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The Rape of the Lock
Alexander Pope's mock heroic epic The Rape of the Lock appears to be a light subject addressed with a satiric tone and structure. Pope often regards the unwanted cutting of a woman's hair as a trivial thing, but the fashionable world takes it seriously. Upon closer examination Pope has, perhaps unwittingly, broached issues worthy of earnest consideration. The Rape of the Lock at first glance is a commentary on human vanity and the ritual of courtship. The poem also discusses the relationship between men and women, which is the more substantial matter in particular. Pope examines the oppressed position of women. Infringement on a woman's personal space, her person and her pride by an aggressive male (the Baron) are certainly problems not to be taken lightly. In today's society, these things translate to sexual harassment. Pope also raises the issue of conflicting love, the opposition between spiritual and secular love. The poem portrays men and women as more concerned with social status, material values, and physical beauty than the development of the spirit or of the character. Pope suggests that the former is the morally wrong path, and criticizes (through satire) his characters for their vanity and lack of morality.
The significance of a woman's outward beauty (specifically Belinda's) has direct consequence for her role in society. "The place of woman... is shaped by social [and] economic... forces. Women are routinely subordinate... in the 'public' sphere, partly because of their confinement to roles associated with being wives."1 Belinda is an unmarried upper class woman. Maintaining her position in high society will depend on marriage; though not one necessarily of her choosing. Her marriage will ...
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...n and the society they represent are obsessed with material things (such as the lock) and self-worship. Pope suggests that attention to spiritual matters, the strengthening of character, and the development or value of inner beauty are matters to which society does not properly attend. This lack of attention to the immaterial and tendency to give in to worldly temptations indicates a frivolous aristocracy, who lack virtue and morality. This is Pope's concern and criticism.
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1. Held, Virginia; Rights and Goods-Justifying Social Action; The University of Chicago Press, 1984
Works Cited
Pope, Alexander; The Rape of the Lock; The Norton Anthology of English Literature, 6th Edition; W.W. Norton & Company, New York, 1996
Held, Virginia; Rights and Goods-Justifying Social Action; The University of Chicago Press, 1984
Both Vanity Fair and A Room of One’s Own explore and challenge the idea that women are incapable of creating a name and a living for themselves, thus are completely dependent on a masculine figure to provide meaning and purpose to their lives. Thackeray, having published Vanity Fair in 1848, conforms to the widely accepted idea that women lack independence when he makes a note on Ms Pinkerton and remarks “the Lexicographer’s name was always on the lips of the majestic woman… [He] was the cause of her reputation and her fortune.” The way that a man’s name was metaphorically “always on the lips of the majestic woman” and how he was the source of “her reputation and her fortune” expresses this idea, especially through Thackeray’s skilful use of a sanguine tone to communicate that this cultural value, or rather inequality, was not thought of as out of the ordinary. From viewing this in a current light and modernised perspective...
The contemporary Church is so often a weak, ineffectual voice with an uncertain sound. It is so often the arch-supporter of the status quo. Far from being disturbed by the presence of the Church, the power structure of the average community is consoled by the Church's silent and often vocal sanction of things as they are.”
In the essay “What Meets the Eye”, Daniel Akst explains scientific facts about the beauty of men and women matters to people. He argues that attractive individuals receive attention, great social status, marries, and gets paid more on a job. One can disagree with Akst’s argument because anyone with the skills and knowledge, despite the appearance, can gain a decent relationship and can get paid well. Akst looks at beauty as if it can lead individuals to an amazing and successful life, but he is wrong. Nancy Mairs’ and Alice Walker’s views on beauty are explained internally and through self-confidence. Both women’s and Akst’s arguments on beauty share some similarities and differences in many ways, and an
Pope, Alexander. "The Rape Of The Lock". In The Norton Anthology Of English Literature: The Major Authors . Ed. M.H. Abrams et al. 5th Ed. New York: Norton, 1987. 1108-1128
Abrams, M.H., et al. ed. The Norton Anthology of English Literature. 6th ed. 2 Vols. New York: Norton, 1993.
Sarwer, D. B., Grossbart, T. A., & Didie, E. R. (2003). Beauty and society. Seminars in
Alexander Pope employs Horatian satire to emphasize the vanity and affectations of the upper class. One notable feature of “The Rape of the Lock” is the recurrent use of the hyperbole in the form of a mock epic. Specifically, when Belinda realizes her hair has been cut, “screams of horror rend th’affrighted skies” that are louder than “when husbands, or when lapdogs breathe their last” (11. 156-158). The use of this hyperbolic reaction suggests that a
4. Panek, Jennifer. "Punishing Adultery in A Woman Killed with Kindness." Studies in English Literature, Vol. 34, No.2. Spring, 1994. Pg. 357-375.
Christ, Carol T., Catherine Robson, Stephen Greenblatt, and M. H. Abrams. The Prisoner. A Fragment. The Norton Anthology of English Literature. Vol. E. New York, NY: W.W. Norton &, 2006. 1315-316. Print.
Alexander was an 18th century poet, who befriended many other poets as collaborated with them during his lifetime. His most well known piece of work was The Rape of the Lock. It is a satire poem that pokes fun of a woman who is not as innocent as suspected. When a lock of her hair gets cut off, she acts as though she has been stabbed. Clearly this is an amusing poem, that Alexander Pope had fun writing. However, in Letter to a Young Poet, Virginia Woolf explains the importance of having fun when you write. “But it is of the utmost importance that readers should be amused, writers acquiesce…There is no harm in it, so long as you take it as a joke…You have a touch of Chaucer in you” (Woolf). She was a big fan of Chaucer, who goes down in history as one of the best satirical writer. Mort importantly, this shows that she appreciates the amusing tone that satire creates. The Rape of the Lock is considered a very humorous piece that Virginia Woolf would have approved
Children grow up learning that just because someone teaches something, it doesn't mean they'll follow their own advice. In Rape of the Lock, Clarissa lectures:
Pope, Alexander. "The Rape of the Lock". The Norton Anthology of English Literature. Ed. M.H. Abrams et al. 6th ed. Vol. 1. New York: Norton, 1993.
There are three main issues that Pope talks about in his long poem "An Essay on Man." First, the poet evokes a timeless vision of humanity in which the universe is connected to a great chain that extends from God to the tiniest form of life. Secondly, Pope discusses God's plan in which evil must exist for the sake of the greater good, a paradox not fully understandable by human reason. Thirdly, the poem accuses human beings of being proud and impious. Pope feels that man claims more insight into the nature of existence then he possesses.
"The Rape of the Lock." The Norton Anthology of English Literature. Eds. Stephen Greenblatt et
In the satiric novel, Vanity Fair, William Makepeace Thackeray exposes and examines the vanities of 19th century England. Numerous characters in the novel pursue wealth, power, and social standing, often through marriage or matrimony. Thackeray effectively uses the institution of marriage to comment on how these vanities often come at the expense of the true emotions of passion, devotion, and, of course, love.