The Impact of Recording Technology on Music Essay

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The Impact of Recording Technology on Music

Most successful musicians know a hidden art carried out by the work of a good sound engineer; it is essential for a magnificent album. For the rest of us novice listeners and fans, we believe what we hear through our speakers or played over the radio are the true skilled professional musicians, soaring at their craft. Most contemporary music, from pop to R&B and acid jazz to the sophisticated realm of orchestral film scores, has been modernized by several inventions encased within the studio. The art of audio engineering has taken on new forms, from the nuts and bolts, "plug it in, and see if it works" era into the digital world, because of these wonderfully tragic solutions to a higher pace of life. A musician's art have been made solely because of it, and others have been destroyed and humiliated by it. The complex new inventions of technology shape the adaptive method of studio recording and production however caused a drastic negative musical degrading of our beloved art.

Basic terms are often confused when describing an individuals musical sense. Microsoft Encarta World English Dictionary defines an artist as somebody who does something with great skill and creativity, and a musician is a music maker who plays, performs, conducts, or composes music, either as a hobby or a profession. The focus of this essay is not the plausible crime of a solely techno creator, or in contrast, the soaring melodies of a humans voice. Technology has tarnished the value of pure talent of music's original creation for the sake of popularity, riches and unnatural perfection.

The invention of pop and rap equivalent styles were formed on the foundation of digitally synthesize...

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...ost consumers do not realize who, or what lurks behind the wall of a speaker. The creative mind of a musician extends into the boundaries of timbre, pitch, melodies, harmonies, and the skill to create for the sake of art. If the recording engineer behind the mind-boggling boards and gizmos is really the mastermind, then why not give him a spot on stage?

Work Cited

Bazer, Mark. "James Newton vs. The Beastie Boys" Down Beat 69 Oct 2002: 25.
Easton, Michael. "Music Sampling" Art + Law Sept 2000.
Jewel, Dan. "Getting in sync" People Weekly Dec 1997: 167-168.
Lehrman, Paul D. "Into the New Millennium With. Midi ?" Mix Magazine Jan 2001.
Ogilvy, David. "Dave Matthews Band at Pacific Bell Park ." Mix Magazine Aug 2001: 172-176.
Rumsey, Francis, Time McCormick. Sound and Recording, an Introduction . Woburn , MA : Focal Press, 2002.

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