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Comparison of the Poets' Representation of the Lover in To His Coy Mistress and Porphyria's Lover

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Comparison of the Poets' Representation of the Lover in To His Coy Mistress and Porphyria's Lover

In "To His Coy Mistress", Andrew Marvell presents a declaration of
love to the object of his desire, but at the same time he
simultaneously develops a systematic argument of reasoning. As a
metaphysical poem, Marvell uses his writing as a tool for sexism;
beneath the surface the poem exists to be manipulated by a society
domineered by testosterone for the fulfilment of male pleasure. The
speaker focuses on the concept of time in an attempt to seduce his
lover.

Andrew Marvell tries in this carpe diem poem, "To His Coy Mistress,"
to use time and symbols to convince her to seize the day. He uses the
river, the worm and many direct references to time to express the
urgency of the situation. He then says that his love is vegetable and
that this coy mistress is the only one that can sustain this living
love. Then he threatens death, gets aggressive, and shows her that her
youth is fleeting, and that if she does not change, she will be
miserable.

"Porphyria's Lover," which first appeared in 1836, is one of the
earliest and most shocking of Browning's dramatic monologues. It is
about the speaker who describes how he murders the woman he loves.

The imagery of "to his coy Mistress" refers to three main themes,
passion, time and decay. Each theme is set out in a way so they all
connect; he implies that because of the lack of time there can be
little passion. And this 'coyness' or how he sees it, resistance leads
to decay or death. He uses imagery such as water in the first stanza,
'the Indian ganges,' and 'by the tide of Humber' and 'the f...


... middle of paper ...


...ed, but to demand immediate sexual relations because of
their lack of time.

In 'Porphiria's Lover' time is what the lover wants to capture. There
is a point in the poem when he realises she 'worships' him, but it is
a momentary thing and the lover wants to capture that moment.

Both speakers suggest time is against them, but in different ways. In
'Porphiria's Lover' the speaker wants to stop time, and preserve a
moment when he feels this woman is his. 'In His Coy Mistress' the
speaker suggests that time is against them in the sense that both his
patience and time itself will run out and she will have preserved her
virginity for no reason. The lover in 'To His Coy Mistress' shows
death as the end. And after death he will never see 'His Coy Mistress'
again, whereas in 'Porphiria's Lover' death is merely the beginning.


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