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Summary of The Miller's Tale
how is the miller portrayed in the millers tale
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Following its fast, action-packed pace, "The Miller's Tale" climaxes with a series of causes and effects and ends rather abruptly with Chaucer's short summary on the sequence of events. On one hand the brusque ending of "The Miller's tale" is appropriate to the nature of The Miller himself, we know him to be a drunk, rude man who, "abide no man for his curtsies," and this ending seems to reflect that behaviour. However on the other hand, as the reader, do we feel "The Miller's Tale," is missing an imperative moral?
In "The Miller's Prologue," Chaucer intervenes in his own voice to remind the audience the Miller is a "cherle," and if they want "gentilllesse," "moraralitee" and "holinesses," they should "turne over the leef," and choose a different tale that would suit their taste. Through distancing himself from the tale, Chaucer shows he has no didactic purpose for the tale and therefore he has not written it to teach "moraralitee." Chaucer is not trying to condemn or recommend the behaviour of his bawdy characters, his objective for the tale is to entertain, "eek shal nat maken earnest of game." So we should be satisfied with Chaucer's lack of morality in the ending of the tale as it is in Chaucer's opinion and should not take seriously what is meant in jest.
However in "The Miller's Tale," Chaucer presents us with characters that are punished for being deeply flawed. Therefore as readers we naturally make our own moral judgements on the characters' behaviour. Chaucer indicates to us that the setting of "The Miller's Tale," is religious, through details such as Absolon's occupation as a, "parissh clerk" or John fetching the wood from the monastery. However Chaucer makes it clear through using this religious backdrop for "Th...
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..."joly colt," is that she will forever more be contained within the affluent prison of marriage.
Therefore the safest conclusion to make is that the ending of the "The Miller's Tale" is satisfactory in that is a fall from grace for everyone concerned in the story. At the level of the plot, the characters fall because of their overambitious aspirations, but thematically the fall is one of humiliation for a group of characters who are exposed as social climbers. If we are to be satisfied with any moral for the tale at all, the moral is has to offer is a social one. However it was Chaucer's intention to entertain, he warned us from the beginning if it was "moralitee," we were after; we were not going to find it in "The Miller's Tale." I feel that the ending of the tale is suitable and satisfactory for a tale that has been written to divert and amuse its audience.
The Merchant's Prologue and Tale presents the darkest side of Chaucer's discussion on marriage. Playing off both the satire of the moral philosopher, the Clerk, and the marital stage set by the Wyf of Bathe, the Merchant comes forth with his angry disgust about his own marital fate. Disillusioned and depraved, the Merchant crafts a tale with a main character who parallels his own prevarication and blind reductionism while he simultaneously tries to validate his own wanton life by selling his belief to the other pilgrims. As both pervert reality through pecuniary evaluations on different levels, however, both are exposed to be blind fools, subject to the very forces that they exert on others. As this reversal happens and the Merchant satirizes Januarie blindness, Chaucer reveals the Merchant's blindness, giving him the very significance that he had spent his whole tale trying to deny.
In Chaucer's Canterbury Tales, Chaucer the author and Chaucer the pilgrim are both quick to make distinctions between characters and point out shortcomings. Though Chaucer the pilgrim is meeting the group for the first time, his characterizations go beyond simple physical descriptions. Using just twenty-one lines in the General Prologue, the author presents the character of the Miller and offers descriptions that foreshadow the sardonic tone of his tale and the mischievous nature of his protagonist.
Chaucer’s The Canterbury Tales was originally a frame story including thirty people, later to become thirty-one. Does filthy reading make a great tale? A morally sound story is one that is clean, has an easily discovered moral and a moral that teaches a good lesson. The Miller’s Tale is quite a tale to tell, this tale does lack of being morally sound, it is entertaining and it fits The Host’s personality.
In his Prologue, the Miller seems to be driven by a kind of anger directed at the ending of the Knight’s s...
In “The Pardoner’s Tale,” Geoffrey Chaucer masterfully frames an informal homily. Through the use of verbal and situational irony, Chaucer is able to accentuate the moral characteristics of the Pardoner. The essence of the story is exemplified by the blatant discrepancy between the character of the storyteller and the message of his story. By analyzing this contrast, the reader can place himself in the mind of the Pardoner in order to account for his psychology.
Chaucer's Canterbury Tales are filled with many entertaining tales from a variety of characters of different social classes and background. The first two tales told, by the knight and the miller, articulate very different perspectives of medieval life. Primarily, The tales of both the knight and the miller bring strikingly different views on the idea of female agency, and as we will discover, Chaucer himself leaves hints that he supports the more involved, independent Alison, over the paper-thin character of Emily.
...irony, the corruption he believes can be found in the Church, pointing at its common tendency in this time to take advantage of the people through its power. He also shows through the Pardoner that perhaps immoral people cannot guide people to morality, through subtle lines such as “For though myself be a ful vicious man,/ A moral tale yit I you telle can” (GP 171-172). Through Chaucer’s portrayal of the Pardoner in this tale, the audience is able to see that the Pardoner is a self-absorbed, greedy man that mirrors what the author thinks of the Church, and that the Pardoner is the exact opposite of what he preaches, which also points towards the supposed corruption of the Church. The irony found throughout this work serves the important purpose of bringing attention to the dishonesty and fraud Chaucer believes can be found in the Roman Catholic Church at this time.
In the Miller's Tale, Chaucer blatantly mocks courtesy and courtly love in Nicholas’ exchange with Alison:
...night, the Miller's characters are not moral or honorable; they simply want to gratify themselves. While the Knight's story ends with an honorable death and a union between lovers, the Miller's tale ends with humiliation: the cuckholded husband is branded insane, Absolom suffered and prank, and Nicolas a painful burn. Consequently the Miller mocks the Knight's prayer. He wishes the company well, but the content of his tale expresses his laughter. In a way he "paid back" the Knight's tale.
...mainly to be something characters use and abuse in order to get what they want. Absolon forgoes piety for attention when he takes a role in the local miracle play in hopes of attracting Alisoun. Nicholas uses the Biblical story of Noah and the flood, and a false piety, to set John up so he can frolic with Alisoun undisturbed. And then, of course, there's the whole obscene religious allegory and symbolism in the story: the huge "Goddes pryvetee," or genitals, John hangs from his roof; the fart of thunder and cry of water that could allegorize Noah's flood; and the way in which Nicholas's God-role and John's fall play on the Fall of Man. As is true with love, the only character who seems to truly have faith in this tale (John) suffers for it in the end, appearing highly ridiculous. All of this adds up to a highly irreligious take on religion in "The Miller's Tale."
In both the Miller’s Tale and the Wife of Bath’s Tale, Chaucer uses his characters and stories in order to project various stereotypes to the reader. Although varying a tad bit throughout the book, the tone that seems to be drawn from the stories is that women are manipulating, sinful, and power hungry, while men are considered gullible and rash. Its through understand and analyzing these stereotypes that we can fully understand what Chaucer’s stories are trying to convey to us.
Chaucer's "The Miller's Tale" should be tragic, because a lot of horrible things happen to the characters. The carpenter's wife is disloyal to him, sleeping with others and making fun of him with Nicholas. Also, he is depicted as a fool. However, readers get a humorous feeling from the story, rather than feeling sorry for the carpenter's unfair life. Chaucer makes the whole story come across as comic rather than tragic. This humor is created by the Miller's narration, the use of irony, the cartoon-like characters, and the twists of plot. These elements combine to produce an emotional distance which enhances the comic effect.
The Knight’s Tale and The Miller’s Tale are both told by pilgrims on their way to Canterbury. Although the two stories are set in the same time period and have a similar theme, they each have a distinctive tone. The Knight tells a romantic story that reflects his higher social class during the era in which he lives. The Miller tells a story in which lust, not love, is the guiding motive for the characters. The Miller is in fact drunk when he tells his story, so the Miller’s Tale contains lots of dirty jokes and complicated tricks. The Miller’s tale mirrors the Knight’s tale in a lot of ways. Both of the stories contain a love triangle.
During the Middle Ages using the method of courtly love was very common. It was defined as a way of worshiping a woman to get their attention and love in a noble way by doing heroic deeds or just by giving the women gifts. Back then the most known courtly lovers were the knights for being known as very chivalrous and noble men. In “the Miller’s Tale”, the use of courtly love is the complete opposite of what it usually is. The story telling the story, in other words the miller makes a complete parody of courtly love and what it stands for, he makes it seem very vulgar by the way he talks about the characters in a very sexual manner and the deeds that the characters do throughout the story. I think this story was made for that purpose, to make a fool of what courtly love really is, because in reality the miller thinks that courtly love is just a waste of time and thinks it’s just foolishness to believe that love is really like that.
Mitchell, J. Allan. (2005). Chaucer's Clerk's Tale and the Question of Ethical Monstrosity. Studies in Philology. Chapel Hill: Winter 2005. Vol.102, Iss. 1; pg. 1, 26 pgs