The Ghost’s Deception in Hamlet
The Ghost in Hamlet cleared out the event that Hamlet was uncertain of. The spirit clarified the death of King Hamlet, and caused Hamlet to perform his evil deeds. The Ghost’s request to avenge him caused the death of Hamlet’s family, friends, and eventually himself; therefore, the spirit can be viewed as evil because it failed the four tests that was set by Lewes Lavater and the Church.
Lewes Lavater describes how the church determines if a ghost is evil or good. The first description is “good spirits terrify initially, but ultimately comfort.” The spirit does not cause comfort to Hamlet. Throughout the play, the Ghost causes trouble among the characters. According to Eleanor Prosser:
The Ghost has done everything possible to taint Hamlet’s mind with lacerating grief, sexual nausea, hatred, and fury. It has just focused its appeal on the lewd picture that Hamlet knows can most corrupt him – and it says, “Taint not they mind”!
(E. Prosser, pp.137)
Hamlet decided to kill Claudius because the Ghost wanted to avenge his death. Hamlet was obsessed to killing Claudius, which caused him his insanity. His insanity caused the death of Polonius, which lead to the death of Ophelia. The death of Ophelia led to the death of Laertes, which led to the death of the queen and king, and eventually Hamlet himself. The source of these strings of death is the Ghost.
The Ghost calls Hamlet deep into this world of disruption. Its invitation to decapitate the body politic seems a horrific charge (“O cursed spite”), and by the end of the play it will manifestly be so: Ophelia will have been emotionally brutalized and lost to lunatic distraction; the king and queen will have been pierced with hateful...
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...all that rots, seeming to embody the very forces of corporeal ruin that Hamlet fears may be inimical virtue.”
Bibliography:
Lewes Lavater. Renaissance Theories of Ghost and Demons. http://stjohns-chs.org/english/Renaissance/Ren-gh.html
Eleanor Prosser. “Spirit of Health or Goblin Damned?” Hamlet and Revenge. (New York: Stanford Press. 1971), pp. 137
John Hunt. “A Thing of Nothing: The Catastrophic Body In Hamlet” Shakespearean Quarterly Volume 39 #1 (Spring 1988), pp. 35
William Shakespeare. Hamlet edited by Barbara A. Mowat and Paul Werstine. (New York: Washington Square Press, 1992) All future references will come from this text.
Philip Edwards. “The Ghost” Shakespearean Criticism Volume 44, (1985), pp.126
Richard Burton with Richard L. Sterne. “Interview” Shakespearean Criticism Volume 21, (August 3, 1964), pp.246
Watson, Robert N. 1990. 'Giving up the Ghost in a World of Decay: Hamlet, Revenge and Denial.' Renaissance Drama 21:199-223.
Jorgensen, Paul A. “Hamlet.” William Shakespeare: the Tragedies. Boston: Twayne Publ., 1985. N. pag. http://www.freehomepages.com/hamlet/other/jorg-hamlet.html
Shakespeare, William. The Three-Text Hamlet. Eds. Paul Bertram and Bernice Kliman. New York: AMS Press, 1991.
Watson, Robert N. 1990. 'Giving up the Ghost in a World of Decay: Hamlet, Revenge and Denial.' Renaissance Drama 21:199-223.
I personally disagree with the author W.W. Greg’s interpretation of Hamlet’s ghost, and believe that his assumption that Hamlet is simply hallucinating his father’s ghost is without merit. Many of W.W. Greg’s claims relate Hamlet to other plays that were written by Shakespeare, claiming that due to how Shakespeare portrayed ghosts in his previous works, it would follow that Hamlet also fits into the same mold as these past writings. W.W. Greg even states, “I should like to be told what Shakespeare's views were of ghosts in general ... I am forced to turn to Shakespeare's other plays for suggestions as to how he represented these phenomena” (Greg 395). W.W. Greg is simply claiming that trends in Shakespeare’s writings in the past logically must take the same form in the character of Hamlet’s ghost. This method of thinking simply does not hold up when examined critically, mainly due to the fact that there were multiple witnesses to the ghost, a...
All throughout the play Hamlet mourns the loss of his father, especially since his father is appearing to him as a ghostly figure telling him to avenge his death, and throughout the play it sets the stage and shows us how he is plotting to get back at the assassinator. Such an instance where the ghost appears to Hamlet is when Hamlet and his mother are in her bedchamber where the ghost will make his last appearance. Hamlet tells his mother to look where the ghost appears but she cannot see it because he is the only one who that has the ability to see him.
Shakespeare’s play Hamlet is a complex and ambiguous public exploration of key human experiences surrounding the aspects of revenge, betrayal and corruption. The Elizabethan play is focused centrally on the ghost’s reoccurring appearance as a symbol of death and disruption to the chain of being in the state of Denmark. The imagery of death and uncertainty has a direct impact on Hamlet’s state of mind as he struggles to search for the truth on his quest for revenge as he switches between his two incompatible values of his Christian codes of honour and humanist beliefs which come into direct conflict. The deterioration of the diseased state is aligned with his detached relationship with all women as a result of Gertrude’s betrayal to King Hamlet which makes Hamlet question his very existence and the need to restore the natural order of kings. Hamlet has endured the test of time as it still identifies with a modern audience through the dramatized issues concerning every human’s critical self and is a representation of their own experience of the bewildering human condition, as Hamlet struggles to pursuit justice as a result of an unwise desire for revenge.
In the first act the ghost appears to two soldiers Marcellus, and Barnardo, as well as to Hamlet’s friend Horatio, who is a very credible and intelligent person. The same ghost appeared to Hamlet several times through out the play also. These facts eliminate the chance of this ghost being a figment of people’s imagination because too many people saw the same thing. In act 1 scene 1 it is revealed that the ghost appeared twice wearing the same armor King Hamlet wore when he fought the ambitious old Fortinbras, King of Norway, and also when he defeated the Poles. Young Fortinbras is determined to get back the land his father lost. This fact brings more in depth evidence to the ghost being real. The reason the guards are there on watch is a direct relationship to an attack from Fortinbras and the ghost is wearing the armor of the event that started this whole thing.When the ghost asks Hamlet to avenge his death, he reveals a true fact involving the death of King Hamlet:Ghost. I find thee apt; and duller shouldst thou the fat weed that roots itself in ease on lethe wharf wouldst thou not stir in this. Now, Hamlet, hear. ‘tis given out that, sleeping in my orchard, a serpent stung me. So the whole ear of Denmark in by a forged process of my death rankly abused. But know, thou noble youth, the serpent that did sting thy father’s life now wears his crown.Hamlet. O, my prophetic soul! My uncle! (1.3. 38-48) Later in the play is revealed that Claudius murdered King Hamlet in order to achieve the crown himself. This fact proves the reality of the ghost. Claudius admits to killing King Hamlet in a prayer: "…since I am still possessed of those effects for which I did the murder: My crown, mine own ambition, and my queen…"(3.3 57-59) The ghost told Hamlet about that fact before Claudias ever admits it.
The story of Hamlet Senior's death is the ghost story aspect of the play. Hamlet Senior, the late king, was being tormented in hell throughout the daylight hours and during the night he was forced to walk the castle. He stated that he was "Doom'd for a certain term to walk the night, And for the day confin'd to fast in fires, Till the foul crimes done in my [being the late King's] days of nature Are burnt and purg'd away (50 lines 10-13). His release from this torture would not be permitted until his avenger is retaliated against by his son. Hamlet, Francisco and Bernardo all see the ghost of the late king, but the apparition will only speak to his son. The ghost brings an unnatural feel to the drama and leaves the reader/viewer wondering if it was real or all in Hamlet's mind.
Shakespeare, William. Hamlet. The Norton Anthology of World Literature. 2nd ed. Vol. C. Ed. Sarah Lawall. New York: Norton, 2005. Print.
Shakespeare, William, Marilyn Eisenstat, and Ken Roy. Hamlet. 2nd ed. Toronto: Harcourt Canada, 2003. Print.
“Hamlet is another of the great creations of tragic poetry…What is it that inhibits him in fulfilling the task set him by his father’s ghost?...Hamlet is able to do anything—except take vengeance on the man who did away with his father and took that father’s place with his mother, the man who shows him the repressed wishes of childhood realized. Thus the loathing which should drive him on to revenge is replaced in him by self-reproaches, by scruples of conscience, which remind him that he himself is literally no better than the sinner whom he is to punish.”- Sigmund Freud
In traditional and modern, ghost reflects death and fear, and it never change. In Hamlet, the ghost is a symbol of Hamlet’s father who is killed by Claudius. Its propose is to demand Hamlet to avenge its death. Although the ghost only appears three times in front of Hamlet, it is a specify role to develop the whole story and plot. Through Hamlet, the ghost is the motive to make Hamlet kill Claudius, and the ghost plays a critical role to influence Hamlet.
...World of Hamlet.” Yale Review. vol. 41 (1952) p. 502-23. Rpt. in Shakespeare: Modern Essays in Criticism. Rev. ed. Ed. Leonard F. Dean. New York: Oxford University P., 1967.
A common motif in Shakespeare’s many plays is the supernatural element, to which Hamlet , with the presence of a ghost, is no exception. The story of Hamlet, the young prince of Denmark, is one of tragedy, revenge, deception, and ghosts. Shakespeare’s use of the supernatural element helps give a definition to the play by being the catalyst of the tragedy that brings upon Hamlet’s untimely demise. The ghost that appears at the beginning of the play could possibly be a satanic figure that causes Hamlet to engage in the terrible acts and endanger his soul. The supernatural element incorporated into the play is used as an instigator, a mentor, as well as mediation for the actions of the protagonist that ultimately end in tragedy, with the loss of multiple lives, as well as suscept Hamlet’s soul to hell. Shakespeare’s portrayal of the ghostly apparition causes a reader to question whether the ghost is a demonic force on the basis of its diction, conduct towards others as well as Hamlet, and it’s motive to kill.