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the vietnam war in apocalypse now
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Cultural Turmoil in Francis Ford Coppola’s Apocalypse Now
The era of the 1960’s was one of change, just like so many of the enduring songs say. With words like revolution and freedom being used to promote movements that changed our society forever. The most important being the Civil Rights movement, and arguably the most influential: the sexual revolution. While great new ideas and beliefs were starting to take root, morals and social constructs that had been established were endangered of being lost in the mix. The moral code that had endured for so long was suddenly overlooked, or overpowered by a generation that was not interesting in listening to the older, conventional generations. The pressure to find new ways of thinking made it hard to know what was right and what was wrong, to know which beliefs to hold on to and which ones to replace. Francis Ford Coppola’s “Apocalypse Now” reflects the cultural turmoil that developed in the 1960’s. Coppola uses the knowledge of a person who lived in that time to magnify musical, cultural icon, Coppola uses Willard to show the content of the film surpasses the content of the meaning. Captain Kilgore is the tyrannical irresponsible leader, and Lance is the youth who is a victim of his time.
Coppola’s portrayal of the Vietnam War could be considered amplified by his artistic imagination. What sets the Vietnam War apart from previous war--the World Wars-- is that this was the first war that was televised. For the first time in history true to life visuals were broadcast into the homes of American civilians as the war was happening. The perspective of war changed forever. When Coppola set out to recreate the events in Vietnam in 1979, he did it with this knowledge th...
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...lings, funneled through the immature emotional matrix of soldiers. This is more than just a movie, it's an exploration of the cultural ramifications that came during the 1960’s, in part because of the Vietnam War.
Works Cited
Brantlinger, Patrick. “Heart of Darkness: Anti-Imperialism, Racism, or Impressionism?”: Case Studies in Contemporary Criticism. Ed. Ross C. Murfin. Boston: Bedford, 1996.
Conrad, Joseph. “Heart of Darkness” Case Studies in Contemporary Criticism. Ed. Ross C. Murfin. Boston: Bedford, 1996.
Coppola, Francis Ford. “Apocalypse Now”. Omni Zoetrope Studios, 1979.
Grieff, Louis K. “Soldier, Sailor, Surfer, Chef”: Conrad’s Ethics and the Margins of Apocalypse Now. Lit-Film-Quarterly. 20.3(1992): 188-98.
Miller, J. Hillis. “Heart of Darkness Revisited.”: Case Studies in Contemporary Criticism. Ed. Ross C. Murfin. Boston: Bedford, 1996.
Jarvis, Christina. “The Vietnamization of World War II in Slaughterhouse-Five and Gravity’s Rainbow.” www.wlajournal.com. War, Literature, and the Arts. 95-117. Web. 15 Nov. 2013.
Terrence Malick’s The Thin Red Line (1998) is a film that examines the Guadalcanal Battle of World War II, looking past the physical results of the violence, in order to uncover the deeper truths and ramifications of war. The film conveys themes and ideologies that are somewhat uncommon to war films, especially WW II films. In this dark, surreal, journey, Malick takes us inside the minds of soldiers experiencing this battle to capture a remote pacific island from the Japanese. We do not hear or see gruff, hardened soldiers, anxious to die for their country. In fact, there are no heroes in The Thin Red Line. There are only regular men, scared of fighting and scared of dying, who have been thrown into a situation that will forever change their lives. The fighting is not suspenseful or glorious just brutal. Using an ideological approach to the study of film, this paper will examine The Thin Red Line’s messages about the truths of war, and how it challenges our society’s stereotypical view of war as a valiant undertaking where brave men fighting for good battle the evil of the enemy. Consequently, the ideologies that are uncovered will then be used to look at The Thin Red Line as a war film, and how it fits and does not fit into the genre.
Cox, C. B. Conrad: Heart of Darkness, Nostromo, and Under Western Eyes. London: Macmillan Education Ltd., 1987.
The Heart of Darkness, a complex text was written by Joseph Conrad around the 19th century, when Europeans were colonizing Africa for wealth and power and were attempting to spread their culture and religion in Africa. It was also a period in which women were not allowed to participate in worldly affairs. Therefore, the text deals with issues such as racism, European imperialism, and misogyny. This essay will look at the different themes in the novel and argue whether or not The Heart of Darkness is a work of art.
Stevenson, Betsey, Stephanie Coontz, Barbara Dafoe Whitehead, Helen Fisher. 2010. “For Women, Redefining Marriage Material.” The New York Times. February 21
Drug legalization is an enduring question that presently faces our scholars. This issue embraces two positions: drugs should not be legalized and drugs should be legalized. These two positions contain an array of angles that supports each issue. This brief of the issues enables one to consider the strengths and weakness of each argument, become aware of the grounds of disagreement and agreement and ultimately form an opinion based upon the positions stated within the articles. In the article “Against the Legalization of Drugs”, by James Q. Wilson, the current status of drugs is supported. Wilson believes if a drug such as heroin were legalized there would be no financial or medical reason to avoid heroin usage; therefore, anybody could afford it (367). Wilson stated that during 1960’s, British physicians were allowed to prescribe heroin to addicts until the number of addicts increased fivefold. He argued that cocaine is not a “victimless crime.” Addicts victimize children by neglect and spouses by not providing (370). Wilson upholds that illegality of drugs increases crime because users need to pay for their habit (372). He believes the benefit of illegal drugs is it forces patients who enter under legal compulsion to complete their treatment due to the pressure and drug-education programs in the schools (374). Wilson is convinced the difference between nicotine and cocaine is that while tobacco shortens one’s life, cocaine debase it and destroys the addicts humanity (375). Wilson’s argument is strong because he demonstrates his knowledge of the subject and supports it with many clear, scientific facts and historical examples of drug usage. He interprets facts differently by seeing “logical fallacy and factual error” (371) in what other perceive as being a true. He also acknowledges his opposition by addressing how the advocates of legalization respond to his position. Wilson recognizes that that he may be wrong about his conclusions of drug legalization. Yet he states if he is wrong, money will be saved, while if he is right, and the legalizers prevail, then millions of people, thousands of infants and hundreds of neighborhoods will live a life of disease (377-8). In the article “Drug Policy and the Intellectuals,” by William J. Bennentt, drug legalization was not supported. Bennett wants to address the “root causes” of drugs by means of...
The prohibitionist national policy towards drugs in U.S has been extremely contentious in the present times. After decades of the stance that costs billions how many each year, the paltry achievements and the countless negative externalities have led to a clamor for alternative policies instead of a “War on Drugs”.
Recreational drug use has been controversial for years. Government has deemed the use of certain drugs to be dangerous, addictive, costly, and fatal. Governmental agencies have passed laws to make drugs illegal and then have focused a great deal of attention and money trying to prohibit the use of these drugs, and many people support these sanctions because they view the illegality of drugs to be the main protection against the destruction of our society (Trebach, n.d.). Restricting behavior doesn’t generally stop people from engaging in that behavior; prohibition tends to result in people finding more creative ways to obtain and use drugs. However, just knowing that trying to control people’s behavior by criminalizing drug use does not work still leaves us looking for a solution, so what other options exist? This paper will discuss the pros and cons about one option: decriminalizing drugs.
Rosmarin, Adena. "Darkening the Reader: Reader Response Criticism and Heart of Darkness." Joseph Conrad Heart of Darkness: A Case Study in Contemporary Criticism. Ed. Ross C. Murfin. New York: St. Martin's, 1989.
The aim of this work is a comparison between the novel "Heart of Darkness" and "Apocalypse Now," Francis F. Coppola film loosely adapted from the novel by Conrad. “Apocalypse Now” was performed as film based on the text of Conrad and placing it in the context of the Vietnam War. Although several elements were added, such as characters and situations that are not in the text, the film reflects in many ways “Heart of Darkness” in the history and development. Adapting the work of Conrad, many abstract things that are not in the text, jump to the screen. In other words, text transformation into visual representation vision adds a vision of evil in men, the fear of death, nostalgia for the home, etc. The film has
Bausch, Richard, and R. V. Cassill. "Heart of Darkness." The Norton Anthology of Short Fiction. New York: W.W. Norton, 2006. 126-86. Print.
Turner, H and Muller, P (2004) ‘long term effects of child corporal punishment on depressive symptoms in young adults: potential moderators and mediators’, Journal of Family Issues, vol.25, no.6, p.761-782
Rosmarin, Adena. "Darkening the Reader: Reader- Response Criticism and Heart of Darkness ." Joseph Conrad, Heart of Darkness: A Case Study in Contemporary Criticism , ed. Ross C. Murfin. New York: St. Martin's Press, 1989. Pp. 148-171.
"Summary of Research on the Effects of Corporal Punishment." End Corporal Punishment. EndCorporalPunishment.org, Apr. 2013. Web. 12 May 2014. .
Corporal punishment is the physical disciplinary method used by parents, teachers, and school administrators in an effort to correct a child’s undesirable behaviors. The use of physical force is one that is often times controversial and usually evokes very strong reactions. These feelings surface, and opposing views clash, when scandals surrounding corporal punishment hit the media and heated arguments in the comments section of articles emerge. While corporal punishment occasionally makes its way into the limelight, it is a decision all parents are faced with eventually and often times daily. For example, when a toddler is sprawled out on the grocery store floor kicking, hitting, and flinging