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usage of dreams in literature according to Freudian theories
usage of dreams in literature according to Freudian theories
usage of dreams in literature according to Freudian theories
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Reality is Like A Dream in Where Are You Going, Where Have You Been by Joyce Carol Oates
Joyce Carol Oates intrigues readers in her fictional piece “Where Are You Going, Where Have You Been” by examining the life of a fifteen year old girl. She is beautiful, and her name is Connie. Oates lets the reader know that “everything about her [Connie] had two sides to it, one for home, and one for anywhere but home (27). When Connie goes out, she acts and dresses more mature than she probably should. However, when she is at home, she spends the majority of her time absorbed with daydreams “about the boys she met”(28). This daydreaming behavior is observable to the reader throughout the story. From theories about dreams, theories about subconscious thought, and the clues that Oates provides, the reader is lead to believe that Connie’s experience with Arnold Friend is a nightmare used to awaken her to the consequences that her behavior could result in.
Have you ever experienced a dream or a nightmare that seemed like reality? Most people in the world today would say that they have. Although this realistic dream experience does not occur often, when it does, clear distinctions are hard to make between the dream and reality. Theories exist that explain dreams as our subconscious
thoughts delving into our minds to make us reflect upon feelings or experiences that we neglect in life when awake. Connie often flirts with her feelings about sexual encounters. In fact, Larry Rubin believes that “Connie’s intense desire for a sexual experience runs head long into her innate fear of having such an experience” (58). Connie’s tendency to eventually dismiss these fears forces the reader to make the connection between her experience wit...
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...tomy between reality and dreams quite well throughout her piece. She provides the reader with two ways to experience the story: either as reality or as reality that turns into a nightmare. This dichotomy that Oates creates “allows the reader to escape this story, and allows this story to end” (Hurley 374). The end of the story shows Connie entering the new world of experience, and Oates wants the reader to sense her fear. Oates intricately provides the reader with clues that help see why Connie’s experience with Arnold is just a nightmare. She also allows the reader to see how this nightmare is meant to scare Connie into making the realization that her decisions have consequences. I hope that anyone reading this learns from Connie that not everything we do is good for us, and we have to think about the consequences of our actions, whether good or bad, before we act.
In the “Interior Life”, Annie Dillard discusses the minds process of realizing the difference between imagination and reality. Dillard begins her narrative by recounting the childhood memory of an oblong shaped light that invaded her room every night, terrorizing her with the possibility of death. Beginning at the door of her bedroom this “oblong light” quickly slid across the wall, continued to the headboard of her little sister Amy’s bed and suddenly disappeared with a loud roar. Oftentimes it returned, noisily fading away just before seizing her, meanwhile Amy slept, blissfully unaware. Continuing on, Dillard describes the unforgettable discovery of the connection between the noise the oblong light made and the sound of the passing cars
Reader Response Essay - Joyce Carol Oates's Where Are You Going, Where Have You Been?
”Where Are You Going? Where Have You Been?” is a short story written by Joyce Carol Oates, which explores the life of a teenage girl named Connie. One of the issues this story divulges is the various stresses of adolescence. Connie, like so many others, is pressured to conform according to different social pressures, which displays the lack of respect female adolescents face. The music culture, young men, and family infringe upon young female minds to persuade them to look or act in certain ways, showing a disrespect for these girls. While some perhaps intend their influence for good, when put into practice, the outcome often has a negative effect. Moreover, this can lead young women to confusion and a lack of self-respect, which proves
...s images of Arnold Friend, suggesting that he is the Devil in disguise, make the story both moving and successful. Connie?s fright at the face of the Devil is shared by Oates?s audience, making it easier for them to understand both the emotional impact of her struggle and the gravity of the lesson being taught by the story: things are not always as they seem. Connie?s fright at the discovery of Arnold?s true nature is comparable to Eve?s fright at the awareness of good and evil. Connie jumped into a world that was as appealing to her as the serpent?s shiny red apple was to Eve, only to discover that everything beyond the savory exterior was fraught with venomous poison.
Connie was tired of the life she was living and, she was ready to make decisions for herself and to deal with the consequences for them. She knew that if her parents found out about her going to the diner that she would be in trouble. Connie did not care about the consequences for her actions. She felt like it was time to grow up and be a woman. She wanted to start to experiment with her sexuality. Connie wanted boys to start to notice her and talk to her. Connie thinks that guys could be her savior by helping deliver her from the pressure and anxieties from her sister and mother. Her going out on her own makes her realize that she does not have to please anyone, only herself. When Connie and her friend went to the diner she met this guy Arnold. Obviously being with Eddie for three hours in a dark alley and diner was not the best first move for her. This is the one decision that will change her life forever. This was probably the first guy that gave Connie some attention. So obviously she is going to soak him up and just...
In her short story Where Are You Going, Where Have You Been, Joyce Carol Oates presents us with a well known maxim: children cannot wait to get older. Tired of her boring and powerless childhood, Connie, the main character, searches for cheap thrills she likens to adulthood. Thus, Connie’s surreal experience (Arnold Friend’s sudden and unwanted appearance in his car) represents a suppressed fear of the inevitable and unknown - growing up.
Rubin attempts to convey the idea that Connie falls asleep in the sun and has a daydream in which her “…intense desire for total sexual experience runs headlong into her innate fear…” (58); and aspects of the story do seem dream like - for instance the way in which the boys in Connie’s daydreams “…dissolved into a single face…” (210), but the supposition that the entire episode is a dream does not ring true. There are many instances in which Connie perceives the frightening truth quite clearly; she is able to identify the many separate elements of Friend’s persona - “… that slippery friendly smile of his… [and] the singsong way he talked…” (214). But because of the lack of attachment with her own family, and her limited experience in relating deeply to others, “…all of these things did not come together” (214) and Connie is unable to recognize the real danger that Arnold Friend poses until it is too late.
“He wagged a finger and laughed and said, “Gonna get you, baby.” The quote foreshadows future events in the story because of the fact that Arnold says, “Gonna get you, baby.” There’s no actual reasoning behind why he chooses her, but it states he might try something later on. Oates also uses small wording to kind of hint at the readers. “Her mind was filled was all filled with trash daydreams.” (Oates 1). This quote tends to shape the short story. This quote leads readers to the possibility that Connie’s experience with Arnold could have all been a foreshadowing to a trashy daydream. In the article “Oates’s Where Are You Going, Where Have You Been” by David K. Gratz, he also points out the quote. “Both Rubin and Winslow note that seems to be falling asleep just before he arrives, and Rubin points out the nightmare quality of her being unable to act in the end.” (Gratz). This article more or less solidifies the fact that Connie might of fell asleep and dreamed up the whole encounter. In all, Oates uses multiple accounts of foreshadowing to further the possibility of the encounter being all just a bad dream of
The most ubiquitous allegory found in the piece is seen in the relationship held between Connie and Arnold Friend, which has a religious nature about it. In the same way that the Devil manipulated and convinced Eve to take the apple, Arnold has a rather cogent way of persuading Connie to leave her house and join him. The “sweet talk” that Arnold employs on Connie is the equivalent to the temptation of the Devil when he lured Eve into taking the apple. Another strong comparison in the aforementioned allegory is the similarities found between the Devil and Arnold. “I know your name and all about you, lots of things” (Oates par. 48). Arnold’s all-knowing perspective of Connie is synonymous to the Devil’s total knowledge of Eve. Oates uses this rather powerful allegory to depict the dangerously unpredictable vulnerability of Connie. By ending the story in the manner in which Oates did, she reveals her resentment for Connie’s vulnerable nature that could have ceased to exist had Connie taken the initiative to establish her
Joyce Carol Oates' "Where Are You Going, Where Have You Been?" is about a young girl's struggle to escape reality while defying authority and portraying herself as a beauty queen; ultimately, she is forced back to reality when confronted by a man who symbolizes her demise. The young girl, Connie, is hell- bent on not becoming like her mother or sister. She feels she is above them because she is prettier. She wants to live in a "dream world" where she listens to music all day and lives with Prince Charming. She does not encounter Prince Charming but is visited by someone, Arnold Friend, who embodies the soul of something evil. Arnold Friend symbolizes "Death" in that he is going to take Connie away from the world she once knew. Even if she is not dead, she will never be the same person again, and will be dead in spirit. With the incorporation of irony, Oates illustrates how Connie's self-infatuation, her sole reason for living, is the reason she is faced with such a terrible situation possibly ending her life.
This short story is about a girl trying to be an adult while still being a child. In “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, Connie tries to grow up too soon. Through setting Connie’s true self is revealed by characterization and figurative language through the house as a metaphor.
The Eternal Present in Joyce Carol Oates’s “Where Are You Going, Where Have You Been?”, Michele D. Theriot, Journal of Short Story in English, 48, (Spring 2007): 59-70. Academic Search Complete. Web. 2 November 2013.
In Joyce Carol Oates "where Are You Going, Where Have You Been?" the reader is left with a chilling feeling as they read it 's haunting content. In this short story, the theme of fantasy vs. reality is explored through the protagonist Connie 's journey of self-realization as she leaves behind her naive self. Though the story follows Connie closely the third person omniscient point of view allows for developed story as Oates writes a warning to young girls everywhere.
Connie’s clothes and infatuation with her own beauty symbolize her lack of maturity or knowing her true self, which in the end enables her to be manipulated by Arnold Friend. Connie was enamored with her own beauty; in the beginning of the story Oates states that Connie “knew
Dreams can be defined as “a conscious series of images that occur during sleep” (Collier’s, 1984). Dreams are usually very vivid in color and imagery. They are said to reveal to the dreamer different wishes, concerns, and worries that he or she has. Dreams may reflect every part of who the dreamer is. The content of dreams depends on “how old the dreamer is and how educated the he or she is” (Collier’s, 1984). We have no control over that which we dream about, but we do know that they are influenced by situations ...