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Through Rudolfo Anaya's Bless Me, Ultima, the reader notices many themes. One central, and very important theme is the repetition of the number three. For example, there are three sources of understand for Antonio, three deaths that Antonio witnesses, and Antonio's three prophetic dreams. These all play crucial roles in both Antonio's life and serving to further the plot.
First, and probably most important are the three sources of understanding for Antonio. First, there is Ultima, who serves as a neutral source of understanding and comforter for Antonio. The next source of understanding for Antonio is God. Antonio constantly struggles to understand good and evil through the eyes of the Catholic God. The final source of understanding for Antonio is the golden carp. The golden carp seems to be the alternative to believing in God throughout this novel. Antonio is constantly conflicted between God and the golden carp. When this conflict gets to be too much for Antonio, he goes to see Ultima. "I felt more attached to Ultima than to my own mother. Ultima told me the stories and legends of my ancestors. From her I learned the glory and the tragedy of the history of my people, and I came to understand how that history stirred in my blood" (128). This quote illustrates the point that Ultima serves as a crucial part of Antonio's learning and understanding experiences. Antonio feels closer to Ultima than to his own mother, so naturally she is going to have a key hand in influencing him. Just as she serves to mediate his conflicts between the golden carp and God, she mediates between his Luna and Márez blood.
The next source of understanding for Antonio is the golden carp. When he first hears of the golden c...
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... overall plot. The repetition of three furthers the plot and helps give the reader more of a focus on the little details in Antonio's life. The specific examples of the repetition of threes in this paper were all crucial to Antonio. The three death's that he witnessed made him question everything that he had known, the three prophetic dreams he has foreshadows what is going to happen to him in the rest of the novel, and finally, the three sources of understand for Antonio play crucial parts throughout the novel, even when they are destroyed in the end of the novel. In the end, Antonio decides that there is no fate but what he makes of it, and he is okay with this. He has learned through Ultima, and all of the things that have happened in his life, that you have to have evil in order to have good.
Page number from Rudolpho's Bless Me, Ultima are in parentheses.
The story uses many motifs, symbols and themes. First the motif is Antonio’s dreams. In the beginning of the book his dreams are about what he will become when he grows up; the choice between priest or a vaquero. Later on his dreams change to more important matters, such as family questions and his duty in life. The second motif regards Antonio’s family. He has many family members such
In the novel Bless Me, Ultima by Rudolfo Anaya, one of the main characters, Ultima is accused many times of being a witch. Ultima is a curandera who uses herbs and medicines to cure people. She goes to live with Antonio Marez, a young boy who lives in the llano with his parents and two sisters due to the fact that she cannot live by herself and had nowhere to stay. Although many people think she is a witch, her use of herbs, medicines, and scapulars show that she is merely just a curandera. With her use of chants and having her spirit in her owl, many are led to believe that she is really a witch.
In Bless Me, Ultima, Rudolfo Anaya defends the assertion, “for in much wisdom there is much grief, and increase of knowledge is increase of sorrow,” from Ecclesiastes. Tony endures many trials throughout the novel, therefore increasing his knowledge of life but also increasing his grief and sorrow. After witnessing Lupito’s death, Tony realizes that people are not always what they appear to be. Tony also begins to question his religion because of trials in the novel, some of which include Lucas’ cure and the sighting of the golden carp. In his trek during the blizzard, Tony learns of his brother’s sinful doings and he witnesses the death of a good man. Tony gains much knowledge in these scenes, but, unfortunately, with this knowledge comes grief.
“Look! He pointed to the church where the priest desecrated the altar by pouring the blood of dead pigeons into the holy chalice…When the golden carp appeared Cico struck with his spear and the water ran blood red. What is left? I asked in horror… The magic of Ultima! I insisted. Look! He pointed to the hills where Tenorio captured the night-spirit of Ultima and murdered it, and Ultima died in agony”(244).The passage is one of Tony’s dreams, where all the things he believed in were crushed. This loss makes him feel lost, not knowing what to believe in anymore. Tony also shares his feelings with the reader through the questions he asks Florence in his
When Antonio first became homeless, an older man tried to steal one of his belongings, which was a simple hot plate. His first instinct was to attack the man and take back his property. While doing so, Antonio thought, “We have almost nothing, and this man wants to take it from us” (43). In addition, he mentions how, “It felt good to hit this man… For a moment, he felt strong and free; fury was a much better drug than self-pity.” (43). When Antonio discusses about the old man and his crimes, he may be alluding to Longoria and what he did to Antonio’s family. The man who tried to take away part of Antonio’s possessions is referring to Longoria and how he took away Antonio’s family. The act of beating the old man refers Antonio’s eventual act of revenge against Longoria and the satisfaction he experiences afterwards. Both acts demonstrate Antonio’s willingness to sacrifice and harm other in certain scenarios where it is necessary. The significant difference between Longoria and Antonio is the intention behind their actions. Longoria killed hundreds in cold blood for his own selfish desires and beliefs, while Antonio only harmed a total of two people to get revenge and to enforce justice in the only way he could. As mentioned before, Longoria’s actions are evil because he commits them for selfish reasons and without remorse. In contrast, Antonio’s actions are seen as necessary evils. A necessary evil is defined as an act of evil (as perceived by society) that is committed in a certain scenario where it follows a utilitarian approach; an approach in which the action does more good than harm. When Antonio beat up the old man, he was merely protecting his belongings and enforcing the law. More importantly, when Antonio killed Longoria, it was for his wife, his son, and the hundreds of other innocent lives that Longoria had claimed; Antonio did an act of
Ultima’s owl was an imperative symbol in Antonio’s younger years, and its symbolism helped established a deeper understanding for the reader of the many positive themes that the author portrays through Ultima. “My heart was pounding and my lungs heart, but a calmness had come
After reading the book, Bless Me Ultima, I realized the integral importance of religion and need for religion and answers to life’s questions. At first, while reading this book, I thought it was just about relationships and the meaning in them but as the plot progressed I realized the book, is more than that, it questions the structures that decide the rules, morals and values that society is composed of. There were three types of religion that I identified in the book that young Anthony chose to pursue. The first was the paganistic rituals of Ultima. Ultima came into the life of Tony at a very young age and had great influence n the child. Ultima saved the life of Lucas through Tony’s strength. Physical pain was brought unto Anthony because of Ultima's ritual, showing actual validity of the rituals themselves, that they were had tangibility. She brought torment on the Tenorio’s family (he was the antagonist in the book-the bad guy) saving Lucas though using ritualistic dolls and chants. This showed her magic was not only good but bad as well. Ultima guided Anthony through all of the mental and social torment during his early years of grade school. So in away Ultima was a guide for Tony through his early years to make sense of all of the storms in his early life, but also was an instrument of religion to base his life on. But in the end of the book Ultima ultimately dies and the strength he once found in her is destroyed. She is ...
Rudolfo Anaya’s novel, Bless Me Ultima, illustrates about how a young boy at the age of 6 years old discovering as well as exploring the path of his life. Antonio will go through many trials to understand about his life, moreover constant dreams haunt him in unconsciousness. Every time the reader get closer to understanding Antonio’s dreams, Antonio’s struggles get clearer. Especially each symbol connecting back to Antonio playing an important role in his life which shapes him growing up.
He has an especially hard time with the death of Narciso, as his “rage and protest filled [him]. [He] wanted to cry out into the storm that it was not fair that Narciso die for doing good” (Anaya 178). The unjust deaths push Antonio to search even harder for the answers for his philosophical questions, now that people are in danger. Antonio’s Road of Trials is heroic because it demonstrates how pain and loss threaten to overtake him, but he bravely refuses to back down. Although he is always trying to understand new beliefs, the Goddess, the Virgin Mary, remains in the most special part of Antonio’s heart. She represents Meeting the Goddess, as Antonio is now seeing her through mature eyes: “I fastened my eyes on the statue of the Virgin until I thought that I was looking at a real person, the mother of God, the last relief of all sinners” (Anaya 47). As he begins to discover the meaning in both his old and new beliefs, he begins to accept his spiritual questions. By understanding the fact that they cannot always be simply answered, he enters his Apotheosis and ascends as he achieves wisdom and
In the novel, Bless Me Ultima, written by Rudolfo Anaya, two different religions are introduced. The religion of Catholicism is the religion originally practiced by the novel’s main character, Antonio. Throughout the novel, the religion of the Golden Carp is introduced and causes a crisis of faith for Antonio. Antonio must learn to choose between the conventional values of the Church and the modern beliefs of the Golden Carp by comparing and contrasting the two religions.
In essence, Antonio shows that he is unsure if he truly believes in his religion because of his acceptance of other beliefs, the new ideas that he learns, and the deaths of Narciso and Lupito. Antonio’s experiences lead him to believe that he is in charge of his destiny and he has the ability to choose what he wants, not what his parents want. In the end, Antonio determines his religious values based on what he believes in, so he tells himself to “[t]ake the Ilano and the river valley, the moon and the sea, God and the golden carp and make something new” (247). Antonio’s encounters with religion represent those who follow their religion but are not content with it. All in all, the story suggests that sometimes people want to learn other ideas to discover what fits them best.
Antonio lives in a magical world that is full deaths and sadness in his life. His dreams represented his inner interpretations of those experiences. The story of the child in Bless Me, Ultima is much more than just an ordinary child living at the time in Santa Rosa. He sees parts of the future, but doesn’t want it to happen. This boy has a grown soul that lives in a child’s body.
First, the old man receives outer success by earning the respect and appreciation of the boy and the other fishermen. The boy is speaking to the old man in his shack after the old man’s long journey, “You must get well fast for there is much that I can learn and you can teach me everything” (Hemmingway 126). The boy appreciates the fact that the old man spends time to teach him about fishing. He respects him a great deal for he knows that the old man is very wise and is a magnificent fisherman. The fellow fishermen also show respect towards the old man as they note the size of the fish after the old man returns home, “What a fish it was, there has never been such a fish” (123). The men admire the fact that the old man has caught the biggest fish that they have seen. Many fishermen resented Santiago at first, however their opinion changed once they realized what the old man has gone through. Being admired by others plays a major role in improving one’s morale.
...e on a fish like this," he said. "Now that I have him coming so beautifully, God help me endure. I’ll say a hundred Our Fathers and a hundred Hail Marys" (Hemingway 80). In addition, "he also promises to make a pilgrimage to a shrine, the Virgin of Cobre, if heaven does come through and deliver the fish to him, or at least helps him bring it in" (Auer 63). Santiago, an avid Catholic, reaches out to the Higher Power when he is pushed to his greatest moment of need and desperation.
Antonio originally requests to accompany Sebastian, but Sebastian declines on the grounds that his ill fate might negatively affect his companions. Sebastian regards himself as cursed by the shipwreck itself and the assumed loss of his sister – he wishes to have died alongside her, and he indicates that his voyage is “mere extravagancy (2.1.11)” without having a particular destination in mind. “She is drowned already, sir, with salt water, though I seem to drown her remembrance again with more (2.1.26-27)” provides the second example of a direct comparison being made between tears and salt water – for Sebastian, the sea represents the misfortune of loss, and perhaps, a representation of his cursed fate. For Viola, the sea represents uncertainty and hope – despite all evidence pointing towards her brother’s demise, she appears willing to at least entertain the notion that her brother remains