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sample critical essays on woman warrior
gender stereotypes in novels
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Finding the voice to speak "The Woman Warrior" consists of five stories which focuses on five women: Kingston's long-dead aunt, "No-Name Woman"; a mythical female warrior, Fa Mu Lan; Kingston's mother, Brave Orchid; Kingston's aunt, Moon Orchid; and finally Kingston herself. Based on her mother's stories, which are integrated with Kingston's imagination, "The Woman Warrior" reveals her past childhood experiences, and explores her struggle to reconcile her Chinese heritage with her American identity. It is only at the very end that Kingston realizes that, through her writing, she can express her concern about the unfairness toward the voiceless Chinese women. In the beginning of the first chapter, Kingston has made the theme of the book very clear: Chinese women are voiceless. It is notably ironic that the story begins with something that is supposed not to be said: her unnamed dead aunt: "`You must not tell anybody about that', said my mother." (1) From a Chinese's perspective, adultery is an awful thing that should not be mentioned because it is considered a shame of the family. Any woman who commits adultery must be her fault. However, Kingston does not agree on that. In fact, she even shows sympathy to her aunt. "The [aunt's] real punishment was not the raid swiftly inflicted by the villagers, but the family's deliberately forgetting her. . . . My aunt haunts me--her ghost drawn to me because now, after fifty years of neglect, I alone devote pages of paper to her." She felt that her aunt who became pregnant other than her husband might only was a mistake. Her tragedy happened was due to the Chinese tradition. Kingston believes that Chinese women become voiceless in a traditional, male dominated Chinese society is not be... ... middle of paper ... ...sell people. Can't you take a joke? You can't even tell a joke from real life." This clearly shows that how Kingston struggles in finding her voice due to her misunderstanding of her mother's saying. Although it takes a long while for Kingston to find her own voice, she finally realizes that the power to gain words in order to show her identity actually comes from her mother and also her identity as a Chinese ancestor. By finally understand all those stories and myths given by her mother, Kingston eventually begins to tell story about herself. This shows that she begins able to live harmoniously, in both Chinese and American cultures. In the end, talking her past through writing has become a way for her to cure her silence, and to retain her identity as the true first American Chinese in her family. I have consulted writing tutor in the writing workshop.
The story tells that the girl did not speak for three years in school. During the three years, she covered her school art paintings with black paint. She painted black over houses and flowers and suns and she made a layer of chalk on top when she drew on the blackboard. This black paint shows the symbolism of wanting to cover up and hide herself from the challenges of her new life. The artwork represented her inner self and the black the covering she felt was necessary in her current world. Note that the blindness and the darkness were like the artwork she drew (her true self) and painted over each with black paint. She imagined pulling the curtain or opening the door to what was beneath. Kingston described fear feeling and strong emotions through the painting. It was deep, dark and helpfulness. To the Americans at school who only saw the black, she was being stubborn, depressed, psychotic maybe, or developmentally challenged. Moreover, in the American school, she did not know that she was supposed to talk. When she realised that she had to talk in school to pass kindergarten she became more miserable. Reading out loud was easier because she didn’t have to make up the words. Simple words like “I” were hard because in Chinese “I” had seven strokes but only 3 strokes in English. It was a hard concept to understand. She was punished for not saying them right which added to her insecurities. The girl liked the Negro students because they treated her well and thought she spoke well. They protected her from mean Japanese kids who hit her and chased her and called her
Thus born The Woman Warrior, a chronicle of a Chinese American woman's personal sufferings and triumphs, of duplicities and truths, and of struggles and breakaways; a requiem for all the victims of the old culture whose soundless cries have not been heard and who died without a name, engulfed by the darkness and the silence. In her world then, at least, the failed heroine Fa Mu Lan is redeemed.
Imagination is a quality that everyone has, but only some are capable of using. Maxine Hong Kingston wrote “No Name Woman” using a great deal of her imagination. She uses this imagination to give a story to a person whose name has been forgotten. A person whose entire life was erased from the family’s history. Her story was not written to amuse or entertain, but rather to share her aunts’ story, a story that no one else would ever share. The use of imagination in Kingston’s creative nonfiction is the foundation of the story. It fills the gaps of reality while creating a perfect path to show respect to Kingston’s aunt, and simultaneously explains her disagreement with the women in her culture.
The “prodigal” aunt in Maxine Hong Kingston’s essay No Name Woman, was shunned from her family and ultimately ended up taking her life and her bastard child’s, as a result of public shaming. Instead of being heralded as a heroine and champion of women’s rights, the aunt’s legacy is one of shame and embarrassment that has been passed down through generations. While this story’s roots are Chinese, the issue at hand is multi-cultural. Women suffer from gender inequality worldwide.
Since people who have different identities view the American Dream in a variety of perspectives, individuals need to find identities in order to have a deep understanding of obstacles they will face and voices they want. In The Woman Warrior, Maxing Hong Kingston, a Chinese American, struggles to find her identity which both the traditional Chinese culture and the American culture have effects on. However, in The House on Mango Street, Sandra Cisneros clearly identifies herself as a Hispanic woman, and pivots to move up economically and socially to speak for her race. Even though both Kingston and Cisneros look for meanings of their identities, they have different approaches of reaching the full understanding.
Maxine Hong Kingston’s novel The Woman Warrior is a series of narrations, vividly recalling stories she has heard throughout her life. These stories clearly depict the oppression of woman in Chinese society. Even though women in Chinese Society traditionally might be considered subservient to men, Kingston viewed them in a different light. She sees women as being equivalent to men, both strong and courageous.
In the book The Woman Warrior, by Maxine Kingston, a story of a girl trapped between the culture of her family’s past and the culture currently surrounding her is presented. The girl, Maxine, enters into conflict with her mother and what can be explained as an old and traditional China. Maxine’s own beliefs are found in the newer American way of life with her attempts to assimilate to the culture, making it difficult for her to feel any relation between the two very different environments. It is through these tribulations that Maxine is a “woman warrior” coming to age as a Chinese-American.
Although she got pregnant by someone other than her husband they did not look at the good and joyful moments the child could bring. Having a baby can be stressful, especially being that the village was not doing so great. The baby could have brought guilt, anger, depression, and loneliness to the aunt, family, and village lifestyle because having a baby from someone other than your husband was a disgrace to the village, based on the orientalism of women. Society expected the women to do certain things in the village and to behave a particular way. The author suggests that if her aunt got raped and the rapist was not different from her husband by exploiting "The other man was not, after all, much different from her husband. They both gave orders; she followed. ‘If you tell your family, I 'll beat you. I 'll kill you. Be, here again, next week." In her first version of the story, she says her aunt was a rape victim because "women in the old China did not choose with who they had sex with." She vilifies not only the rapist but all the village men because, she asserts, they victimized women as a rule. The Chinese culture erred the aunt because of her keeping silent, but her fear had to constant and inescapable. This made matters worse because the village was very small and the rapist could have been someone who the aunt dealt with on a daily basis. Maxine suggests that "he may have been a vendor
"Those of us in the first American generations have had to figure out how the invisible world the emigrants built around our childhoods fit in solid America." Maxine Hong Kingston is a native of Stockton, California, born in 1940. The essay, "No Name Woman", was taken from her book ,"The Woman Warrior" (1976). Kingston is , in her everyday life, surrounded by "ghosts" from her past cultural heritage. The role identity concept parallels Ms. Kingston's essay. In the role identity concept, factors surrounding us in our daily life are continuously shaping and reshaping who we are and what we will become. In this concept, taken from the structural school of symbolic interaction, we tend to conform our sense of self to adapt to individual social situations as we are exposed to them. The theory in the concept of role identity is that we all play different "roles" in society, on various levels , which can include our families, our workplaces, our peers, daily experiences, and even within ourselves. Therefore, we are continuously changing and evolving into our "sense of self". Kingston, born a Chinese-American, struggles with her sense of self as she attempts to balance her American lifestyle with that of her Chinese family's rich cultural beliefs; although, even as she begins to accept her "role identity" within her family structure, as an author, she realizes that she will be "haunted", merely by writing about it.
The patriarchal repression of Chinese women is illustrated by Kingston's story of No Name Woman, whose adulterous pregnancy is punished when the villagers raid the family home. Cast out by her humiliated family, she births the baby and then drowns herself and her child. Her family exile her from memory by acting as if "she had never been born" (3) -- indeed, when the narrator's mother tells the story, she prefaces it with a strict injunction to secrecy so as not to upset the narrator's father, who "denies her" (3). By denying No Name Woman a name and place in history, leaving her "forever hungry," (16) the patriarchy exerts the ultimate repression in its attempt to banish the transgressor from history. Yet her ghost continues to exist in a liminal space, remaining on the fringes of memory as a cautionary tale passed down by women, but is denied full existence by the men who "do not want to hear her name" (15).
...e women face their opposition with a warrior's strength; yet also with a maternal-like gentle compassion. Whether it is picking up the pieces of a broken family, reaching out to a community, or having pride in one's heritage and background, the women all show a sincere dedication that is truly admirable. A woman's life is never easy, and the additional struggles of being a Native American make life on the Spokane reservation even harder. But these women bless the shields of their warriors as they face the unjust world, and they look towards the future with a warrior's spirit themselves.
...in her essay “No Name Woman”. The Chinese tradition of story telling is kept by Kingston in her books. Becoming Americanized allowed these women the freedom to show their rebellious side and make their own choices. Rebelling against the ideals of their culture but at the same time preserving some of the heritage they grew up with. Both woman overcame many obstacles and broke free of old cultural ways which allowed them an identity in a new culture. But most importantly they were able to find identity while preserving cultural heritage.
Kingston’s mother takes many different approaches to reach out to her daughter and explain how important it is to remain abstinent. First, she tells the story of the “No Name Woman”, who is Maxine’s forgotten aunt, “’ Now that you have started to menstruate, what happened to her can happen to you. Don’t humiliate us. You wouldn’t like to be forgotten as if you had never been born”’ (5), said Maxine’s mother. Kingston’s aunt was murdered for being involved in this situation. The shame of what Kingston’s aunt brought to the family led them to forget about her. This particular talk-story is a cautionary tale to deter Kingston from having premarital sex and to instill in her fear of death and humiliation if she violates the lesson her mother explained to her. Kingston is able to get pregnant but with the lecture her mother advises her with keeps her obedient. Brave Orchid tells her this story to open her eyes to the ways of Chinese culture. The entire family is affected by one’s actions. She says, “‘Don’t humiliate us’” (5) because the whole village knew about the pregnant aunt and ravaged the family’s land and home because of it. Maxine tries asking her mother in-depth questions about this situation, but her m...
The first time Kingston had to speak English in kindergarten was the moment silence infiltrated her world. Simple dialogue such as “hello” or asking for directions was hell for her because people usually couldn’t hear her the first time she asked, and her voice became weaker every time she tried to repeat the question (422). No matter what, speaking English just shattered her self-esteem.
Kingston uses the story of her aunt to show the gender roles in China. Women had to take and respect gender roles that they were given. Women roles they had to follow were getting married, obey men, be a mother, and provide food. Women had to get married. Kingston states, “When the family found a young man in the next village to be her husband…she would be the first wife, an advantage secure now” (623). This quote shows how women had to get married, which is a role women in China had to follow. Moreover, marriage is a very important step in women lives. The marriage of a couple in the village where Kingston’s aunt lived was very important because any thing an individual would do would affect the village and create social disorder. Men dominated women physically and mentally. In paragraph eighteen, “they both gav...