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idea of appearance and reality the tempest
the significance of nature imagery in the tempest
the tempest character of Prospero
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Cultural Diversity in The Tempest
If we look at Shakespeare's atypically short play The Tempest, the character of Caliban represents a "noble savage" who is enslaved, exploited, and endowed with low-self esteem due to the ethnocentric views of those who encounter him. In much the same way as the British originally exploited the Hindus or Americans exploited Native Americans, Caliban is considered the "property" of those who encounter him, solely because he is not of the same heritage, customs, and manners of his oppressors.
The ostracism and exploitation of Caliban because he is perceived as a brutish animal compared to "civilized" folks is in keeping with the theme and intent of the play-to show that reality is more a manifestation of mentality and conscious perception than concrete black and white, definable phenomena. As one scholar of Elizabethan imagery suggests, "The poet who imitates not the visible world but the intelligible as manifested in the visible will not consider that the use of artifice to emphasize form makes imagery less 'true to nature'" (Scanlan 1). In The Tempest we see a great deal of artifice to understand what is manifested in the visible, however, with Caliban we see that all the artifice in the world does not help him be accepted by those who inhabit the island once his own. Prospero has enslaved the son that Sycorax "did litter" on the island, and his lovely daughter Miranda says of his slave, "'Tis a villain, sir,/I do not love to look on" (Shakespeare 5).
Of course, Prospero says he enslaved Caliban because he tried to coupled with his daughter, however, Caliban, sounding like someone who has had their land and culture stolen from them, replies to this, "O ho,...
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...nce and diversity are often perceived as evil, wrong or somehow inferior in relation to the dominant culture or social norms. These issues are very timely as we face the increasing globalization of the world and increasing pressures to accept and integrate with diverse cultures.
Works Cited
Baker Siepmann, K. (ed.) Benet's Reader's Encyclopedia. New York, Harper & Row, Publishers, New York, 1987.
Moore, P. "The Tempest and the Bermuda Shipwreck of 1609." Shakespeare Oxford Newsletter. Summer, 1996, 1-2.
Scanlan, R. "Shakespeare's New World Fantasia." http://fas-www.harvard.edu/~art/center.html April 21, 1999, 1-3.
Scanlan, R. "The Veil of Poetry." http://www.fas.harvard.edu/~art/poetry.html April 21, 1999, 1-2.
Shakespeare, W. William Shakespeare: The Complete Works. New York, Gramercy Books, 1975.
Graffiti or street art is considered an art form because it includes aesthetic criteria, incoherence and nonstandard presentation. Graffiti has been developing since the late 1960’s. The origins of graffiti go back to the beginnings of human social interaction. Graffiti has been found in uncovered, ancient Egyptian monuments and graffiti was preserved on walls in Pompeii. Also, graffiti art is colorful and complex. Graffiti artists need a considerable amount of skills to complete their artwork, they need to have creativity for using spray paint. The concerns of modern graffiti art originated in New York and it was known first as New York Style Graffiti. The novel Let the Great World Spin written by Colum McCann discusses graffiti art in New
Categorizing People in Shakespeare’s The Tempest and Dante’s Inferno. Shakespeare’s The Tempest and Dante’s Inferno both exhibit Foucault’s idea of categorization and subjectification using “dividing practices.”
Here is an observation of the body of the hazel-eyed lady, compared to that of the tide rising over moonlight.
Ever since nuclear weapons of mass destruction have existed, people have been attempting to create ways to prevent a war that would bring about a worldwide Arma-geddon. Many of today’s top military and government officials have been studying ways in which the United States can protect itself from a nuclear missile attack. What they have come up with is the National Missile Defense program, or NMD. The NMD would consist of a network of satellites, early-warning devices, and missiles pro-grammed to spot an incoming nuclear missile. When a nuclear missile is detected, the NMD would automatically launch the computer-guided interceptor missiles to seek out and destroy the incoming nuclear missile. This program, however, should not be im-plemented or researched any further. There are a few factors to support this claim. First, the NMD program is very costly. According to the website of the Federation of American Scientists, the projected total costs by the year 2005 will be close to $14 bil-lion dollars, obviously a large amount of money that could be well spent elsewhere. Second, the NMD program is ineffective. There are many ways for a rouge state or a terrorist group with nuclear capabilities to get around the NMD. Third, an American development of a NMD program would be a violation one of the most important inter-national nuclear weapons agreements of the nuclear age: the Anti-Ballistic Missile Treaty (ABM).
We all know what Graffiti art is; well we think we know because of the “modern” graffiti art that is still occasionally seen. However Graffiti Art has been tracked back all the way to the time of 1851. Firstly graffiti comes from the Italian word “graffiato” meaning scratched and was later called graffiti through the media as we see it today. ‘Additionally early forms of graffiti were seen back in ancient Italy at the ruins of Pompeii’ in 1851. “Painting on sidewalks, and other forms of graffiti, is still common in Rome today. Whereas Romans consider graffiti as a form of urban art, many westerners consider it vandalism unless property owners give consent to the graffiti artists.” (Cyprus, Sheri, and O. Wallace. "What Are the Origins of Graffiti?" WiseGeek. Conjecture, 02 May 2014. Web. 08 May 2014.) Even though all this might seem surprising to some and maybe even considered arguable to not be graffiti; I want to go in depth on graffiti art in America.
Even though graffiti, in general, has had a rough past, it has started a movement where it's a form of expression through the artist. Graffiti can be a wonderful work of art when it has a space where it doesn't disturb public or private property. The artist creating graffiti often wants to send a message. In many cases, the street art made on public property is to invoke a reaction or conversation to intrigue the viewer. A key element in graffiti and street art is to create a space where the artist can do his/her work and even receive compensation from art
Graffiti is an art form that was bred from the rebellion of youths. The first sighting of graffiti was seen on subways, and other impoverished areas around New York. This form involved what is called tagging , where the artist signs his or her name, nickname, or group name, on the side of a building or other surface. It is well known for its bold, colorful presence and intricate script. It is still prominent and visible in those areas of the Bronx today.
William Shakespeare, The Tempest, ed. Frank Kermode, with an introduction by Frank Kermode, (Arden, 1964)
2.) Lamming, George. " A Monster, a Child, a Slave." The Tempest: Sources and Contexts,
No matter what people say about it, Graffiti is a form of self-expression. It is important to realize the amount of talent and work required to create a piece of graffiti. The scale of such a piece can be small found on a corner to massive one taking up an entire wall. However, there are varying
Snider, Denton J. "A review of The Tempest." The Shakespearian Drama a Commentary: The Comedies. (1890). Rpt. Scott. 320-324.
During Shakespeare's time social classification was much more rigid than today and some members of society were considered superior to other members. Shakespeare provides an example of this rigid social structure through his play, The Tempest. Shakespeare illustrates how superior men differentiated themselves from lesser beings on the basis of race, financial status, and gender. Through the character of Prospero, Shakespeare provides and example of one, who had reason to feel superior, yet treated others equally and with the respect due to them.
Caliban is evil is the fact that he tried to rape Miranda, Prospero’s daughter as states by Barbara Fuchs in her article Conquering Islands: Contextualizing the Tempest where it says, “Caliban’s attack on Prospero’s daughter once more genders the colonizing impulses” (61). This suggests rape and it is not inhuman and it shows that Miranda is not the first woman who this has happen to. It not right, it’s evil. Caliban’s character in this book is horrible in the things that he does, he starting off has an evil monster that was born from an evil parents and he goes around causing trouble wherever he goes. As a servant, he does evil deed and by himself he is evil.
‘“Graffiti (sgraffiti), meaning drawings or scribblings on a flat surface and deriving from the Italian sgraffio (‘scratch’), with a nod to the Greek graphein (‘to write’), originally referred to those marks found on ancient Roman architecture”’(Weisburg). Though, it is unknown when or where graffiti first made an appearance; modern graffiti did not come around till the late 1960’s to early 1970’s in New York. The term “tagging” is the modern form of scratching (Weisburg). It also is considered the origin of all modern graffiti, including street art.
Graffiti started in the 1920s when gangs would tag train cars and walls to mark territory mainly in New York City. Graffiti took a different turn in the 1970s when young adults decided to use street art as an outlet to express their political and social outrage. This movement had soon gained the attention of the “adult” world. Graffiti was known as “creation through destruction” and to this day is still considered illegal in most parts of the world. In modern street art the mediums used have evolved past spray paint and now artists are using different methods with spray paint to progress their works past crude tags. Common mediums used are stencils, prints, and murals. Graffiti is often considered to be art because of new artists, such as