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the sorrows of young werther sparknotes
the sorrows of young werther sparknotes
the sorrows of young werther sparknotes
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Falling into Insanity
As readers of great novels, we are continuously examining and explaining the actions and thoughts of characters. Are we the only ones? Or do the characters actually analyze their own thoughts and actions as we do? In Goethe’s The Sorrows of Young Werther, the protagonist, Werther, tells the story of his love for Lotte and the ensuing hardships through letters to his friend and confidante, Wilhelm. Through various situations and excerpts from his letters, we see Werther simply gliding through life, not pondering the motivations for his thoughts and actions, or even questioning his own state-of-mind; the effects of this lack of self-awareness negatively affect him and eventually lead him to commit suicide.
Throughout the novel, Werther never ponders the thoughts and motivations that cause him to first fall madly in love with Lotte, then become obsessed, and finally to commit suicide because he cannot be with her. He never really asks himself why he allows himself to spend so much time with her, why all aspects of his previous life no longer interest him, or why he cannot even hold a job. Near the start of his love obsession with Lotte, he believes that he must “spend every hour of the day with her…in order to prove to her at every moment that he is wholly devoted to her” (Goethe, 14-15). He doesn’t pay any attention to the fact that she is already engaged to another man; Werther simply cannot fathom that he would not try to make her fall as deeply in love with him as he is with her. It’s almost as if he knows he is going overboard with his affections for her, but he doesn’t care. Werther believes his love for Lotte knows no limits, and he never even thinks about the social restrictions on woo...
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...e suffering and eventual death.
Throughout his short time with Lotte, Werther falls more and more deeply in love with her, and consequently, falls further into madness. He never analyzes his own motivations for continuing allowing his love for Lotte to grow and he never examines the extent that it has affected his sanity. Werther finally goes completely insane after Lotte tells him he no longer can see her as often. He commits suicide, the ultimate manic sacrifice, as he realizes he cannot have Lotte. As readers, we constantly analyze character’s acts. By not pondering the motivations for his thoughts and actions, or even questioning his own sanity, Werther is deeply affected by his love in a negative fashion, eventually ending in his own suicide.
Works Cited
Goethe, Johann Wolfgang von. The Sorrows of Young Werther. New York City: Vintage Books, 1990.
Forcing someone to take medication or be hospitalized against their will seems contrary to an individual’s right to refuse medical treatment, however, the issue becomes complicated when it involves individuals suffering from a mental illness. What should be done when a person has lost their grasp on reality, or if they are at a risk of harming themselves or others? Would that justify denying individuals the right to refuse treatment and issuing involuntary treatment? Numerous books and articles have been written which debates this issue and presents the recommendations of assorted experts.
In other words, photography can be used to present objectivity, to facilitate treatment and for future re-admissions of the insane. With his presentation Diamond’s application of photography to the insane in asylums became widespread. Just a few years later in 1858 British psychiatrist John Conolly published, “The Physiognomy of Insanity,” in The Medical Times and Gazette. In this series of essays Conolly reproduces photos taken by Diamond and provides a detail of each photo selected. I have included four of the plates Conolly used in his essay below.
Anyone who reads The Sorrows of Young Werther by Johann Wolfgang von Goethe instantly feels the emotional intensity portrayed by Werther, the protagonist. His speculations about life are indeed unique, especially in modern times when life often goes by quickly without notice. Perhaps that is one of the reasons why his immense emotion strikes a chord with readers as coming from someone crazy or dangerous. Werther’s mental state seems incredibly alive at some times while seemingly lifeless at others. This lifeless state of mind is similar to another sorrowful character in Kurt Vonnegut’s Slaughterhouse Five. In his story of Billy Pilgrim, a similar wonder engulfs the reader, causing us to question the cause of both his mindset and of our own. These books bring a couple of interesting questions to mind… How much emotion is too much? How little is too little? These characters struggle with powerful emotion in many ways, and are therefore judged as mad. The two protagonists engage in totally different journeys, but each of them leads the reader to discover the limits of human emotion. These limits are reached by Werther and Billy, therefore leading to both characters’ demise.
Goethe, Johnann Wolfgang von. The Sorrows of Young Werther. Trans. Elizabeth Meyer and Louise Bogan. Forward by W.H. Auden. New York: Vintage, 1990.
How is that even possible? The dictionary definition of the word insanity is the state of being seriously, mentally ill (“Definition of the Word Insanity”). Insanity is also classified as a medical diagnosis. Insanity came from the Latin word insanitatem (“History of the Word Insanity”). People started using this word in the 1580’s. The Latins interpreted insanity as unhealthy Modern day society uses the word insanity too loosely. Although the dictionary definition of insanity is not wrong, several cases that prove having “insanity” does not always mean “being seriously mentally ill” has came to surface.
Hamlet’s Ophelia tragically falls victim to the prevailing and unquestioned female stereotypes of her day. Trapping her within the type of the chaste and dutiful woman, Polonius strips Ophelia of her individual identity and silences her voice. He reduces her to a mere pawn, whoring her out to serve his own selfish agendas. It is only in madness that Ophelia is offered an unexpected respite from this puppetry, one that even the finality of death is unable to offer.
Insanity seems to be the question in the courtroom today. What defines if a person is mentally stable or if he is sick? The government and court system has been trying to find the definite line, but there are still varying beliefs for and against whether people should be allowed to plead insanity. The definition of insanity is, “the state of being mentally ill; madness” (Oxford Dictionary). The definition of mentally ill is “psychiatric disorder that results in a disruption in a person’s thinking, feeling, moods, and ability to relate to others” (worldiQ.com). That being said, ponder these two situations.
The relationship between a mother and son is vital to the emotional growth of a child. Insufficient ties between the two may result in a multitude of emotional complications ranging from behavioral problems to attachment issues. In Sorrows of a Young Werther by Johann Wolfgang von Goethe, the relationship between the main character, Werther, and his mother is strained at best. The instability of their relationship prompts Werther to look outside his family for the emotional, fulfilling bonds he desires. Lotte, along with her siblings, provides Werther with a picture of the idyllic family he has dreamed of having, but, at the end of the novel, Werther is forced to learn that the ideal can never be attained.
ne'er saw true beauty till this night" (1.5. 55) and when Werther describes Lotte he
von Goethe, Johann Wolfgang. Faust. Trans. Randall Jarrell. New York: Farrar, Straus and Giroux, 2000. Print.
The sources of Werther’s sorrows are similar to the sources of the creature’s suffering in Frankenstein. This is because, both the Creature and Werther were rejected by the people they love. They all wanted to be apart of the people’s lives and day to day activities but fate did not allow it. Werther was left alone when the girl she loved got married to al elder man. Comparably, the creature in Frankenstein was abandoned by his creator and left all alone in a world whereby he does not even know how to speak and relate with the people around him. Werther had wished to spend his entire life with the girl she loved and when it turned out impossible, he took away his life by committing suicide so as to escape the pain he was going through....
“Obsession is the single most wasteful human activity, with an obsession you keep coming back to the same question and never receive an answer.” Ones guilt and obsessions can turn a normal human into an abnormal madman. The two short stories “The Fruit at the Bottom of the Bowl” by Ray Bradbury, and “The Tell Tale Heart” by Edgar Allan Poe are two different pieces of text that share the same content such as theme, characters, and setting. “The Fruit at the Bottom of the Bowl” is a story that describes how possibly a man can turn obsessed by killing another man in revenge and freak out about where he has left his last finger prints. Where “The Tell Tale Heart” is a short story that explains to the readers how much guilt can eat ones mind alive and make them confess the truth. Both these stories relate when it comes to murder and madness and also similar in content. The next few paragraphs will explain how obsessions and guilt are the two main reasons that drive normal humans into crazy psychopaths, which also leads to the theme “Madness”. Also analyzing the text to find similar content between both stories such as setting, theme and characters.
In Goethe's Sorrows of Young Werther, the protagonist's characteristics and ideas define him as the prototypical romantic personality. The Romantic Movement emphasizes emotion over reason, an idea that Werther emulates throughout his life. Werther loves pastoral settings; in nature, he feels most in touch with his emotions. He rejects rationality and complexity with the sentiment that life is an adventure to be guided by intuition. Werther's longing for his love, Lotte, is a paradigm of the Romantic concept of sehnsucht, one's constant yearning for something that they will never possess or know. Werther finds Lotte to be the object of his hopeless desire, but social conventions of a world based on reason keep her just out of his reach. His unrequited passion for Lotte ultimately destroys him as his frustrated melancholy drowns every other aspect of his personality.
Romantic literature was on the one hand concerned with tragedy and on the other it also dwelled on sympathy. It was the aim of most romantic writers and poets to engage in development of characters that would attract sympathy and pity. However in this novel, while it may be sympathy, pity or self-injury that served as one of the motivating forces behind creation of the character of Werther, it also appears that psychological exploration of the mental state of a person caught in this unfortunate situation was the main aim. Werther's character is seriously delusional. He deceives himself regularly making himself believe that Lotte, the woman he had fallen in love with, was also in love with him. He appears to study her every move, her every eye contact and then goes on to decode it in his own way that further aids in self-deception. Werther keeps finding different reasons for making himself believe that Lotte loved him or he was an inimitable being with a rather unique fate. For example he uses Lotte's sympathetic attitude towards him as justification for engaging in deeper self-pity, delusion and self-injury.
Due to the interdependent relationship between the individual and society, societal values can greatly influence the individual. It can be said that Goethe’s characterisation of Lotte and Werther clearly depict this notion in varying outcomes. Lotte is depicted as a compassionate and loyal character whose relationship with Werther depicts her as somewhat naive. Despite having convinced herself for the majority of the novel that her feelings for Werther are due to a brother-like connection, Lotte acknowledges her individual desires of wanting to, “keep [Werther] for herself.” (82) Throughout the novel, the heart and soul are symbolic of passionate love. With, “her heart squeezed tight, and a dark cloud [hanging] over her eyes,” Lotte ...