Zora Neale Hurston's Their Eyes Were Watching God In Their Eyes Were Watching God, Zora Neale Hurston portrays the religion of black people as a form of identity. Each individual in the black society Hurston has created worships a different God. But all members of her society find their identities by being able to believe in a God, spiritual or other. Grandma’s worship of Jesus and the “Good Lawd,” Joe Starks’ worship of himself, Mrs. Turner’s worship of white characteristics, and Janie’s worship of love, all stem from a lack of jurisdiction in the society they inhabit. All these Gods represent a need for something to believe in and work for: an ideal, which they wish to achieve, to aspire to. Each individual character is thus able to find himself or herself in the God that they worship. Grandma embodies the initial faith of the book. Her faith is in the spiritual and her allegiance is to Jesus and God. Of all the characters in the book, Grandma has the least power. She is the only one who has lived through slavery and witnessed the change in history that took place after the Civil War. During slavery, she is not only materially oppressed through lack of power and material wealth, but also emotionally oppressed. Because of the oppressive society created by slavery, she has no control over her own life. The only way she can feel as if she has any power is to believe in a God. Her worship of God, therefore, becomes a representative power for her. She is empowered by the belief that she can at least count on God, if in nothing else. When she is escaping from the plantation she is against all odds, but she says that “And den de Good Lawd seen to it dat Ah wasn’t taken…But nothin’ never hurt me ’cause de La... ... middle of paper ... ... for him rids her of powerlessness, and she regards him as God, because she loves him and is ready to leave at his command. After Tea Cake’s death, Janie still clings to her love for him, which empowers her. As long as “he [isn’t] dead” she can contain the power of her love for him, and “he could never be dead until she herself had finished feeling and thinking” (pg. 193). Through her faith in love, Janie is able to conquer powerlessness. At the end of the book she displays her newfound power by telling her story. Grandma’s spiritual convictions and the other characters’ material faiths caused them all to overcome their powerlessness. The title Their Eyes Were Watching God reveals each character’s belief in a different God. But all these different faiths had one purpose: to find one’s own self and sense of power in the society in which they inhabit.
The Harlem Renaissance was all about freedom of expression and the search for one's identity. Zora Neale Hurston’s, Their Eyes Were Watching God, shows these goals through the main character Janie and her neighbors. Janie freely expressed what she wanted and searched for her identity with her different husbands. Even though Janie was criticized by everyone except her friends, she continued to pursue. She lost everything, but ultimately found her identity. Hurston's writing is both a reflection and a departure from the idea of the Harlem Renaissance.
Their Eyes Were Watching God by Zora Neale Hurston centers around the life of Janie Crawford, an African American young woman, who is seeking ‘the horizon’ comprised of ideal living, experiences, and authentic love. After having two failed marriages, Janie meets Tea Cake, a suave, charming younger man who truly loves Janie. By exposing Janie to the world, and providing her with experiences and memories, Tea Cake directs her to the ‘horizon,’ where she can lead a fulfilling life. The selected passage begins as Janie concludes sharing her story with Phoeby. The flashback comes to its end, and the setting returns to Eatonville, Florida. I selected this passage because it reveals the great impact that Tea Cake has had on shaping Janie’s life.
In, Their Eyes Were Watching God, the author takes you on the journey of a woman, Janie, and her search for love, independence, and the pursuit of happiness. This pursuit seems to constantly be disregarded, yet Janie continues to hold on to the potential of grasping all that she desires. In, Their Eyes Were Watching God, the author, Zora Hurston illustrates the ambiguity of Janie’s voice; the submissiveness of her silence and the independence she reclaims when regaining her voice. The reclaiming of Janie's independence, in the novel, correlates with the development and maturation Janie undergoes during her self discovery.
"Janie's Learning Experiences in Their Eyes Were Watching God by Zora Neale Hurston :: Their Eyes Watching God Hurston." 123 Help Me. N.p., n.d. Web. 22 Apr. 2014. .
Through her use of southern black language Zora Neale Hurston illustrates how to live and learn from life’s experiences. Janie, the main character in Hurston’s Their Eyes Were Watching God, is a woman who defies what people expect of her and lives her life searching to become a better person. Not easily satisfied with material gain, Janie quickly jumps into a search to find true happiness and love in life. She finally achieves what she has searched for with her third marriage.
Their Eyes Were Watching God is a good place to start examining the roles of African-American women. It is written by a woman, Zora Neale Hurston, and from a woman's perspective. This book examines the relationship between Janie and...
Some people would argue that God is a being who watches over us, however other would argue that God manifests through nature, our surroundings, and us. Transcendentalism revolves around the idea that God is nature. It also supports the theory that God is all around us and inside of us and we should be self-reliant and strive for simplicity. These transcendentalist ideas and traditions were present in Their Eyes Were Watching God, by Zora Neale Hurston, as Janie experienced herself and the world around her head on over time.
Zora Neale Hurston an early twentieth century Afro-American feminist author, was raised in a predominately black community which gave her an unique perspective on race relations, evident in her novel, Their Eyes Were Watching God. Hurston drew on her on experiences as a feminist Afro-American female to create a story about the magical transformation of Janie, from a young unconfident girl to a thriving woman. Janie experiences many things that make her a compelling character who takes readers along as her companion, on her voyage to discover the mysteries and rewards life has to offer.
Their Eyes Were Watching God by Zora Neale Hurston is about a young woman that is lost in her own world. She longs to be a part of something and to have “a great journey to the horizons in search of people” (85). Janie Crawford’s journey to the horizon is told as a story to her best friend Phoebe. She experiences three marriages and three communities that “represent increasingly wide circles of experience and opportunities for expression of personal choice” (Crabtree). Their Eyes Were Watching God is an important fiction piece that explores relations throughout black communities and families. It also examines different issues such as, gender and class and these issues bring forth the theme of voice. In Janie’s attempt to find herself, she grows into a stronger woman through three marriages.
Unlike The Odyssey or any other epic tales, Their Eyes Were Watching God has a different perspective of what a hero is. In this novel, Hurston writes a story about an African-American woman named Janie Crawford whose quest is to find her identity and desire as a human being to be loved and appreciated for who she is. Her quest to fulfill those desires is not easy since she has to overcome so many obstacles and challenges in her life. A superiority that her Nanny posses over her to determine Janie's own life when she was a teenager and being a beautiful accessory to the glory of Joe Starks' are some of the experience that she encounters. She also has to make some sacrifices. And yet, just like any other heroes, at the end, she returns to her home with a victory on her hands.
It is human nature to look for happiness. Some people find it in material possessions, some find it in money, but most of us find it in love. To find true love is a difficult task especially now in the times of cell phones and Jaguars. Money and power play a big role in today’s society, and some people would rather have those things than a love of another human being. In some rare cases it is not even a person’s decision who she (almost every time it’s a woman who is being given away) will marry. Although it does not happen very often, there are still cases where a woman is being married off to a man by an arrangement made by her parents, to insure stability and security of that woman. The standing in the community means a great deal, just like Zora Neale Hurston’s Their Eyes Were Watching God illustrates.
After two failed marriages, Janie finally gets a sense of freedom. Soon enough she meets Tea Cake when he comes into the store and asks her to play a game of checkers with him. The narration of their first meeting lets readers know what Janie thinks about Tea Cake, while also showing Janie’s control in her storytelling to Phoeby. The contrast between Janie’s behavior toward Tea Cake and her behavior towards her ex-husbands foreshadows an equal relationship between the two, making her closer to her goal of finding her own voice. Tea Cake’s name evokes an image of sweetness, and Janie gives him a “little cut-eye look to get her meaning,” Because there were no images attributed to Joe and Logan, readers know that Tea Cake and his sweetness will help Janie’s goal. The last image of the moon rising with its “amber fluid drenching the earth and quenching the thirst of the day” signifies a new day in Janie’s life, as talking to Tea Cake quenches Janie’s thirst for a voice and individ...
...women he has seen walk seven full miles. But at the same time he still wants to feel like the man. In chapter 13, nstead of hitting her to show that, he just wants to be able to support his wife. "Put dat two hundred back wid de rest, Janie. Mah dice. Ah no need no assistance tuh help me feed mah woman. From now on, you gointuh eat whutever mah money can buy uh and wear de same. When Ah ain’t got nothin’ you don’t git nothin’." Tea Cake demonstrates his strong sense of masculinity by making "his woman," Janie, financially dependent on him. He takes pride in being able to provide for a woman who has lived such a privileged life. Although Janie never seems conflicted about living a poor life with Tea Cake, she kind of has to agree to live by what he provides or severely damage his pride. Also Janie likes that feeling of finally having someone who wants to support her.
In Zora Hurston’s, Their Eyes Were Watching God Janie Crawford was an attractive, confident, middle-aged black woman. Janie defied gender stereotypes and realized others cruelty toward her throughout the novel. Behind her defiance was curiosity and confidence that drove her to experience the world and become conscious of her relation to it. Janie’s idealized definition of love stemmed from her experience under a pear tree, an experience that was highly romanticized and glamorized in her sixteen year old eyes. Janie’s ability to free herself from the confining, understood, stereotypical roles enforced upon her allowed her to not only find true love but define true love as well.
It’s no wonder that “[t]he hurricane scene in Zora Neale Hurston’s novel, Their Eyes Were Watching God, is a famous one and [that] other writers have used it in an effort to signify on Hurston” (Mills, “Hurston”). The final, climactic portion of this scene acts as the central metaphor of the novel and illustrates the pivotal interactions that Janie, the protagonist, has with her Nanny and each of her three husbands. In each relationship, Janie tries to “’go tuh God, and…find out about livin’ fuh [herself]’” (192). She does this by approaching each surrogate parental figure as one would go to God, the Father; she offers her faith and obedience to them and receives their definitions of love and protection in return. When they threaten to annihilate and hush her with these definitions, however, she uses her voice and fights to save her dream and her life. Hurston shows how Janie’s parental figures transform into metaphorical hurricanes, how a literal hurricane transforms into a metaphorical representation of Janie’s parental figures, and how Janie survives all five hurricanes.