Invisible Man and the Pre-Made Identity
Society forms definitions, or stereotypes, of people according to the color of their skin, their economic status, or where they live. Stereotypes define how society believes these people should act and how they should be treated. These stereotypes are, in effect, a pre-made identity.
There are three options an individual must face when presented with this pre-made identity. The individual can accept this identity as his/her own. This would maximize the individuals acceptance into society, but at a considerable price. The individual would lose power, become exploitable, suppress and consequently lose his/her own "true identity," and then would become one of many faces in the crowd. The "true identity" would be stifled and strangled under the one imposed by society. Anger, frustration , and confusion would occupy the mind of the individual. The individual could reject this identity outright and could circumvent the accumulation of this anger and confusion, but not without consequences. This person may be branded a heretic and be rejected by society. They would lose their agency and legitimacy in the society and would lose any hopes of bringing about any change. The third option entails living a lie. On the surface the individual would embrace society's identity, but keep their true self hidden within. This option would allow the person to retain their agency in the society and their individuality. However, like the other two options, there exists a downside. The person would constantly have to put on the mask a particular community wants him/her to wear in order to conform to that community's ideals. It then becomes almost impossible for anyone to get to know the real person, hid...
... middle of paper ...
...come invisible.
Works Cited and Consulted
Bellow, Saul. "Man Underground" Review of Ralph Ellison's Invisible Man. Commentary. June 1952. 1st December 2001
Available: http://www.english.upeen.edu/~afilreis /50s/bellow-on-ellison.html
Ellison, Ralph. Going to the Territory. New York: Random House, 1986.
Fabre, Michel. "In Ralph Ellison's Precious Words." Unpublished Manuscript. 1996. 30 November. <http://www.igc.org/dissent/archive/ Ellison/early.html
Howe, Irving. "Review of: Ralph Ellison's Invisible Man" Pub. The Nation. 10 May 1952. 30 November 1999. <http://www.english.upenn.edu/~afilreis/50s/howe-on-ellison.html.
O'Meally, Robert. The Craft of Ralph Ellison. Cambridge, Mass.: Harvard University Press, 1980.
O'Meally, Robert, ed. New Essays on Invisible Man. Cambridge; New York: Cambridge University Press, 1988.
In Ralph Ellison’s novel, Invisible Man, the narrator who is the main character goes through many trials and tribulations.
Morel, Lucas E. Ralph Ellison and the Raft of Hope: A Political Companion to Invisible Man. Lexington: University of Kentucky, 2004. Print.
In Ralph Ellison’s novel Invisible Man, one of Ellison’s greatest assets is his ability to bestow profound significance upon inanimate objects. During the narrator’s journey from the bar to the hole, he acquires a series of objects that signify both the manifestations of a racist society, as well as the clues he employs to deconstruct his indoctrinated identity. The narrator’s briefcase thereby becomes a figurative safe in his mind that can only be unlocked by understanding the true nature of the objects that lie within. Thus, in order to realize who he is, the narrator must first realize who he is not: that unreal man whose name is written in Jack’s pen, or the forcibly grinning visage of Mary’s bank.
In 1954, Ralph Ellison penned one of the most consequential novels on the experience of African Americans in the 20th century. Invisible Man chronicles the journey of an unnamed narrator from late youth until well into adulthood. As an African American attempting to thrive in a white-dominant culture, the narrator struggles to discover his true identity because situations are never how they truly appear to him. One of the ways Ellison portrays this complex issue is through the duality of visual pairs, such as gold and brass, black and white, and light and dark. These pairs serve to emphasize the gap between appearance and reality as the narrator struggles to develop his identity throughout the novel.
Throughout Ralph Ellison’s novel, Invisible Man, the main character dealt with collisions and contradictions, which at first glance presented as negative influences, but in retrospect, they positively influenced his life, ultimately resulting in the narrator developing a sense of independence. The narrator, invisible man, began the novel as gullible, dependent, and self-centered. During the course of the book, he developed into a self-determining and assured character. The characters and circumstances invisible man came across allowed for this growth.
Invisibility serves as a large umbrella from which other critical discussion, including that of sight, stems. Sight and Invisibility are interconnected when viewing Invisible Man. Essentially, it is because of the lack of sight exhibited by the narrator, that he is considered invisible. Author Alice Bloch’s article published in The English Journal, is a brief yet intricate exploration of the theme of sight in Ellison’s Invisible Man. By interpreting some of the signifying imagery, (i.e. the statue on campus, Reverend Bledsoe’s blindness, Brother Jack’s false eye) within the novel, Bloch vividly portrays how sight is a major part of Ellison’s text. The author contends that Ellison’s protagonist possesses sightfulness which he is unaware of until the end of the book; however, once aware, he tries to live more insightfully by coming out of his hole to shed his invisibility and expose the white man’s subjugation. What is interesting in Bloch’s article is how she uses the imagery of sight in the novel as a means to display how it is equated to invisibility
Ralph Ellison’s Invisible Man depicts a realistic society where white people act as if black people are less than human. Ellison uses papers and letters to show the narrator’s poor position in this society.
Howe, Irving. "Review of: Ralph Ellison's Invisible Man" Pub. The Nation. 10 May 1952. 30 November 1999. <http://www.english.upenn.edu/~afilreis/50s/howe-on-ellison.html.
Ellison, Ralph. “The Prologue of the Invisible Man.” Constucting Others, Constructing Ourselves. Ed. Sibylle Gruber. Dubuque: Kendall/Hunt Publishing Company, 2002. 145-152.
The narrator of Ralph Ellison’s Invisible Man is the victim of his own naiveté. Throughout the novel he trusts that various people and groups are helping him when in reality they are using him for their own benefit. They give him the illusion that he is useful and important, all the while running him in circles. Ellison uses much symbolism in his book, some blatant and some hard to perceive, but nothing embodies the oppression and deception of the white hierarchy surrounding him better than his treasured briefcase, one of the most important symbols in the book.
Upon opening Ralph Waldo Ellison’s book The “Invisible Man”, one will discover the shocking story of an unnamed African American and his lifelong struggle to find a place in the world. Recognizing the truth within this fiction leads one to a fork in its reality; One road stating the narrators isolation is a product of his own actions, the other naming the discriminatory views of the society as the perpetrating force infringing upon his freedom. Constantly revolving around his own self-destruction, the narrator often settles in various locations that are less than strategic for a man of African-American background. To further address the question of the narrator’s invisibility, it is important not only to analyze what he sees in himself, but more importantly if the reflection (or lack of reflection for that matter) that he sees is equal to that of which society sees. The reality that exists is that the narrator exhibits problematic levels of naivety and gullibility. These flaws of ignorance however stems from a chivalrous attempt to be a colorblind man in a world founded in inequality. Unfortunately, in spite of the black and white line of warnings drawn by his Grandfather, the narrator continues to operate on a lost cause, leaving him just as lost as the cause itself. With this grade of functioning, the narrator continually finds himself running back and forth between situations of instability, ultimately leading him to the self-discovery of failure, and with this self-discovery his reasoning to claim invisibility.
Ralph Ellison achieved international fame with his first novel, Invisible Man. Ellison's Invisible Man is a novel that deals with many different social and mental themes and uses many different symbols and metaphors. The narrator of the novel is not only a black man, but also a complex American searching for the reality of existence in a technological society that is characterized by swift change (Weinberg 1197). The story of Invisible Man is a series of experiences through which its naive hero learns, to his disillusion and horror, the ways of the world. The novel is one that captures the whole of the American experience. It incorporates the obvious themes of alienation and racism. However, it has deeper themes for the reader to explore, ranging from the roots of black culture to the need for strong Black leadership to self-discovery.
Lillard, Stewart. "Ellison's Ambitious Scope in "Invisible Man"." English Journal. 58.6 (1969): 883-839. Web. 2 Mar. 2015. .
Shmoop Editorial Team. “Ralph Ellison: Writing Invisible Man.” Shmoop.com. Shmoop University, Inc., 11 Nov. 2008. Web. 26 Jan 2014.
Holland, Laurence B. "Ellison in Black and White: Confession, Violence and Rhetoric in 'Invisible Man'." Black Fiction: New Studies in the Afro-American Novel since 1945.