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critical analysis of merchant of the venice
critical analysis of merchant of the venice
characters analysis of merchant of Venice
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Relationships in William Shakespeare's The Merchant of Venice 'The Merchant of Venice' is one of Shakespeare's most popular plays and Act 1 Scene 3 is a key scene. There are three characters involved in the scene and these are: Antonio, Bassanio and Shylock. Shakespeare portrays their characters effectively as well as the contrasting relationships between them. He uses various themes, his language and style and the plot of the bond to achieve this. Before I look at scene 3 it is important to look at the first scene of the play. At the beginning of Act 1 Scene 1 Antonio, the merchant of Venice, is portrayed as a troubled man, "In sooth, I know not why I am so sad," (line 1) and a character in low spirits as his friends Salerio and Solanio try to raise them. He seems to be in a state of sadness as he and his friends discuss possible reasons this. Looking for reasons for the sadness is also a convenient way for Shakespeare to tell us how highly Antonio is regarded by his friends, and to make sure we know all about his business interests. We learn that he is a businessman. Antonio is a character who has confidence in his decisions, because even though Salerio and Solanio discuss their nervous feelings about one of his merchant ventures, and we learn that there are many risks and worries facing a merchant who's assets are at sea, he assures them that he has no need to worry about it because he has reduced the risks by spreading his merchandise between different ships, "My ventures are not in one bottom trusted, / Nor to one place". This also shows his intelligent thinking. Antonio is a calculated risk taker and all the main devel... ... middle of paper ... ...stage, seems more interested in her money than in her: "in Belmont is a lady richly left/And she is fair". I think it is significant that he mentions her money before her looks. He is quite a shrewd character as he sees the danger of Antonio singing the bond. He is still, however, still prepared to let his friend go ahead and make the promise to Shylock. Antonio obviously feels unconditional love for Bassanio, "That in your knowledge may by me be done,/And I am prest unto it." However I do not feel that Bassanio is fully deserving of it. Act 1 Scene 3 is a very important scene which firmly establishes three of the most important characters in the whole play. Shakespeare uses many writers techniques and ingenious plots to portray the characters and exciting dialogue to convey the relationships between the three.
say, “If I can catch once upon the hip I will feed fat the ancient
William Shakespeare attained literary immortality through his exposition of the many qualities of human nature in his works. One such work, The Merchant of Venice, revolves around the very human trait of deception. Fakes and frauds have been persistent throughout history, even to this day. Evidence of deception is all around us, whether it is in the products we purchase or the sales clerks' false smile as one debates the purchase of the illusory merchandise. We are engulfed by phonies, pretenders, and cheaters. Although most often associated with a heart of malice, imposture varies in its motives as much as it's practitioners, demonstrated in The Merchant of Venice by the obdurate characters of Shylock and Portia.
In both of Shakespeare’s plays, "Othello" and "The Merchant of Venice", there are several instances in which the non-white and non-Christian characters are marginalized and are often the victims of prejudice and outright racism. This occurs in both "Merchant of Venice" and "Othello" particularly through the use and power of language and terms of reference. What is most fascinating about this seeming racism and bias against these characters, Othello and Shylock, is that they aren’t represented in either text as completely fitting the villainous or negative stereotypes other characters wish to put them in. Both Othello and Shylock are presented as sympathetic to varying degrees and although they posses several character flaws that some of the white and Christian characters wish to attribute to their race (Jewish as greedy and heartless and Moors as savage and barbarous) Shakespeare does not completely rely on these stereotypes to draw his characters of these two men. Although Shylock is indeed money-hungry, greedy, and oftentimes heartless, he is still portrayed sympathetically at points and his faults are not shown to be something associated with his race. Othello, most notably at the end of the play commits a savage act, but throughout the rest of the text, he is shown to be mild-mannered and exceptionally “civilized” as a general and aristocrat. This softening allows the characters to be represented as more rounded, but the fact still remains that racial bias and outright racism and prejudice are present in both texts.
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
Love is the central theme in the play ‘As You Like It’ by William Shakespeare, the author expressed many types of love in the play. Some of them are, brotherly love, lust for love, loyal, friendship love, unrequited love, but of course, romantic love is the focus of this play.
As you begin to read and understand the tragedy of Hamlet, you should begin to see how the many characters affect what happens as the story progresses. The further you get into the plot, however, it is quite clear that there is one strong supporting character that shapes the role of the main character of the story. When Prince Hamlet, the main character learns that his uncle Claudius was the person who had killed his father, Prince Hamlet becomes enraged by this and vouches to honor his father's death by slaying his uncle for his wrongdoing. Prince Hamlet is further enraged and disgusted by the acts of his mother, Queen Gertrude who has most hastily agreed to marry the brother of the former king of Denmark. When this occurs, we begin to see the mental constitution of Prince Hamlet unravel. As the play progresses, we further see the toll that all of this plays on the main character when he begins to doubt whether or not the apparition that he is seen is really that of his father or not and begins to think that the specter is possibly evil in some way or another.
The Theme of Prejudice in William Shakespeare's The Merchant of Venice. In The Merchant of Venice by William Shakespeare, there are two main characters. themes, prejudice, and loyalty. Prejudice is the more evident theme.
Analysis of Shylock's Role in The Merchant of Venice by William Shakespeare. In this essay, I will be examining one of Shakespeare’s most memorable plays. and controversial character, Shylock. Shylock is one of the main characters in ‘The Merchant of Venice.’
which tells us that Shylock is being referred to as a dog, not like a
shows that he is eager to win Portia that he does not ask for a
True Love in The Merchant of Venice Among the various themes presented in the Merchant of Venice most important is the nature of true love. The casket plot helps illustrate the theme of the book. Through a variety of suitors the descriptions of the caskets, Shakespeare shows the reader how different people view true love. He also shows what is most important to the suitors and in some cases it is not true love, but material things and outward appearance. The first suitor who tries to win Portia's hand is the Prince of Morocco.
Shakespeare’s The Merchant of Venice is a simple story line with three distinct plot lines incorporated into each other intricately. These three plot lines are the bond plot, the casket plot, and the ring plot, each equally vital to the meaning and conclusion of the play. In this essay, I will discuss the roles of the characters in the plot, the symbols, images, and rhetorical figures central to each plot, and finally how the events of the three plots are intertwined.
William Shakespeare’s “The Merchant of Venice” is a drama that most scholars find difficult classifying. The play loosely focuses upon Antonio who becomes the subject of a loan that almost costs him his life due to his belittling and poor treatment of Shylock, who as a Jew has received many forms of prejudice from Christians. Despite this fact Antonio is relieved from the loan. Bassino is freed from his prior debts and gets to marry Portia, Portia weds the man that she desires, and four other characters get married. While these moments surely made the play happy and enjoyable, the looming threat of Antonio losing everything because he ended up defaulting on the loan causes the audience to worry and fear the outcome of what may happen. If not for Shakespeare’s usage of comic relief to support the happy ending it would be even more difficult to classify this play. Although there is plenty of happy moments and comic relief the treatment of Jews and Shylock in particular also causes some people to view “The Merchant of Venice” as a tragedy. While others yet view the drama as a problem play, “where moral dilemmas or social problems were explored through one central player”. William Shakespeare’s “The Merchant of Venice” is best classified as a comedy due to comedies definition, the rise of sympathetic characters, the use of comic relief to decrease the dark tense moments, and the inability to properly classify the play as a tragedy.
“I am a jew?”-Shylock the merchant. The Merchant of venice is a play from William Shakespeare, in which a merchant called Antonio gets a loan from Shylock to pay for Bassanio's trip. Through a string of unfortunate events lead to a angry Shylock nearly killing Antonio, but that is narrowly averted. Shylock in the play “The Merchant of Venice” can be seen as a victim due to the hostile prejudice towards his kind, unfair treatment of him, and the random events that cause him misery.
In life, there are various types of love. Two are shown in The Merchant of Venice, by William Shakespeare, written in 1589. He focuses on friendship and romance. The motif of friendship is evident with many characters throughout the play. Depending on the character, the idea of love over friendship is a controversial matter. In many instances, Bassanio and Antonio believe that friendship is more important than love. Therefore, the following theme is proven: friendship is a bond stronger than a vow of love. In the beginning of the play, Antonio is willing to sacrifice his credit to ensure Bassanio’s happiness. In the middle of the play, friendship and romance conflict, as Antonio is willing to give up his flesh to fulfill the bond that he makes with Shylock, and Bassanio departs to Venice without his newly-wedded wife. At the end of the play, Antonio persuades Bassanio to break his promise to his wife, fully proving the bond of friendship is stronger than a vow of love. Within this instance, Bassanio neglects his wife to support his friend in Venice. Throughout the play, Antonio and Bassanio’s friendship is highly valued over Portia and Bassanio’s marriage.