Comparing Easy by Andrew Fusek Peters and Andrew Marvell's To his Coy Mistress
After reading the two poems in detail and after doing group analysis
the following points were brought up for a further evaluation. These
were: theme, ideas, language, imagery and personal opinion.
Both poems deal with seduction and relationships but vary of how it is
done. In the poem 'Easy', SEX seemed to be the biggest issue. The
relationship here was more of a 'one time fling' or a 'one night
stand' type of relationship where the characters only pursue love of a
sexual nature and nothing more. As we have seen later in the poem, one
member of this relationship is always left distraught. They are left
to feel worthless, with an extremely low self-esteem. Although with
'To his Coy Mistress', there seemed to be love set on a different
plateau as admiration and praise had been given before the interaction
of the two took place which showed respect and appreciation for their
partner, but this second poem only goes up as far as to verbal
seduction and the aftermath of it was never seen and so the
consequences (if there were any) could not have been seen by the
reader. Many speculations in the class were delivered during class
about the 'seductor' of the second poem to be just as cruel as the one
of 'Easy'. We cannot truly say that after they accomplish their
liaison that they will still be together.
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The ideas of the 'one night stand' in 'Easy' can be expanded to peer
pressure, pressure from the main female in poem to conform with the
'guys' and to agree with having sex, and to lose he...
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... it on unconditional adoration. 'Giving it a
run /run for its money' meaning that they will endeavour to do it with
the best of their abilities, and take it to it's full potential. (a
little confusing but at least this poem ends on a high note)
Both poems are fantastic; they have different styles of writing but
still show us an image they were trying to portray with their words. I
think both writers are trying to make us aware that we should respect
our partners and that we have no control over time. No control meaning
we cannot turn it back when we do something we regret, and that we
don't have enough of it. I think the message is to use the time we
have wisely and not let the pressure of anticipation get to us.
Everything will come in the right time, so we shouldn't hurry it but
when it does to take it to the full.
The poem being separated into two indicates change of direction. In the sestet, there is a sudden change in emotion. The first line, ‘the final hour’, immediately shows this. The father is now dying. Weak. ‘Your hands between the sheets’ indicates that the father is in a bed, suggesting restricted physical movement, unlike before. There is then a role reversal, as the son is lifting the fat...
however, this is actually a contrast that would strongly influence the courses of the two poems to
result it has on people. In all three poems the last line of the poems
Each literary work portrays something different, leaving a unique impression on all who read that piece of writing. Some poems or stories make one feel happy, while others are more solemn. This has very much to do with what the author is talking about in his or her writing, leaving a bit of their heart and soul in the work. F. Scott Fitzgerald, when writing The Great Gatsby, wrote about the real world, yet he didn’t paint a rosy picture for the reader. The same can be said about T.S. Eliot, whose poem “The Lovesong of J. Alfred Prufrock,” presents his interpretation of hell. Both pieces of writing have many similarities, but the most similar of them all is the tone of each one.
As a prelude to an inquiry into thematic elements of the poem, it is first necessary to draw out the importance of Fearing’s use of experimental form. Fearing “adheres” to the conventional use of strophic poetic construction, making use of epigrammatic style, where the seven stanzas separate the lament into isolated combinations and experiments on language and the content suggests each might stand alone as organic entities. Putting these highly-varied units into a single poem reflects on the incoherence of broader theme of death and the response to death, the dirge, as well as the notion that such a broad topic as death contains many sma...
Both poets want to be loved in the poems in their own way. While both poem’s present a theme of love, it is obvious that the poet’s view on love changes from how they view love at the beginning of the poem from how they see it at the end.
As mentioned, the parents’ pains, negative emotions and hatred are presented in the first part. Even from the first few lines from the poem: “Ulcerated tooth keeps me...
Despite the differences between the characters in the poems, I will also go on to say how the preoccupation with death and violence all seem to stem from the apparently unstable minds of the characters; from the instability brought on by varying emotions such as grief, jealousy, resentment, guilt and madness, and the fact that these emotions may lead to paranoia.
Both stories tell a of death and the fears of our mortal lives and what is to come next. Poe’s short story focuses on two characters that are of the same cloth, two Italian men of some stature and class, but one has insulted the other. Fortunato is on the unfortunate recipient of death and is unaware until the very end. Where his so-called friend, Montresor has tricked him into the dark and scary catacombs where Fortunato will soon be part of all the other remains that are there. Now that Fortunato has learned of his fate, he does something that final shows the fear that he has and in turn strikes fear into his new foe. Fortunato begins to laugh and in such a way that even he hopes this is a joke. The eerie laugh of a scared person just realizing what is happening. The screams are not heard for Montresor has buried him alive. And the last thing that Montresor hears is the sounds of Fortunatos bells on this Carnival outfit. The fear of what Montresor has done and is now living with that knowledge of killing a man would haunt him. Even 50 years later as he tells this story you can feel that it doesn’t feel right. I think that a man who holds such a monstrous secret inside such as feeding death to a friend over something so trifle as to be insulted, creates fear inside of one’s own mortality. In a
The tone of the poems have a similar negative connotation but in “Bitch” the speaker changes the tone from angry then to depressed back to angry. On the other hand, “Lady Lazarus” has a complex tone that includes pride, self-loathing, and critical of others by taking morbid pleasure in the “show” she created. When the speaker in “Bitch” first notices her ex-lover,
The ethical life of the poem, then, depends upon the propositions that evil. . . that is part of this life is too much for the preeminent man. . . . that after all our efforts doom is there for all of us” (48).
In sonnet “144,” by William Shakespeare, the speaker’s tone is fatalistic because, even though he knows his good angel is in danger, he accepts the fact his good angel will get hurt. In the very first line of the poem, the speaker identifies the two angels he is in a love triangle with: “Two loves I have of comfort and despair” (1). The speaker immediately gives the reader perspective because he identifies the good and bad of the poem, telling the reader what he will focus on. Soon after he describes his lovers as “a man right fair,” (3) and “a woman colour’d ill,” (4); Because the speaker says this, it shows the reader who he favors, and how he feels about his two lovers. The speaker shows what he cares about because of his description. As the second quatrain arrives, the speaker begins to discuss the relationship between his two lovers. He speaks of the evil angel, and what she does to the good one: “tempteth my better angel,” (6) and “corrupt my saint,” (7). The speaker shows some concern for the better angel because he makes it sound like the bad angel causes harm on him as well, but he shows no desire to save his saint. After the Volta, the speaker -once again- declares his love for the good angel.
These poems both use literary devices to convey this point in an understandable manner. Both authors show someone who feels very strongly about a subject and is barely controlling themselves from either letting death's grasp take over or exploding on an enemy. The authors also want the reader to understand that even if it takes the fiber of one's being that people must hold onto that sanity and reality of controlling themselves in desperate
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.
Death is important to both poems because it expresses each character’s reaction and the importance of accepting death. If you don’t you’ll be grieving and angry for a long time. Both poems tie in with each other due to this, but are different because the characters reacted differently.