Macbeth's Obsession with Power
"I'll fight till from my bones my flesh be hacked." (Act 5, Scene 3). Phrases as forceful as Macbeth's quote are not common day language, in fact, it is used except in times of intense emotion. Although the diction of Macbeth's words are from the Elizabethan Age, it's message rings true and clear. Macbeth clearly will oppose anything standing in the way of his passion. Critics often debate over the what tragic flaw of Macbeth lead to his downfall. Was it ambition or Lady Macbeth's influence? Hardly so. It was an obsession of power that Macbeth desired so much that led to his compulsive fixation and preoccupation of obtaining his desire by any and all means necessary. Thus, he inevitably lost touch with reality and became irrational, unreasonable, and myopic which is clearly shown through his decisions. Macbeth had a downfall because of what he did and what he desired, and he could blame no one but himself.
Macbeth is first introduced as a war hero, slayer of the Norweyans. He is then introduced to prophesy by three witches. They prophesize how he will become first Thane of Cawdor and then king. "All hail, Macbeth! hail to thee, thane of Cawdor!...Macbeth, that shalt be king hereafter." (Act 1 Scene 3). Macbeth becomes thane and starts to believe in the prophesies if the witches. What first started as inquisitiveness and doubt, soon became fate and truth as the Bible is to Christians. Macbeth began to believe the next prophesy. In fact, not only would he become king, he made it his personal obligation and responsibility to see that it became so. With a little bit of nagging (that is the best term to use) from Lady Macbeth, Macbeth chooses to fulfill his de...
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Dostoevsky’s Crime and Punishment incorporates the significance of murder into the novel through a multitude of levels. The act of killing is not only used to further the plot point of the novel, but also offers insight to the reader of Raskolnikov’s ideology and psyche. This is portrayed through both his initial logic and reasoning behind the plotting of the crime, as well as through his immediate and long term reactions after killing Alyona Ivanovna. The emotional and physical responses instilled in Raskolnikov after killing Alyona Ivanovna as well as his justification for doing so helps illustrate his utilitarianism by offering accurate insight into the character’s moral values. These reactions also serve to show the instability of Raskolnikov’s character due to his changing emotions from being completely justified as the ubermensch to showing a sense of great regret. By including the act of killing, Dostoevsky further develops Raskolnikov’s character, and provides another level of detail to readers concerning his ideology and beliefs prior to his actions.
Shakespeare, William, and John Crowther. No Fear Shakespeare: Macbeth. ed. New York: Spark Publishing, 2003. Print.
In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.
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According to Raskolnikov’s theory in Fyodor Dostoevsky’s “Crime and Punishment”,there are two types of people that coexist in the world; the “Extraordinary” and the “Ordinary”. The ordinary men can be defined as “Men that have to live in submission, have no right to transgress the law, because they are ordinary.”(248). To the contrary “extraordinary” men are “Men that have a right to commit any crime and to transgress the law in any way , just because they are extraordinary”(248). Dostoevsky’s theory is evident through the characters of his novel. The main character, Raskolnikov, uses his theory of extraordinary men to justify contemplated murder. There is a sense of empowerment his character experiences with the ability to step over social boundaries. He is led to believe the killing of the pawnbroker is done for the perseverance of the greater good. It is ironic that character who is shown to be powerful in the early stages of the novel subsequently go on to show many weaknesses.
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Shakespeare, William. “The Tragedy of Macbeth”.The Riverside Shakespeare. Ed. G. Blakemore Evans. Boston: Houghton Mifflin Company (1974). 1312-1342. Print
Shakespeare, William, and John Crowther. No Fear Shakespeare: Macbeth. ed. New York: Spark Publishing, 2003. Print.