Being Covered from the Truth in Araby by James Joyce
“Araby” by James Joyce, is a short story about a young boy trying to find and his search for inner happiness. The main setting takes place in the boy’s neighborhood where he lives with his aunt and uncle. The sub setting takes place in an Araby or English bazaar, a carnival if you will. In the neighborhood we find that there is; an uninhabited house that has not been occupied for some time, a girl, who’s referred to as ‘Mangan’s sister’, whom the boy has a lustful crush on, and a story of a deceased priest. In the Araby we find a lot of empty booths, along with some hollow characters. The neighborhood, the Araby, the boy, and other characters in the story have an overall theme of being covered from the truth.
The neighborhood has many examples of people and objects that are covered from the truth. The first object described in the story is that of an empty house that stood at the end of the street. The street was blind, a dead end, and the house was “detached from its neighbors…” (para.1). The fact that it was detached from all the other houses gives the impression that it was hiding from the other houses or that it was covering itself from the truth. “The other houses on the street” were “conscious of decent lives within them,” (para. 1) while the lone spacious house was hid from all decent life. The true purpose of a house is for the habitation of humans, so if a house is not doing that, then in a sense it is hiding itself from the truth of its creation, and from the other houses that are living up to their creation.
This pattern of ‘covering’ or ‘hiding’ is continued in the third paragraph, by the explanation of how the boy and his friends ...
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...he men accused the girl of saying something to which she denied trying to cover information or the truth from her accusers. The conversation starts with the girl’s denial:
“Oh I never said such a thing!”
“O, but you did!”
“O, but I didn’t!”
“Did she say that?”
“Yes, I heard her.”
“O, there’s a … fib!”
(Para. 27-32)
The sub setting of the Araby and it’s characters are shown to be covered from the truth, for an Araby should be a fun and entertaining place, while it’s workers should be energetic and enthusiastic, which neither lived up to it’s truth.
The main setting of the neighborhood with the uninhabited house, the boy, Mangan’s sister, and the priest, gives many examples of characters in hiding. As well as the Araby with its empty carnival and dull workers, all support the idea or theme of being covered from the truth.
Critics have already begun a heated debate over the success of the book that has addressed both its strengths and weaknesses. The debate may rage for a few years but it will eventually fizzle out as the success of the novel sustains. The characters, plot, emotional appeal, and easily relatable situations are too strong for this book to crumble. The internal characteristics have provided a strong base to withstand the petty attacks on underdeveloped metaphors and transparent descriptions. The novel does not need confrontations with the Middle East to remain a staple in modern reading, it can hold its own based on its life lessons that anyone can use.
Although “Araby” is a fairly short story, author James Joyce does a remarkable job of discussing some very deep issues within it. On the surface it appears to be a story of a boy's trip to the market to get a gift for the girl he has a crush on. Yet deeper down it is about a lonely boy who makes a pilgrimage to an eastern-styled bazaar in hopes that it will somehow alleviate his miserable life. James Joyce’s uses the boy in “Araby” to expose a story of isolation and lack of control. These themes of alienation and control are ultimately linked because it will be seen that the source of the boy's emotional distance is his lack of control over his life.
Joyce, James. “Araby”. The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter Sixth Edition. New York: W.W. Norton and Company, 2000. 427 - 431.
“Araby” tells the story of a young boy who romanticizes over his friend’s older sister. He spends a lot of time admiring the girl from a distance. When the girl finally talks to him, she reveals she cannot go to the bazaar taking place that weekend, he sees it as a chance to impress her. He tells her that he is going and will buy her something. The boy becomes overwhelmed by the opportunity to perform this chivalrous act for her, surely allowing him to win the affections of the girl. The night of the bazaar, he is forced to wait for his drunken uncle to return home to give him money to go. Unfortunately, this causes the boy to arrive at the bazaar as it is closing. Of the stalls that remained open, he visited one where the owner, and English woman, “seemed to have spoken to me out of a sense of duty” (Joyce 89) and he knows he will not be able to buy anything for her. He decides to just go home, realizing he is “a creature driven and derided with vanity” (Joyce 90). He is angry with himself and embarrassed as he...
The narrator in “Araby” is a young man who lives in an uninteresting area and dreary house in Dublin. The only seemingly exciting thing about the boy’s existence is the sister of his friend Mangum that he is hopelessly in love with; “…her name was like a summons to all my foolish blood.” (Joyce 2279) In an attempt to impress her and bring some color into his own gray life, he impulsively lies to her that he is planning on attending a bazaar called Arab. He also promises the gi...
I noticed a lot of auditory imagery in "Araby" that helped to enhance the meaning of the story. The first is the description of the sound in the streets when the young man is walking by thinking of the girl he loves. He hears the "curses of laborers," the "shrill litanies of shop boys," and "nasal chantings of street singers." All of these images, besides just making the street seem busy, also make it seem like an unpleasant and intruding scene, almost like you would want to cover your ears and hurry through as fast as possible. This compliments perfectly the boy's imagination that he is "carrying his chalice safely through a throng of foes." In the scene where the boy is in the priest's house late at night, the auditory imagery helps contribute to the sense of drama. "There was no sound in the house," but outside boy heard the rain "impinge upon the earth" with "fine incessant needles of water." The choice of words here makes the rain seem almost as if it is hostile. You can hear the force and fury of the storm, and this makes the emotions the boy is feeling seem even more intense.
In “Araby” by James Joyce, the author uses several literary elements to convey the multitude of deep meanings within the short story. Three of the most prominent and commonly used by Joyce are the elements of how the themes were developed, the unbounded use of symbolism, and the effectiveness of a particular point of view. Through these three elements Joyce was able to publish his world famous story and allow his literary piece to be understood and criticized by many generations.
Norris, Margot. "Blind Streets And Seeing Houses: Araby's Dim Glass Revisited." Studies In Short Fiction 32.3 (1995): 309. Academic Search Complete. Web. 2 Apr. 2014.
Joyce’s dislike towards religion was blatantly demonstrated in his story ‘Araby’. Although Araby is obviously a story about an adolescent boy infatuation with a friend’s sister; a more in depth look can reveal an obscure theme.
The story “Araby” opens with a description of North Richmond Street. This gives reader the first view of the young boy's world. The Richmond Street “was a quiet street except.....the boys free” (Joyce 345). The young boy in “Araby” lives with his aunt a...
In her story, "Araby," James Joyce concentrates on character rather than on plot to reveal the ironies inherent in self-deception. On one level "Araby" is a story of initiation, of a boy’s quest for the ideal. The quest ends in failure but results in an inner awareness and a first step into manhood. On another level the story consists of a grown man's remembered experience, for the story is told in retrospect by a man who looks back to a particular moment of intense meaning and insight. As such, the boy's experience is not restricted to youth's encounter with first love. Rather, it is a portrayal of a continuing problem all through life: the incompatibility of the ideal, of the dream as one wishes it to be, with the bleakness of reality. This double focus-the boy who first experiences, and the man who has not forgotten-provides for the dramatic rendering of a story of first love told by a narrator who, with his wider, adult vision, can employ the sophisticated use of irony and symbolic imagery necessary to reveal the story's meaning.
In “Araby”, James Joyce details the transition of a young Irish boy into his adolescence. Looking for love and excitement, the narrator becomes obsessed with pleasing his best friend’s sister, eventually ending up at a special festival to buy her a present. Disappointed by the bad- natured shopkeepers and its closing down, he reaches a frustrating epiphany about the fine line between reality and his wistful dreams. Through the use of fanciful imagery and detached characterization, Joyce demonstrates how romance belongs to the realm of the young, not the old, and that it is doomed to fail in a word flawed by materialism and a lack of beauty.
Araby is about escaping into the world of fantasy. The narrator is infatuated with his friend's sister; he hides in the shadows, peering secluded from a distance trying to spy her "brown figure"(Joyce 38). She is the light in his fantasy, someone who will lift him out of darkness. I see many parallels to my life as a boy growing up in the inner city of Jersey City. We looked for escape also, a trip uptown to Lincoln Park, or take a train ride to New York City where we would gaze at the beauties on 7th Ave.
In the story of, "Araby" James Joyce concentrated on three main themes that will explain the purpose of the narrative. The story unfolded on North Richmond Street, which is a street composed of two rows of houses, in a desolated neighborhood. Despite the dreary surroundings of "dark muddy lanes" and "ash pits" the boy tried to find evidence of love and beauty in his surroundings. Throughout the story, the boy went through a variety of changes that will pose as different themes of the story including alienation, transformation, and the meaning of religion (Borey).
In many cultures, childhood is considered a carefree time, with none of the worries and constraints of the “real world.” In “Araby,” Joyce presents a story in which the central themes are frustration, the longing for adventure and escape, and the awakening and confusing passion experienced by a boy on the brink of adulthood. The author uses a single narrator, a somber setting, and symbolism, in a minimalist style, to remind the reader of the struggles and disappointments we all face, even during a time that is supposed to be carefree.