The traumatic events of World War 1 made many writers re-evaluate their views of society which then translated into their works. The themes used in works by writers like Sherwood Anderson, Robert Frost, and Ernest Hemingway reveal the extent of trauma the war had on the human psyche. Loss of communication, disillusioned characters, and personal alienation are a few of the major themes that are displayed in the writings of a lot of authors during this period. This essay will examine the use of the literary modernism themes mentioned above in Robert Frost’s “Home Burial,” Sherwood Anderson’s “Hands,” and Ernest Hemingway’s “The Killers.”
Robert Frost uses the loss of communication as a significant theme in many of his poems. In “Home Burial,” a married couple is trying to cope with the death of their baby; however, they also end up losing their communication skills and eventually their marriage. The lack of communication between the couple is evident from the first few lines of the poem when the husband attempts to talk to Amy, “‘What is it you see / From up there always—for I want to know’” (6-7). With him having to directly ask his wife, in a forceful manner, what the matter is shows that Amy does not confide in him the way a wife should a husband. When they do speak to each other it always leads to an argument as seen when he states, “My words are nearly always an offense / I don’t know how to speak of anything / So as to please you.” (48-50). Frost made sure to introduce this theme early in the poem and is clearly seen throughout the rest of the work.
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Ernest Hemingway, like many veterans of WWI, dealt with disillusionment upon returning home from the war, and which could explain the disillusioned character the...
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...d loss of communication skills resonated with many of the writers of the “Lost Generation” because they depicted American society following World War 1. Ernest Hemingway had personally dealt with alienation and disillusionment while fighting in the war and after he returned home. This may be a reason why Nick Adams was loosely based off his personal life. Although Sherwood Anderson wrote about things that society considered taboo like homosexuality and the grotesque, he was able to use these topics to get the message of his stories across to his readers. Lastly there is Robert Frost, whose stories included plots that the general public could relate to and made it very easy for the reader to understand what theme he was going for. These writers, along with their works, display prime examples of some of the major themes from the Pre-Modernism period in America.
Rovit, Earl. "On Ernest Hemingway and 'Soldier's Home.'" The American Short Story. Volume I. Ed. Calvin Skaggs. New York: Dell, 1977: 251-255.
In Hemingway’s short story “Soldier’s Home”, Hemingway introduces us to a young American soldier, that had just arrived home from World War I. Harold Krebs, our main character, did not receive a warm welcome after his arrival, due to coming home a few years later than most soldiers. After arriving home, it becomes clear that World War I has deeply impacted the young man, Krebs is not the same man that headed off to the war. The war had stripped the young man of his coping mechanism, female companionship, and the ability to achieve the typical American life.
“Don’t talk about the war,” he says after abandoning the front, “it was over…but I did not have the feeling it was really over” (Hemingway 245). For Frederic the war captured his mind in a way that he
One observation that can be made on Hemingway’s narrative technique as shown in his short stories is his clipped, spare style, which aims to produce a sense of objectivity through highly selected details. Hemingway refuses to romanticize his characters. Being “tough” people, such as boxers, bullfighters, gangsters, and soldiers, they are depicted as leading a life more or less without thought. The world is full of s...
Ernest Hemingway used an abundant amount of imagery in his War World I novel, A Farewell to Arms. In the five books that the novel is composed of, the mind is a witness to the senses of sight, touch, smell, hearing, and taste. All of the these senses in a way connects to the themes that run through the novel. We get to view Hemingway’s writing style in a greater depth and almost feel, or mentally view World War I and the affects it generates through Lieutenant Henry’s eyes.
Frost is far more than the simple agrarian writer some claim him to be. He is deceptively simple at first glance, writing poetry that is easy to understand on an immediate, superficial level. Closer examination of his texts, however, reveal his thoughts on deeply troubling psychological states of living in a modern world. As bombs exploded and bodies piled up in the World Wars, people were forced to consider not only death, but the aspects of human nature that could allow such atrocities to occur. By using natural themes and images to present modernist concerns, Frost creates poetry that both soothes his readers and asks them to consider the true nature of the world and themselves.
In the beginning of the twentieth century, literature changed and focused on breaking away from the typical and predicate patterns of normal literature. Poets at this time took full advantage and stretched the idea of the mind’s conscience on how the world, mind, and language interact and contradict. Many authors, such as Fitzgerald, Steinbeck, and Twain, used the pain and anguish in first hand experiences to create and depict a new type of literature, modernism. In this time era, literature and art became a larger part of society and impacted more American lives than ever before. During the American modernism period of literature, authors, artists, and poets strived to create pieces of literature and art that challenged American traditions and tried to reinvent it, used new ways of communication, such as the telephone and cinema, to demonstrate the new modern social norms, and express the pain and suffering of the First World War.
Hemingway, Ernest. "Soldier's Home." The Bedford Introduction to Literature, 6th Edition. Ed. Michael Meyer. New York: Bedford/St. Martin's. 2002. 152-57.
The short story “In Another Country” by Earnest Hemingway is a story about the negative effects of war. The story follows an unnamed American officer and his dealings with three other officers, all of whom are wounded in World War I and are recuperating in Milan, Italy. In war, much can be gained such as freedom and peace, however war also causes a plethora of negative consequences. Cultural alienation, loss of physical and emotional identity, and the irony of war technology and uncertainty of life are all serious consequences of war that are clearly shown by Hemingway.
Stewart, Matthew C. "Ernest Hemingway and World War I: Combatting Recent Psychobiographical Reassessments, Restoring the War." Papers on Language & Literature 36.2 (2000): 198-221.
Both Hemingway and Fitzgerald capture the essence of the modernist period, and both approach different aspects of the same genre. The goal of the modernist writer was to create an enjoyable piece of literature, while confronting issues that had never before been raised in the literary world to date. The Modernist hoped to wipe away the images of perfection in the imaginary realties of the literary past and create a clean slate filled with the reality of the modernist period. The Modernist authors will always be remembered for their exploration of language and form, and for their dedication to keeping us in a well lit place, in an otherwise deceiving reality.
The post World War II period had an enormous impact on American society and literature. Many important events occurred and affected directly the movement of American literature. During this period, American Literature reflected the movement of disillusionment, and portrayed the lost generation. Many WWII writers adapted new approaches and philosophies in writing their novels. They portrayed the lost generation, an anti-war perspective and explored the true meaning of “war hero”.
In his novel A Farewell to Arms, Ernest Hemingway transfers his own emotional burdens of World War I to his characters. Although considered to be fiction, the plot and characters of Hemingway’s novel directly resembled his own life and experience, creating a parallel between the characters in the novel and his experiences. Hemingway used his characters to not only to express the dangers of war, but to cope and release tension from his traumatic experiences and express the contradictions within the human mind. Hemingway’s use of personal experiences in his novel represents Freud’s Psychoanalytic theory regarding Hemingway’s anxieties and the strength and dependency that his consciousness has over his unconsciousness.
A Farewell to Arms by Ernest Hemingway is considered one of the great novels of World War I. It introduces the theme of love, while war occupies all of Europe. It is a complex novel with many characteristic aspects of modernism. After looking into Hemingway's biography, the reader can tell that he included details from his personal life in his novel. He based the main character Frederic Henry upon his own experience as an ambulance driver during World War I.
Theme is a literary element used in literature and has inspired many poets, playwrights, and authors. The themes of love and war are featured in literature, and inspire authors to write wartime romances that highlight these two themes. Ernest Hemingway’s A Farewell to Arms deals with the collective themes in the human experience such as love and the reality of war. A Farewell to Arms is narrated from the perspective of Fredric Henry, an ambulance driver in the Italian army, and pertains to his experiences in the war. The novel also highlights the passionate relationship between Henry and Catherine Barkley, a British nurse in Italy. Henry’s insight into the war and his intense love for Catherine emphasize that love and war are the predominant themes in the novel and these themes contribute to bringing out the implicit and explicit meaning of the novel. Being a part of the Italian army, Henry is closely involved with the war and has developed an aversion to the war. Henry’s association with the war has also made him realise that war is inglorious and the sacrifices made in war are meaningless. Specifically, Henry wants the war to end because he is disillusioned by the war and knows that war is not as glorious as it is made up to be. The state of affairs and the grim reality of the war lead Henry towards an ardent desire for a peaceful life, and as a result Henry repudiates his fellow soldiers at the warfront. Henry’s desertion of the war is also related to his passionate love for Catherine. Henry’s love for Catherine is progressive and ironic. This love develops gradually in “stages”: Henry’s attempt at pretending love for Catherine towards the beginning of the novel, his gradually developing love for her, and finally, Henry’s impas...