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what is young goodman brown's view on religion
christians beliefs aboutgood and evil
why is faith's role significant in young goodman brown
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Within the Christian faith, there lies the belief that all mankind are born sinners and through their faith can seek redemption. This belief can be found in more detail within the Christian text known as the Bible. An example of this can be found in the Genesis chapter of the Bible which portrays that even the very first Humans ever to be created in God’s image, named Adam and Eve, defied God despite his pre-emptive warnings not too because of their natural tendency as humans to sin. Not only can one chose with their own will to disobey God but one’s faith can be easily swayed by the evils of the world therefore sin can forever bind them in chains for eternity. “Young Goodman Brown,” by Nathaniel Hawthorne, reveals a similar resemblance of the Biblical inherent evil among man, through a disturbing dream of a young Puritan man who journeys into evil and is forced to examine the nature of evil among the human race.
The Wife of Goodman Brown symbolizes the love that a wife has for her beloved husband but also the love, faith and devotion that her husband Goodman Brown has in his Christian God. An example of this symbolism is when Goodman Brown says “she’s a blessed angel on earth; and after this one night, I’ll cling to her skirts and follow her to heaven” (265). Coincidently, her name is Faith. Hawthorne opens the story with the immediate mention of Faith which according to the Bible, in order to escape the grips of evil you must cling to it, to her, to Faith. Faith’s warning in the beginning of the story symbolizes Goodman Brown’s religious faith warning him of what is ahead and to save him the grief he will encounter which Hawthorne foreshadowed to the reader that something evil lurked ahead. Further into the stor...
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In conclusion, within the Genesis chapter of the Bible, Adam and Eve defy god because of it being in their human nature to succumb to evil easily. Not only can one chose with their own will to disobey God but one’s faith can be easily swayed by the evils of the world therefore sin can forever bind them in chains for eternity. Young Goodman Brown by Nathaniel Hawthorne reveals a similarity to the Biblical inherent evil among man, by focusing on a disturbing dream of a young Puritan man who journeys into evil and is forced to examine the nature of evil among the human race.
Works Cited
Hawthorne, Nathaniel. “Young Goodman Brown.” The Norton Introduction To Literature. 9th ed. Booth, Alison, et al, eds. New York: W. W. Norton, 2005. 264-273. Print.
Nathaniel Hawthorne, "Young Goodman Brown," in Literature: Reading and Writing the Human Experience, eds. Richard Abcarian, Marvin Klotz, Peter Richardson, 7th ed. (New York: St. Martin's Press, 1998), p.62.
McCabe, Michael E. “The Consequences of Puritan Depravity and Distrust as Historical Context for Hawthorne’s “Young Goodman Brown”.”
"Young Goodman Brown" begins when Faith, Brown's wife, asks him not to go on an "errand". Goodman Brown says to his "love and (my) Faith" that "this one night I must tarry away from thee." When he says his "love" and his "Faith", he is talking to his wife, but he is also talking to his "faith" to God. He is venturing into the woods to meet with the Devil, and by doing so, he leaves his unquestionable faith in God with his wife. He resolves that he will "cling to her skirts and follow her to Heaven." This is an example of the excessive pride because he feels that he can sin and meet with the Devil because of this promise that he made to himself. There is a tremendous irony to this promise because when Goodman Brown comes back at dawn; he can no longer look at his wife with the same faith he had before.
Before young Goodman Brown begins his journey, he says his farewells to his wife, Faith, who is reluctant to see him go. “And Faith, as the wife was aptly named, thrust her own pretty head into the street, letting the wind play with the pink ribbons of her cap while she called to Goodman Brown. ‘Dearest heart,’ whispered she…, ‘prithee put off your journey until sunrise and sleep in your own bed to-night…’ ‘My love and my Faith,’ replied young Goodman Brown, ‘of all nights in the year, this one night must I tarry away from thee…’” (Hawthorne pg. 1). Before departing on his “journey”, Goodman Brown bids goodbye to his wife. Faith’s pink ribbons are not only a symbol of the innocence and purity of Faith, but also for the innocent and immature views of Goodman Brown, who has until his journey into the woods, only seen the unblemished and holy side of his fellow townspeople rather than understanding that almost all people, good and bad alike, will carry some kind of sin. After entering the woods, Goodman Brown meets a man dressed in “grave and decent attire” who greets the goodman upon seeing him. “‘You are late, Goodman Brown,’ said he. ‘The clock of the Old South was striking as I came through Boston, and that is full fifteen minutes agone.’ ‘Faith kept me back a
and night and wants to talk about how they want to have sex who do you
Nathaniel Hawthorne was an extraordinary writer, who used real life experiences in every one of his stories. However, growing up in a Puritan society during a reformation gave Hawthorne a distorted view on God’s character. Hawthorne was intelligent, but by no means a people person, which created a pathway for him to become an author. There were a few key points in his life growing in a religion zealous society that lead him to abandon his faith. Hence, the short story of “Young Goodman Brown” representing that humans are cynical and evil, and the dangers of losing your faith in God.
Hawthorne, Nathaniel. "Young Goodman Brown." Norton Anthology of American Literature. Vol1. Ed. Nina Baym, et al. New York: Norton, 1994. 1198-1207.
In 1835, Nathaniel Hawthorne published the tale of “Young Goodman Brown,” a tale that illustrates many configurations of symbolism used to leave the reader planting the pieces together through his characteristics of detail and imagery. Hawthorne’s prime analogy expressed throughout this tale is the loss of vulnerability and pureness when reaching maturity.
Unfortunately, Goodman Brown truly has lost his faith. Though his wife appears unchanged and wishes to welcome him with open, loving arms Brown rejects her. The reader is left slightly confused as to why, but perhaps Brown has given up hope that good can win over the enormous amount of sin or evil out there. He is unable to accept Faith now that he is forced to see her in her unclean or imperfect state. Brown can no longer see the good for the evil surrounding him, and has lost all hope. Although Brown tried to resist the devil, in the end he failed in his journey of exploring evil and returning to the side of good.
It is surprising, in a way, to discover how few of the many critics who have discussed "Young Goodman Brown'' agree on any aspect of the work except that it is an excellent short story. D. M. McKeithan says that its theme is "sin and its blighting effects." Richard H. Fogle observes, "Hawthorne the artist refuses to limit himself to a single and doctrinaire conclusion, proceeding instead by indirection,'' implying, presumably, that it is inartistic to say something which can be clearly understood by the readers. Gordon and Tate assert, "Hawthorne is dealing with his favorite theme: the unhappiness which the human heart suffers as a result of its innate depravity." Austin Warren says, ''His point is the devastating effect of moral scepticism." Almost all critics agree, however, that Young Goodman Brown lost his faith. Their conclusions are based, perhaps, upon the statement, "My Faith is gone!" made by Brown when he recognizes his wife's voice and ribbon. I should like to examine the story once more to show that Young Goodman Brown did not lose his faith at all. In fact, not only did he retain his faith, but during his horrible experience he actually discovered the full and frightening significance of his faith.
Hawthorne skillfully uses Goodman Brown’s wife’s name, Faith, as a symbol of Goodman Brown’s strong faith when Brown’s reassuring response to Faith imply that his faith cannot be weakened: “Amen!’ cried Goodman Brown, “Say thy prayers, dear Faith, and go to bed at dusk, and no harm will come to thee” (Hawthorne 22). Brown leaves Faith; whom he describes as a “blessed angel on earth,” and journeys to the forest (Hawthorne 22). Taking the dark, dreary road into the forest symbolizes his act of jumping into the path leading to despair. The forest represents sin, and the evil grows stronger and stronger as Goodman walks further into the
In Young Goodman Brown, Nathaniel Hawthorne tells the tale of a man and his discovery of evil. Hawthorne’s primary concern is with evil and how it affects Young Goodman Brown. Through the use of tone and setting, Hawthorne portrays the nature of evil and the psychological effects it can have on man. He shows how discovering the existence of evil brings Brown to view the world in a cynical way. Brown learns the nature of evil and, therefore, feels surrounded by its presence constantly.
In Nathaniel Hawthorne's short story "Young Goodman Brown,” the author uses danger and mystery to represent the struggle of good versus evil. Young Goodman Brown journeys into the night and comes to realize an unforgiving truth. Everyone is in danger of abandoning their faith or is inherently evil. Nathaniel Hawthorne has filled this story symbolism, after reading this story the reader may have questions about Young Goodman Browns’ determination to journey towards his evil purpose. Nathaniel Hawthorne implies strong faith can endure but when that faith is destroyed, what view does a person have towards mankind? Let us take a look at Nathaniel Hawthorne’s use of significant symbols throughout “Young Goodman Brown.”
Hawthorne, Nathaniel. "Young Goodman Brown." 1835. The Heath Anthology of American Literature. Ed. Paul Lauter et al. 2nd ed. Vol. 1. Lexington: Heath, 1944. 2129-38.
Symbolism is a literary technique that is used to clarify the author's intent. Sometimes it is used to great effect, while other times it only seems to muddle the meaning of a passage. In "Young Goodman Brown," Nathaniel Hawthorne uses objects and people as symbols to allegorically reveal his message to the reader.