if a mask isn’t worn. But, what if for some people that mask never came off? In A Doll’s House by Henrik Ibsen, each character has constructed their own metaphorical mask that they set firmly in place every morning when exiting their bed. Each character: Nora, Torvald, Kristine and Krogstad all have masks that they put in place when speaking to each other. Throughout most of the play, it is clear that all of the aforementioned characters have multiple facades that they use when speaking to one another; often switching quickly as they begin speaking to someone else. Henrik Ibsen’s use of the masquerade serves as an extended metaphor to show the masks that the characters use in their everyday lives.
The first chapter of Strauss’ work, titled “The Gladiator”, explores both Spartacus’ background as a gladiator and Rome’s fascination with the sport. Strauss outlines how a gladiator match worked in Rome, usually in carefully chosen pairs starting with a practice match with wooden weapons followed by the real officiated match that was generally to the death unless the crowd decided that the wounded deserved to live. The attention is then turned to where the Spartacus legend begins, Capua. Strauss gives a sweeping view of Capua’s history in the Roman Empire, from being punished for allying itself with Hannibal to returning to some prominence as a slave center, in particular for gladiators. Gladiators were usually slaves, and much like Spartacus, were foreign. Spartacus was a Thracian, feared by Romans for their fierceness on hors...
I did like the Gladiator movie, it did really shows perspectives of being a tragic hero. In which their was so much betrayal in this movie, it did represent on how much Maximus has done to bring an end to Commodus reign and the vengeance he seeked. I do believe that Maximus was a tragic hero because of what events that occur which would put him in danger. He was more admirable than an average person would be and would earn his glory. The fortune that a tragic hero would occur will end in a downfall. He does display on what a tragic hero will represent in which that will bring him justice or
An important feature of Jane Austen’s novel, “Pride and Prejudice,” is the utilization of letters, which were the prevalent form of communication in the nineteenth century. “The novel is packed with correspondence, with forty-four letters referred to, and eighteen of those either heavily quoted from or given in full” (Fullerton 46). Letters are used as a dramatic device in the novel to advance the plot, uncover character and benefit in the composition of theme in “Pride and Prejudice.”
Gladiator (2000) is an action drama about a Roman general that is betrayed by his country and is forced to fight in the Colosseum. This particular scene, which runs for approximately 5 minutes, is the aftermath of the fight scene between Maximus, the betrayed general, and Commodus, the jealous emperor who betrayed him. This scene is not only significant because it is the concluding scene of the film, but also because it represents the end of Maximus’s enslavement and his coming to peace with dying.
Ridley Scott’s epic film, Gladiator, won five Academy Awards, including Best Picture in 2000. Scott’s film, details the fall and rise of the great Roman General, Maximus Decimus Meridius. The Roman Emperor, Marcus Aurelius, tells Maximus that he wishes that he become his successor, instead of his son, Commodus. Angry, Commodus, murders his own father, thus becoming the emperor, and sentences Maximus and his family to death. He escapes, but the Emperor’s men murder his family and burn his home. Slave traders, then capture him, and sell him into slavery. Maximus swears revenge, and must fight for his murdered family, and destroyed life. A liberal humanistic critique reveals that the film has a self contained meaning, shows the enhancement of life, and reveals that human nature never changes.
Logan, Jenkins. “Twelfth Night: The Limits of Festivity.” Studies in English Literature, 1500-1900 22.2 (1982): 223-38. Print.
In Victorian times, one who came from a wealthy and respectable family was considered to be a gentleman. This is clear in numerous characters in the novel, who are immediately perceived to be gentlemen as they boast a large amount of money and dress in the finest clothes. One example, Compeyson, uses this to get a reduced sentence in court, as Magwitch says ‘one, the younger, well brought up, who will be spoke to as such’. This highlights the importance of social class in the Victorian era and it is clear to see here that the justice system is very much more favourable to the higher social ranks, deciding how they would get treated and addressed, and that the punishment is not dependent on the crime, rather the individual at trial’s background and upbringing. Dickens has shown that the Victorian concept of a gentleman is all about wealth and social ranking, not the characteristics we see in a gentleman today.
Jane Austen’s works are characterized by their classic portrayals of love among the gentry of England. Most of Austen’s novels use the lens of romance in order to provide social commentary through both realism and irony. Austen’s first published bookThe central conflicts in both of Jane Austen’s novels Emma and Persuasion are founded on the structure of class systems and the ensuing societal differences between the gentry and the proletariat. Although Emma and Persuasion were written only a year apart, Austen’s treatment of social class systems differs greatly between the two novels, thus allowing us to trace the development of her beliefs regarding the gentry and their role in society through the analysis of Austen’s differing treatment of class systems in the Emma and Persuasion. The society depicted in Emma is based on a far more rigid social structure than that of the naval society of Persuasion, which Austen embodies through her strikingly different female protagonists, Emma Woodhouse and Anne Eliot, and their respective conflicts. In her final novel, Persuasion, Austen explores the emerging idea of a meritocracy through her portrayal of the male protagonist, Captain Wentworth. The evolution from a traditional aristocracy-based society in Emma to that of a contemporary meritocracy-based society in Persuasion embodies Austen’s own development and illustrates her subversion of almost all the social attitudes and institutions that were central to her initial novels.