Between the years 1782 and 1785, Wolfgang Amadeus Mozart wrote six string quartets which were dedicated to his friend and fellow composer, Joseph Haydn. These quartets, known as the "Haydn Quartets," were among Mozart's "first six masterpieces in the medium" (Keller, 64). In composing these works, Mozart was inspired by Haydn's recently published Opus 33, which is also a set of six string quartets. When Haydn wrote his Opus 33 in 1781, it was the first time he had written for the string quartet in a period of ten years. With the six pieces of Opus 33, Haydn established a style of chamber music that he described as being in "an entirely new, very special manner" (Pauly, 45). At the same time, it had also been nearly 10 years since Mozart had written for the string quartet. Mozart met Haydn in Vienna, and heard the quartets of Opus 33. He "regarded these quartets of Haydn with special reverence and was moved to write six of his own" (Crocker, 393). It is clear that Haydn had a strong influence on the composition of these works. In fact, Mozart once claimed: "I have learned from Haydn how to write quartets" (Berger, 286). Nonetheless, Mozart's unique personality and technical mastery are also apparent in these works. This paper will discuss the ways in which Mozart's "Haydn Quartets" are similar to the string quartets of Haydn.
Haydn and Mozart represent the classical style in music, which was popular during the late eighteenth century. This style placed emphasis on the use of standardized forms such as the rondo and the minuet. One of the most popular forms was the sonata, in which contrasting themes were developed through a series of variations. The classical composers were inspired by the arts of ancient Greece ...
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...to a higher level than Haydn had done himself.
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From early 1770's to the end of the eighteenth century the concept of the symphonic style and sonata style dominated most of the music composed. These forms ,employed countless times by Mozart and Haydn, stayed relatively constant up until the end of the eighteenth century when Beethoven began to extend this Viennese classical tradition. Many musicologists have put forward the idea
Some of the most well known composers came to be in the in the classical music period. Ludwig van Beethoven was one of the composers, along with other greats of the time like Haydn and Mozart, which helped to create a new type of music. This new music had full rich sounds created by the new construction of the symphony orchestra.
Wolfgang Amadeus Mozart, as he is generally known, was baptized in a Salzburg Cathedral on the day after his birth as Joannes Chrysostomus Wolfgangus Theophilus. The first and last given names come from his godfather Joannes Theophilus Pergmayr, although Mozart preferred the Latin form of this last name, Amadeus, more often Amadé, or the Italiano Amadeo, and occasionally the Deutsch Gottlieb. Whatever the case may be, he rarely - if ever - used Theophilus in his signature. The name Chrysostomus originates from St. John Chrysostom, whose feast falls on the 27th of January. The name Wolfgang was given to him in honor of his maternal grandfather, Wolfgang Nikolaus Pertl.
...the opera Cosi Fan Tutte (All Women Are Like That, 1790), much of his early instrumental music, and canons (rounds) with nonsense words. Mozart also produced deeply serious music. His most profound works include the piano concerto in D minor, several string quartets, the string quintet in G minor, and his last three symphonies - E flat major, G minor, and the Jupiter. Larger works may contain both serious and light elements, as does Don Giovanni. Mozart belonged to the Order of Freemasons and wrote several compositions for their meetings. Some scenes from his fairy-tale opera The Magic Flute was inspired by Masonic traditions and beliefs. A catalog of Mozart’s works was first prepared by Ludwig Kochel (1800-1877), a German music lover. Today, Mozart’s works are still identified by the number Kochel assigned to them. Today Mozart’s music is well known and admired throughout the world. His compositions continue to exert a particular fascination for musicians and music lovers today.
Wolfgang Amadeus Mozart baptized as Johannes Chrysostomus Wolfgangus Theophilus Mozart lived from January 27, 1756 to December 5, 1791. Mozart was a very influential and prolific composer of more than 600 works, including symphonies, concertante, chamber, piano, opera, and choral music. Regarded as a child prodigy, Mozart composed and performed in the European courts from the age of five, and was engaged at the Salzburg court at 17. Mozart’s musical style can be classified as Classical, although he learned from many of his contemporaries throughout his musical career. In order to better understand Mozart’s genius it is best to begin looking at his earliest contributions to the musical world as a child. From there, an exploration of his composition work in the employ of various patrons gives a more rounded picture of the development of Mozart’s musical style. Mozart is one of the most enduring composers, with his work continuing to resonate with modern audiences.
Kamien, Roger. "Part VI: The Romantic Period." Music: An Appreciation. 10th ed. Boston: McGraw-Hill Higher Education, 2008. 257-350. Print.
Wolfgang Amadeus Mozart and Ludwig van Beethoven are two of the greatest composers ever to write music. Both men lived in the early 18th and 19th century, but their music and influences are still felt today. The men faced similar experiences, yet they both lead very different lives. All together the pieces that these men composed amounts to over 300 published, and unpublished works of art. The people of their time period often had mixed feelings about these men, some “complained that Mozart’s music presented them with too many ideas and that his melodies moved from one to the next faster than audiences could follow, yet the ideas themselves seem effortless and natural, clear and unforced.” (Bonds 210-211) Beethoven’s criticisms ranged from ‘genius’ to grim dislike. Mozart and Beethoven were influenced by things going on around them such as: love, nature, and the Enlightenment.
Franz Josef Haydn wrote quite a few concerti for piano, which have never really enjoyed the popularity of such pieces by Wolfgang Amadeus Mozart. While some accuse Haydn`s piano concerti of being too 'light' or having 'no meaning', I find those to be inaccurate surface impressions. I have found a great deal of enjoyment from these pieces of Haydn, and one of my favourites of his piano concerti is the seventh.
Classical music was best described by Mr. Dan Romano who clearly states that its art speaking from your heart to the heart of others. Bach’s Baroque time period of western music lead to some of the most known and widely recognized organ music, and it was Beethoven’s deafness that came to symbolize a fundamental change in the way we listen to classical music. Beethoven was the most beloved and influential composers of his time. Their music had flaws and that is what made it breathtaking, comfortable and easy to listen to. It is now known that between the lives of Bach and Beethoven we can understand that though their love for composing and classical music was the same in some aspects they were exact opposites in the end when it came to their genre, musical instruments and recognition.
Joseph Haydn and Ludwig van Beethoven. Two composers who marked the beginning and the end of the Classical Period respectively. By analysing the last piano sonata of Haydn (Piano Sonata No. 62 in E-flat major (Hob. XVI:52)) and the first and last piano sonatas of Beethoven (Piano Sonata No. 1 in F minor Op. 2, No.1, Piano Sonata No. 32 in C minor Op. 111), this essay will study the development of Beethoven’s composition style and how this conformed or didn’t conform to the Classical style. The concepts of pitch and expressive techniques will be focused on, with a broader breakdown on how these two concepts affect many of the other concepts of music. To make things simpler, this essay will analyse only the first movements of each of the sonatas mentioned.
Wolfgang Amadeus Mozart and Ludwig van Beethoven are very famous past composers that have created many pieces that have influenced not just people of their time, but people in modern times as well.
Taruskin, R., & Taruskin, R. (2010). Music in the seventeenth and eighteenth centuries. Oxford: Oxford University Press.
It is clear that Beethoven’s stands as being significant in development of the string quartet to a massive extent in creativity and innovation. His early quartets show great influence of those from the Classical period and with his own, has influenced his contemporaries and later composers. The quartets published later in his life show even greater imagination and use of expression. It is also through similar uses of texture, harmony, rhythm and counterpoint that composers of the Romantic period and the 20th century wrote their own string quartets. Beethoven’s however prove a huge advancement in how string quartets are written and the intensity of emotions that they portray.
First, let’s begin by looking at the form Mozart created the symphony in. Mozart uses the sonata form for this composition, which became the most widely used form during the Classical Period. Sonata form presents a series of procedures for the appropriate structuring of a piece. Sonatas